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This week, it’s “Anchors Aweigh” as Roger takes us on a cruise of a different kind. We promise its not a three-hour tour … but you might want to wear a life jacket anyway …

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Now there are folks who will tell you that there is nothing better than a sea cruise. My mom is one of them (although lunch at Club 33 runs a very close second). Travel by ship from one port of call to another with all of the sights to explore along the way. So much so that last fall she and my dad enjoyed two weeks sailing the Caribbean.


But my dad started his cruise experience a few years back in a decidedly different way. As an able bodied seaman sailing in the Merchant Marine from San Francisco to various ports in the Pacific, he got a view of life at sea that is decidedly different than the rum drinks and midnight buffets.


Some of the ships he sailed aboard had gotten their starts during the Second World War as part of the nations maritime fleet.


Using new methods (to the ship building industry) of construction such as prefabrication and welding allowed for completion and outfitting for duty at an accelerated pace at shipyards across the country. A 200-ship order was called the “Liberty Fleet.” (Eventually, 2,751 of them were built.) The strategy was to build ships faster than the enemy could sink them.


These and others that came after were the lifeline that kept materials flowing to ports around the world. Carrying everything essential from toilet paper to tanks, they helped turn the tide of the war. Aptly named, there were Victory ships and Liberty ships, doing the job that had to be done. Slow but steady, they traveled together in convoys across the oceans of the world. Originally designed to have a life of five years, it was often said during the war that if a Liberty delivered its cargo once, it had paid for itself. Crossing the Atlantic or the Pacific, there was always the constant threat of attack by enemy submarine or aircraft.


In many ways, the men who sailed on these ships were the unsung heroes of the war. Most of these crews were civilians, and had no benefits, no insurance. The only military aboard was a small Navy detachment to man the two 3 inch cannons and eight 20 mm anti-aircraft guns. If they were injured or killed, that was all part of the choice they made to sail with the Merchant Marine. Yet their contribution to the final victories of that war was as important as any. If they had not sailed, men and materials would never have reached battlefields.


Only 200 were lost during the war and many of the survivors went on to new lives with upgraded systems and engines. Some went on to serve other countries such as Greece, Taiwan and Panama. Many simply went into storage to await the call to duty in another conflict. The S.S. Jeremiah O’Brien was one of the latter, and found its way to storage as part of the Mothball Fleet moored in the Suisun Bay of northern California.


It was a long way from the shipyard in Portland, Maine (where she was built in a blistering 40-day effort) where she was launched on June 19, 1943. (From her webpages: “The namesake of the SS Jeremiah O’Brien was a Scots-Irish lumberjack from Maine whose family settled in Machias in 1765. In 1775, at the age of 31, O’Brien was chosen captain of the Unity and while in charge, defeated and commandeered the British ship Margaretta, winning the first naval battle of the Revolutionary War. Outfitted with the arms from the British ship, Unity became an armed cruiser renamed Machias Liberty. O’Brien went on to capture a number of British ships but was himself later captured and sent to prison in Great Britain. He eventually escaped, going first to France and then later back to America at about the time the war was ending. During the War of 1812, when the British threatened to take Machias, O’Brien, now a colonel of advanced years, defiantly brandished his Revolutionary War sword against them. A Liberty Ship was named to honor this tough old bird.”)


About a month later she sailed from Boston bound for England, where she docked in August. After three more successful voyages, the O’Brien was part of the D-Day Normandy invasion with four sailings to the Omaha beach and another seven to Utah beachhead. (In 1994, the O’Brien steamed around the world — with a vintage crew as well — (some 20,000 plus miles) from San Francisco to England and on to Normandy as the only ship to return for the 50th anniversary of the D-Day landings. Check out this link for tales from that voyage. San Francisco’s adopted son, Herb Caen and fellow Chronicle reporter Carl Nolte both kept us entertained with their tales from this voyage back in time. (This link has some of Carl’s stories on later trips aboard. For some photos of some of the trips, this link is to the O’Brien’s photo pages.



Departing San Francisco for Normandy on it’s way to the 50th anniversary of
the D-Day Landings. Photo by Don Maskell from the O’Brien’s web pages.


