Theme Parks & Themed Entertainment
Ruminations
His first JimHillMedia column appeared a year ago on October 8, 2002, and Roger celebrates with a special anniversary bit. In this installment, he relates how some things are best done in the dark. Relax… It’s only a look at movies and the places we used to watch them.
“The proprieties must be observed at all times.”
— Michael Flynn (as played by Barry Fitzgerald), “The Quiet Man”
As far as your humble writer is concerned, motion pictures were made to be shown to audiences in real honest to goodness movie theaters. Not cracker box, shoe horned, cinder block multiplexes.
A pox on the house of whomever decided that this was an acceptable alternative.
Mercifully, up here in the San Francisco Bay Area, there still exist a few places where this can be said to be true. And even though the number of proper movie theaters seems to shrink all the time, some of the better gems still earn their keep as intended.
Once upon a time, I practically lived in the local movie theaters. In my area (a.k.a. the Diablo Valley — Danville, Walnut Creek, San Ramon, Martinez, Concord and Pleasant Hill), we had the following all during a 10 year period from 1975 to 1985:
The El Rey (a small town place with a great Main Street corner location)
The Festival Cinemas (a first generation cinderblock multiplex with 5 screens)
The Century Theaters (multiplex anchored by the big dome — part of the Syufy chain also with five screens)
The Park Theater
The Orinda Theater (great art deco murals)
The Village Theater
The Rheem Theater
The Enea (became the Showcase and switched to “adult” films; ironically later owned by a Baptist church around the corner where we got married — now their community center.)
The Capri Theater (another big screen cut up into four smaller houses)
The Regency Theaters (a Festival cinderblock clone and one of the chain with 5 screens)
The Sun Valley Cinema (a big screen in the local mall, cut into 2 houses)
The Contra Costa Cinemas (another Festival operation with 5 screens)
The Crow Canyon Cinemas (one more for Festival and five more screens!)
Throw in three drive in theaters to the mix — the Pleasant Hill Motor Movies, the Concord Drive In and the Solano Drive In and that was a bunch of places to watch movies! Oh and not to forget that there were always free films being shown at the local junior college — Diablo Valley College (as immortalized on a Mark Harmon t-shirt in the film, “Summer School”) — everything from “Citizen Kane” to “Forbidden Planet”.
Was it any wonder that it seemed like I lived at the movies? It didn’t hurt that a good friend, who I met the same afternoon as Michele on that BART train to the Star Trek Convention in San Francisco (over the Presidents Weekend in February of 1977) ended up working in a number of those places. When Michael was on duty, I could go visit him and sneak a peak or two at what was playing that week. There were many nights when I was there as he closed the doors after the last guests left the building.
And if that wasn’t going on, Michele and I managed to make a date for a movie most Saturday nights before we got married and every now and then afterwards.
I’ll admit to having seen my share of dogs amongst the good films. Guilty pleasures abound, such as “1941” or “The Blues Brothers.” Guilty as charged also for seeing such things as “Battlestar Galactica” or “Xanadu” or the animated “Lord of the Rings.” Michele still says I didn’t take her to watch “The Beastmaster,” but I know I wouldn’t have gone to see the ferrets in action unless she had wanted to!
Out of that list above, of the 38 screens, a fair number are still around, some have gone on to greater glory and have been replaced by new stadium style theaters. Almost for what was lost, new screens have come along to take their places. Many of them are as busy as ever, but I’m just not falling in like I used to.
That’s not to say I’m still not a movie junkie. Cable TV does it’s bit and DVD sales as well. And the titles get better all the time, cursed marketing blitzes… And I bought a laser disc player a few years before DVD’s hit, so I have a fair number of titles to watch on disc.
Thank your favorite deity for DVD’s!
Yes, I am a child of the mass media age, okay?
Where is all this leading? Well, in the words of Gloria Swanson in “Sunset Boulevard,” “It’s the pictures that got small.”
When it comes to the new crop of pictures, I’m just not interested in watching something I’ve seen done better before. Call that shallow, but why should I fork out nine bucks for another round of the same old nonsense?