For a short version of that long trip, this link is from the Los Gatos Weekly-Times. On the way home from Normandy, the ship visited it’s birthplace. This link is to a story that appeared in a Portland newspaper on August 7, 1994.


From the web pages, tales of other wartime voyages:


“The war was not over, but it was clear that the Allies were winning. Still, the O’Brien had a lot of sailing to do, even after the war was already over. In the next 16 months, she would go to, among other places, Chile, Peru, New Guinea, the Philippines, India, China and Australia before ending up in San Francisco. And her luck would hold up.


Going into Mindoro in the Philippines carrying a large load of explosives, the crew of the O’Brien learned that the ship that just preceded it had been hit by a kamikaze. The ship had also been carrying explosives, and when hit, simply disintegrated. Always nervous anyway because they were carrying explosives, this information renewed the crew’s tensions, tensions that were not eased until the cargo was discharged several days later.


The ship went to Calcutta, India to load U.S. Army cargo, which it then transported to Shanghai, China. The war was already over, so things were less tense aboard ship. Radio silence was a thing of the past, alerts were rare although danger still roamed in the waters because there were many mines that were still floating about. Still, things were gearing down, and the trip was relatively relaxed.


Perhaps the most unusual cargo that the O’Brien carried was on her last voyage from abroad, from Freemantle, Australia to San Francisco. Nine Australian war brides and three of their children were passengers. The nine war brides were married to Navy personnel, and were transported to the states to join their husbands. Some adjustments had to be made, and there was a no fraternization rule in effect (not strictly enforced), but the voyage turned out to be incident free. The presence of women on board the O’Brien made the voyage home quite enjoyable. Playing cards together and chatting let time pass more pleasantly. And since the women liked to sunbathe and the crew had cameras, an additional activity to pass the time was born. “


In 1978, the O’Brien was declared a National Monument and placed on the National Register as a historic object. Thanks to the vision of Admiral Thomas J. Patterson, she today forms the basis of the National Liberty Ship Memorial. And it’s not just a stuffed and mounted kind of tribute. The men and women who volunteer to keep this ship going are proud to see her alive as intended and under steam for occasional cruises. Coming up over the Labor Day Weekend, she’ll be steaming from San Francisco to Sacramento (for display) and then back again. It’s a great way to see the Bay and the Delta. The one-way fare of $175 includes a great buffet-style chuckwagon barbecue and bus transportation back to the point of origin. I enjoyed one of her Maritime Day cruises around the Bay a few years ago. This one should be just as memorable.


Now, if you’re on the East Coast, head for Baltimore to check out another one of the “Liberty Fleet” — the S.S. John Brown. From their web pages: “After the war the JOHN W. BROWN was loaned by the government to the City of New York, where she became a floating nautical high school, the only one in the United States. The ship served in that capacity from 1946 to 1982, graduating thousands of students prepared to begin careers in the merchant marine. During that time the BROWN was lovingly cared for by her students and instructors, making her reactivation by our volunteers that much easier.”


Today she sails from Baltimore on a regular basis. Their pages have a great selection of photos and reports from past cruises as well as info on the upcoming voyages.


Los Angeles is home to another of the World War II Fleet, the S.S. Lane Victory. These ships were the next step in the process begun by the “Liberty Fleet;” both bigger and faster. She also sails on occasion and takes folk back to the days of simpler transport, before the jet airplane forever changed our travel experience.


In fact, she sails this weekend from her berth in San Pedro. This link has the details for this event and another coming up in September. Only $100 for adults for an all day cruise to Avalon and back! And the restored Pacific Electric “Red Car” service also departs from the World Cruise Center across from the Lane Victory’s berth!


How about Tampa, Florida? Why not the American Victory? Here’s another of these great ships making history come alive for folks by doing what she was designed to.



A great view of the American Victory as docked near the Florida Aquarium.


San Francisco Bay was home to a great deal of maritime action that has dwindled somewhat in recent years. During the war, Henry J, Kaiser’s Richmond Shipyards built many ships, including one now under restoration not far from the former home of Pixar, the Red Oak Victory. Also part of the effort is the Rosie the Riveter Memorial. It’s a great way to salute the ladies who left home to take up the duties in the shipyards. This page even tells the tale of where Norman Rockwell got this inspiration from for his classic work for a Saturday Evening Post cover featuring the archetype of “Rosie.”