I’d rather sit at home watching John Wayne and Ward Bond in “They Were Expendable” in glorious black and white than see something from today’s color and THX era that isn’t written, directed or acted a quarter as well.
It took me a while to go see “Saving Private Ryan.” I had heard all about it and seen previews. As much as I appreciate the past, I was not in a rush to go see it for various reasons. Maybe it was just a bit too close to the modern day. I won’t explain in detail (no, I didn’t serve in the military, but have great respect for those who have) however I’ve seen my share of blood and gore, and I really don’t need to fantasy to understand it, or explain it.
Yet in another era, I took an afternoon off work to go see “Gettysburg” when it first came out in theaters. The moments with Richard Jordan as the dying General Lewis Armistead always seem to strike a serious emotional chord with me. (And yet, I laughed out loud when Ted Turner dropped dead crossing the Emmitsburg Road — much to the annoyance of the few others in the theater with me that day.)
Part of the lure of movies for me always has been special moments. It’s the kind of thing that’s personal but can be shared. We all have them.
Maybe it was that first movie I went to see by without my parents. John Wayne in “The Alamo.”
Or the moment from “The Wizard of Oz” when Dorothy opens the door of the Kansas farmhouse and the world changes from sepia tone to Technicolor.
“2010” (yes, I know it wasn’t much of a film) when the HAL 9000 comes back to life. Made the hairs on the back up my neck stand up.
Or Vivien Leigh as Blanche DuBois, from “Streetcar Named Desire”: “Whoever you are, I have always depended on the kindness of strangers.”
And I’ll never forget watching the opening scenes of “Star Wars” with Michele, sitting in the front row of the theater when the ships fly overhead.
And when the “Titanic” set sail for it’s maiden voyage, all I could say was “Wow!” Even though I knew the story and the realized the fact that I was watching a movie, there was just something about that moment that I got caught up in.
Even something as simple as watching “Gone With the Wind” on a big screen for that first time… It is a different experience than on a small screen at home or in a cinderblock.
For the most part, I don’t think times like that are gone. Maybe as I’m getting older, I don’t expect them as often as I used to. And truth be told, when they do happen, it’s all the more powerful.
Like when they are showing great features at Oakland’s Paramount Theater with the Mighty Wurlitzer pipe organ capably operated by the talented Jim Riggs. That’s entertainment and for only five bucks! Complete evening with short subjects and the ever popular Deco-Win…
Now pay attention to the Paramount’s coming line up of films.
We get the following in the next few months:
10/17 — Harold Lloyd in “Safety Last” — Considered by many as “the most brilliantly sustained comic climax in film history.” And don’t forget, live organ accompaniment by Jim Riggs!
10/31 — “Abbott & Costello Meet Frankenstein” and “The Bride of Frankenstein” — Now that’s a classic way to spend Halloween Night!
11/28 — “Top Hat” — Fred Astaire and Ginger Rogers at their best!
12/5 — “The Road To Morocco” — Bing Crosby, Bob Hope and Dorothy Lamour.
12/26 — “The Wizard of Oz” — A family favorite being seen as intended!
All of these for only $6. That’s right. Six bucks for a night of great entertainment in one of the area’s best preserved movie palaces. Heck, you can even enjoy a smart cocktail or two before the fun begins.
Well worth your patronage…
Now slightly to the south, here is another event you don’t want to miss. The Academy of Motion Picture Arts and Sciences is offering an evening of “Animation at War.” From their web page:
“Featuring rarely-screened 35mm prints of World War II animation from the major Hollywood studios.
Wednesday, October 22, 2003, at 8:00 p.m.
in the Samuel Goldwyn TheaterMore than any other time in film history, World War II saw a direct request from the U.S. government for Hollywood’s aid in educating and galvanizing the public for its war efforts. Because of the unique and entertaining elements that animation processes could bring to political propaganda, some of the most creative and unusual war films to come out of this period were produced by Hollywood’s animation community. Animation film historian Jerry Beck will introduce and offer a historical perspective to this representative collection of films.