This classic Norman Rockwell image of “Rosie” is from
the web pages of this great group.


If you’re looking for a cruise of a different color, okay battleship gray, why not consider one of these? I think you’ll be amazed by the skills of the volunteers of all these ships. It’s their labor of love that will keep them steaming for future generations to enjoy and learn another chapter in our nations transportation history.






So there you have it, the tale of the sea, albeit at ten knots or less. Tune in next week as Roger is back with another random act of senseless journalism. In the next installment of this series, life on the prairie and a trail ride may be just around the bend.


And once again, thanks to one and all for the donations to his Amazon Honor System Paybox. Your continued support is appreciated. That and it keeps Roger looking for more excuses to write these columns…

Roger Colton

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Theme Parks & Themed Entertainment

The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition

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The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.

Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.

A Not-So-Scary Beginning

I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.

Mickey’s Halloween Treat 1996 – Photo: Disney
Mickey’s Halloween Treat 1996 – Photo: Disney

This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.

A Different Approach

Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.

Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.

Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.

A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.

A Modest Start but a Big Future

That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.

Universal’s Influence

It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.

So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.


For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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The Evolution and History of Mickey’s ToonTown

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Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all.  Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?

There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.

The Beginning: Mickey’s Birthdayland

The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.

In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.

Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.

From Concept to Reality: The Birth of Toontown

In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.

Building Challenges: Innovative Solutions

The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.

And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.

Key Attractions: Bringing Animation to Life

Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.

Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.

Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.

Executive Decisions: Shaping ToonTown’s Unique Attractions

The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.

In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.

These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.

Global Influence: Toontown’s Worldwide Appeal

The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.

Evolution and Reimagining: Toontown Today

As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.

Dive Deeper into ToonTown’s Story

Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

Unpacking the History of the Pixar Place Hotel

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Pixar Place Hotel, the newly unveiled 15-story tower at the Disneyland Resort, has been making waves in the Disney community. With its unique Pixar-themed design, it promises to be a favorite among visitors.

However, before we delve into this exciting addition to the Disneyland Resort, let’s take a look at the fascinating history of this remarkable hotel.

The Emergence of the Disneyland Hotel

To truly appreciate the story of the Pixar Place Hotel, we must turn back the clock to the early days of Disneyland. While Walt Disney had the visionary ideas and funding to create the iconic theme park, he faced a challenge when it came to providing accommodations for the park’s visitors. This is where his friend Jack Wrather enters the picture.

Jack Wrather, a fellow pioneer in the television industry, stepped in to assist Walt Disney in realizing his dream. Thanks to the success of the “Lassie” TV show produced by Wrather’s company, he had the financial means to build a hotel right across from Disneyland.

The result was the Disneyland Hotel, which opened its doors in October 1955. Interestingly, the early incarnation of this hotel had more of a motel feel than a hotel, with two-story buildings reminiscent of the roadside motels popular during the 1950s. The initial Disneyland Hotel consisted of modest structures that catered to visitors looking for affordable lodging close to the park. While the rooms were basic, it marked the beginning of something extraordinary.

The Evolution: From Emerald of Anaheim to Paradise Pier

As Disneyland’s popularity continued to soar, so did the demand for expansion and improved accommodations. In 1962, the addition of an 11-story tower transformed the Disneyland Hotel, marking a significant transition from a motel to a full-fledged hotel.

The addition of the 11-story tower elevated the Disneyland Hotel into a more prominent presence on the Anaheim skyline. At the time, it was the tallest structure in all of Orange County. The hotel’s prime location across from Disneyland made it an ideal choice for visitors. With the introduction of the monorail linking the park and the hotel, accessibility became even more convenient. Unique features like the Japanese-themed reflecting pools added to the hotel’s charm, reflecting a cultural influence that extended beyond Disney’s borders.

Japanese Tourism and Its Impact

During the 1960s and 1970s, Disneyland was attracting visitors from all corners of the world, including Japan. A significant number of Japanese tourists flocked to Anaheim to experience Walt Disney’s creation. To cater to this growing market, it wasn’t just the Disneyland Hotel that aimed to capture the attention of Japanese tourists. The Japanese Village in Buena Park, inspired by a similar attraction in Nara, Japan, was another significant spot.