The evening will include a 60th anniversary presentation of the Walt Disney feature Victory through Air Power, a film not screened in Los Angeles for nearly twenty years and rarely since its original release on July 17, 1943. This part documentary, part animated-cartoon is based on Alexander P. de Seversky’s 1942 book. Contrary to the predominant thinking among our military leaders of the day, de Seversky’s book contained progressive ideas and then-radical solutions to traditional methods of warfare. This attracted Disney’s attention, and a filmed version was quickly put into production.
The resulting motion picture is powerful wartime propaganda, stating its case using spectacular effects animation, historical events, an Oscar®-nominated musical score and humorous cartooning. It begins with an entertaining (and completely accurate) history of aviation, explains how air power has become a true threat, and describes how to defend ourselves using strategic aviation.
The program will also feature several war-themed animated short subjects, including Blitz Wolf (MGM, Oscar Nominee, 1942), Russian Rhapsody (Warner Bros., 1943), Song of Victory (Columbia, 1943), Reason & Emotion (Disney, Oscar Nominee, 1943) and Out of the Frying Pan into the Firing Line (Disney, 1942).
Tickets are $5.00 for the general public and $3.00 for students and Academy members with valid I.D. Doors open at 7:00 p.m. Tickets go on sale beginning October 1, 2003, at the Academy during regular business hours, by mail, or on the night of the screening, if still available.
The Academy of Motion Picture Arts and Sciences is located at 8949 Wilshire Boulevard in Beverly Hills.
For more program information, please call (310) 247-3600.
Presented as part of the Academy Standards series. Academy Standards is a monthly series presenting high-quality prints of Academy Award-winning and -nominated films”
How can I say this? If you can be there, do so. You won’t find such a bargain anywhere else, and there is no guarantee you’ll see these films again.
I’m trying to figure out how I can make it down south, even only for the night…
Now back to the current crop of films falling out of the Hollywood machine today.
Perhaps Bart Simpson says it best. “Crap, crap, crappy crap.”
I just can’t get excited about the retreads. And I seriously do not buy the “all out of story ideas” line. Lots of tales yet to be told. It’s just the folks green-lighting projects who don’t get the clue anymore. Some times, I think you could back a truck full of quarters up to certain studios and no one could buy a clue. Until then I guess I’ll be buying more DVD’s and enjoying those gems from the past.
As an example, last Tuesday saw the release of some great Warner Brothers films with great new documentaries to go along with them. “The Adventures of Robin Hood” and “Yankee Doodle Dandy” both have been favorites of mine since way back. (And lately, we’ve discovered that one of Michele’s distant relations, Morgan Padelford, was the Technicolor consultant on “Robin Hood”; so we’re especially interested in the documentary on that subject on that DVD.)
And as far as I’m concerned, now that “The Treasure of Sierra Madre” is out on DVD, it should be required viewing at every corporate retreat around the world. Simply no finer example of how individual greed has it’s downfalls. And some of the best performances of Walter Huston and Humphrey Bogart to be found anywhere, in my humble opinion…
Yet, if I had the chance, I’d rather watch them in a real movie theater.
In 1989, another one of the classic movie palaces in the area reopened after an involved restoration. The Orinda Theater was and still is today a true Art Deco movie masterpiece. For that first evening, we were treated to a showing of a 1950 Warner Brothers cartoon, “The Hypo-chondri-cat” and then “Casablanca.” It was pure magic to watch this film as it should be seen, and with a whole new generation of folks, who hadn’t experienced it before.
Another evening even more years ago, I enjoyed a full program of Warner Brothers cartoons at Oakland’s Grand Lake Theater. Oddly enough, it’s operated by the same folks (Rialto Renaissance) as the Orinda. A great feature of that place is on it’s roof. A massive electrical wonder of an animated sign announces the name in individual incandescent bulbs (each with their own colored cover).
They have a classic film series of their own also showing a great selection as intended at the former Alameda Naval Air Station base theater. From their web page:
Directions to their Alameda Location
“All films shown twice nightly at 7:00 & 9:30pm (unless otherwise noted)
Friday, October 3 The Gay Divorcee
Saturday, October 4 Some Like It Hot
Sunday, October 5 To Kill A Mockingbird
Friday, October 10 The Killing (7:00 & 9:00pm)
Saturday, October 11 The Searchers
Sunday, October12 Vertigo
Friday, October 17 Out Of The Past (7:00 & 9:00pm)
Saturday, October 18 Gone With The Wind (2:30 & 7:30pm)
Sunday, October 19 On The Town (7:00 & 9:00pm)
Friday, October 24 Sullivan’s Travels (7:00 & 9:00pm)
Saturday, October 25 Sweet Smell of Success (7:00 & 9:00pm)
Sunday, October 26 All About Eve (7:00 & 9:45pm)
Friday, October 31 Among The Living (6:00 & 9:00pm)
Friday, October 31 The Lady & The Monster (7:20 & 10:20pm)
Saturday, November 1 Them! (2:30, 5:45 & 9:10)
Saturday, November 1 The Thing (4:15 & 7:30)
Sunday, November 2 King Kong (7:00 & 9:15pm)
Friday, November 7 The Palm Beach Story (7:00 & 9:00pm)
Saturday, November 8 The Band Wagon
Sunday, November 9 On The Waterfront (7:00 & 9:15pm)
Friday, November 14 The Tin Man (7:00 & 9:00pm)
Saturday, November 15 Casablanca (7:00 & 9:15pm)
Sunday, November 16 Charade
Friday, November 21 The Woman in the Window (7:00 & 9:15pm)
Saturday, November 22 Sunset Blvd.
Sunday, November 23 Night of the Hunter
Friday, November 28 Holiday (7:00 & 9:00pm)
Saturday, November 29 Breakfast at Tiffany’s
Sunday, November 30 Meet Me in St. Louis (2:00, 5:00 & 8:00pm)Advance tickets available at the box office of Oakland’s Grand Lake Theater.
Admission prices are $7.00 general and $5 for children and senior citizens.
Additional information available at 510-835-6187.”
How’s that for a deal? So, get off your butt, pass the popcorn and make a beeline to the theater for one of those classic films events. I don’t think you’ll regret one minute of it.
Thanks to everyone who helped me keep this first year of columns. I’m hoping to keep going churning out more for you’re here as long as Jim lets me do so.
And the only way I make anything from these pieces is through your generous donations to my Amazon Honor System Paybox. Your support continues to be graciously appreciated.
Theme Parks & Themed Entertainment
Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street
When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.
You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.
This is where Disneyland’s Little Monsters on Main Street came in.
The Origins of Little Monsters on Main Street
Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.
This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.
A Unique Halloween Experience
Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.
The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.
It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!
The Haunted Mansion “Tip-Toe” Tour
Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.
Growing Success and a Bigger Event
Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.
In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.
From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash
Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.
While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.
The Merch: A Piece of Little Monsters History
For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.
While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.
Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!
Theme Parks & Themed Entertainment
The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition
The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.
Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.
A Not-So-Scary Beginning
I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.
This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.
A Different Approach
Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.
Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.
Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.
A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.
A Modest Start but a Big Future
That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.
Universal’s Influence
It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.
So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.
For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.
History
The Evolution and History of Mickey’s ToonTown
Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all. Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?
There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.
The Beginning: Mickey’s Birthdayland
The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.
In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.
Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.
From Concept to Reality: The Birth of Toontown
In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.
Building Challenges: Innovative Solutions
The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.
And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.
Key Attractions: Bringing Animation to Life
Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.
Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.
Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.
Executive Decisions: Shaping ToonTown’s Unique Attractions
The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.
In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.
These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.
Global Influence: Toontown’s Worldwide Appeal
The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.
Evolution and Reimagining: Toontown Today
As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.
Dive Deeper into ToonTown’s Story
Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!
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