These attractions sought to provide a taste of Japanese culture and hospitality, showcasing elements like tea ceremonies and beautiful ponds with rare carp and black swans. However, the Japanese Village closed its doors in 1975, likely due to the highly competitive nature of the Southern California tourist market.

The Emergence of the Emerald of Anaheim

With the surge in Japanese tourism, an opportunity arose—the construction of the Emerald of Anaheim, later known as the Disneyland Pacific Hotel. In May 1984, this 15-story hotel opened its doors.

What made the Emerald unique was its ownership. It was built not by The Walt Disney Company or the Oriental Land Company (which operated Tokyo Disneyland) but by the Tokyu Group. This group of Japanese businessmen already had a pair of hotels in Hawaii and saw potential in Anaheim’s proximity to Disneyland. Thus, they decided to embark on this new venture, specifically designed to cater to Japanese tourists looking to experience Southern California.

Financial Challenges and a Changing Landscape

The late 1980s brought about two significant financial crises in Japan—the crash of the NIKKEI stock market and the collapse of the Japanese real estate market. These crises had far-reaching effects, causing Japanese tourists to postpone or cancel their trips to the United States. As a result, reservations at the Emerald of Anaheim dwindled.

To adapt to these challenging times, the Tokyu Group merged the Emerald brand with its Pacific hotel chain, attempting to weather the storm. However, the financial turmoil took its toll on the Emerald, and changes were imminent.

The Transition to the Disneyland Pacific Hotel

In 1995, The Walt Disney Company took a significant step by purchasing the hotel formerly known as the Emerald of Anaheim for $35 million. This acquisition marked a change in the hotel’s fortunes. With Disney now in control, the hotel underwent a name change, becoming the Disneyland Pacific Hotel.

Transformation to Paradise Pier

The next phase of transformation occurred when Disney decided to rebrand the hotel as Paradise Pier Hotel. This decision aligned with Disney’s broader vision for the Disneyland Resort.

While the structural changes were limited, the hotel underwent a significant cosmetic makeover. Its exterior was painted to complement the color scheme of Paradise Pier, and wave-shaped crenellations adorned the rooftop, creating an illusion of seaside charm. This transformation was Disney’s attempt to seamlessly integrate the hotel into the Paradise Pier theme of Disney’s California Adventure Park.

Looking Beyond Paradise Pier: The Shift to Pixar Place

In 2018, Disneyland Resort rebranded Paradise Pier as Pixar Pier, a thematic area dedicated to celebrating the beloved characters and stories from Pixar Animation Studios. As a part of this transition, it became evident that the hotel formally known as the Disneyland Pacific Hotel could no longer maintain its Paradise Pier theme.

With Pixar Pier in full swing and two successful Pixar-themed hotels (Toy Story Hotels in Shanghai Disneyland and Tokyo Disneyland), Disney decided to embark on a new venture—a hotel that would celebrate the vast world of Pixar. The result is Pixar Place Hotel, a 15-story tower that embraces the characters and stories from multiple Pixar movies and shorts. This fully Pixar-themed hotel is a first of its kind in the United States.

The Future of Pixar Place and Disneyland Resort

As we look ahead to the future, the Disneyland Resort continues to evolve. The recent news of a proposed $1.9 billion expansion as part of the Disneyland Forward project indicates that the area surrounding Pixar Place is expected to see further changes. Disneyland’s rich history and innovative spirit continue to shape its destiny.

In conclusion, the history of the Pixar Place Hotel is a testament to the ever-changing landscape of Disneyland Resort. From its humble beginnings as the Disneyland Hotel to its transformation into the fully Pixar-themed Pixar Place Hotel, this establishment has undergone several iterations. As Disneyland Resort continues to grow and adapt, we can only imagine what exciting developments lie ahead for this iconic destination.

If you want to hear more stories about the History of the Pixar Place hotel, check our special edition of Disney Unpacked over on YouTube.

Stay tuned for more updates and developments as we continue to explore the fascinating world of Disney, one story at a time.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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