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Roger’s dipped into his storage locker and come out with this classic from 1990. Still topical today, so here’s hoping you enjoy!

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Frankly, the amount of reference material on animated films is somewhat astounding. And the volumes might seriously tax your favorite bookcase. Here’s a sample of what I mean with a look at characters from animated films. Particularly, Warner Brothers and Disney as they constitute the bulk of the product, especially those years considered the “Golden Age” of animation.

What comes beyond here is adapted from two articles that appeared in Issues Four and Five of YARF! way back in May and then July of 1990. Originally done with an absolutely ancient version of Aldus Pagemaker on a Macintosh SE, they were an interesting look into the printed page. So without shame or regret, here we go! This week, it’s the Warner Brothers animated films.

This column begins a series of reviews on books that would be welcome on any anthropomorphic bookshelf. The last several years have seen a good number of books produced by a variety of publishers and we’ll be looking at some of the best in coming issues. Most will be on the subject of animation. But on occasion, we’ll look at something a bit unusual or just a good book you should have. So to begin…

As a fan of classic animation, I’m always on the lookout for more information on the subject. One of the best reference materials I’ve yet to come across is “Looney Tunes and Merrie Melodies — A Complete Illustrated Guide to the Warner Brothers Cartoons” by Jerry Beck and Will Friedwald (An Owl Book, published in May of 1989 by Henry Holt and Company – $14.95 (originally) publisher’s suggested price.) From the 1930 “Sinkin’ in the Bathtub” featuring Bosko, the Talk-Ink Kid to 1988’s “Daffy Duck’s Quackbuster’s”, this book covers them all. The author’s claim to have personally views each one of the over 1000 films and have provided screen credits and a synopsis for each one. As they explain in the introduction: “Our biggest problem was obtaining all the screen credits, a chore made difficult by Warner Bros. policy of reissuing earlier cartoons and replacing the original credits with a new ‘Blue Ribbon’ main title. If credits are missing from an entry, then it was no where to be found.”

Here’s a typical entry (for a personal fave) for 1955’s “One Froggy Evening“. In the minds of many, it’s one of the best examples of Warner Brother’s cartoons at their peak.

“ONE FROGGY EVENING”

Dec 31; MM; Directed by Charles M Jones; Story by Michael Maltese; Animation by Abe Levitow, Richard Thompson, Ken Harris and Ben Washam; Layouts by Robert Gribbroek, Backgrounds by Phillip DeGuard; Music by Milt Franklyn.

Picture, if you will, a member of a wrecking crew demolishing and 1892 building and opening the cornerstone to see a frog entering stage left doing a song and dance, signing “Hello, My Ragtime Gal.”

The finder’s mind races with the possibilities of getting rich by exploiting this singing frog. But the frog will not sing if anyone is present. At a talent agency, the finder gets an agent to look at the frog (today called “Michigan J. Frog”). Investing his mattress of life savings in renting a theater, the frog does his stuff atop a high wire, finishing just as the entrepreneur manages to lift the jammed curtain. Months later, a policeman hears someone singing (Barber of Seville) in the park and when our friend points out the frog, the film dissolves to a shot of him in a psychopathic hospital, the frog leaning on a window bar crooning “Please Don’t Talk About Me When I Gone”. Years later, a broken and desolate man, he finally dumps the frog in the cornerstone of a building about to be constructed. A hundred years pass, and rayguns disintegrate the old building. Some things never change, as the discoverer of this cornerstone is also convinced he can make a fortune with the singing frog.

One of the most celebrated films in animation history, and justly a masterpiece of concept, timing and nuance.”

The entries in this book are not only limited to the theatrical shorts but include special projects such as World War II’s “Private Snafu” series (produced for the Army Signal Corp from 1943 to 1945) to the various television projects over the years. There is an entry for the pilot film for the Bosko Series (the first Warner Bros. cartoon shorts), produced in 1929 by Hugh Harman and Rudolf Ising. You’ll even find a mention of the “Tiny Tunes” project underway by Steven Spielberg to complete with the likes of the “Muppet Babies”.

There is a complete index by title, as well as a character index. For example, we can look for “Duck Dodgers in the 24th and ½ Century” and the index lists it by the title, year (1953), and page (251). Or we can look for all of the films that the Tasmanian Devil appeared in. It lists the following films:

Devil May Hare” (1954)

Bedeviled Rabbit” (1957)

Ducking The Devil” (1957)

Bill Of Hare” (1962)

Dr. Devil and Mr. Hare” (1964)

Fright Before Christmas” (1979) for TV

For a major character, the list is longer, but you get the idea.

If you are a Warner Brothers fan, this book is one of several that rates as a “must-have“. It should be kept right next to that television remote so that you can refer to it at a moments notice to look up the listing for that cartoon as it shows up on one of the many cartoon classic programs now making the rounds.

Now, the bad news. The book is currently out of print. But Amazon does actually have copies for sale, albeit at an inflated price — starting at $51.75 (and up to $99.95 for one in new condition).

Looking around now and again, you might find one on eBay or another used book service such as Alibris , but you should expect to pay a similar price.

Who knows? Maybe we might see another version of the book someday or even a digital version for one’s PC or Mac? Gee, what an idea?

Okay, so if you’re as much a fan of this animation as I am, then another “must-have” is the DVD release of “Looney Tunes — the Golden Collection“. So, I can hear you asking, “Why?”

Here are all of the reasons I can think of (right off the Amazon item listing):

DVD Features:

56 classic animated shorts restored and re-mastered to its original form (contains all the shorts from The Premiere Collection)

Disc 1 – Best of Bugs Bunny
14 Cartoons (8 with commentary, 3 with music-only track): Baseball Bugs, Rabbit Seasoning, Long-Haired Hare, High Diving Hare, Bully for Bugs, What’s Up Doc?, Rabbit’s Kin, Water, Water Every Hare, Big House Bunny, Big Top Bunny, My Bunny Lies over the sea, Wabbit Twouble, Ballot Box Bunny, Rabbit of Seville
Extras: A Greeting from Chuck Jones, Vintage documentary “Camera Three: The Boys Termite Terrace (Part 1).” New Behind-the-Tunes Featurettes: “A Rabbit For All Seasons,” “Short-Fuse Shootout,” “Forever Befuddled.” Bonus Cartoons: “Blooper Bunny,” “Bugs Bunny at the Movies (with commentary). Excerpts from The Bugs Bunny Show: “My Dream is Yours,” “Two Guys From Texas.” Vaults: “A Star is Bored.” Bridging sequences: “The Astro Nuts Audio Recording Sessions with Mel Blanc.” Trailer and still gallery

Disc 2 – Best of Daffy & Porky
14 Cartoons (5 with commentary, 4 with music-only track): Duck Amuck, Dough for the Do-Do, Drip-Along Daffy, Scaredy Cat, The Ducksters, The Scarlet Pumpernickel, Yankee Doodle Daffy, Porky Chops, Wearing of the Grin, Deduce, You Say, Boobs in the Woods, Golden Yeggs, Rabbit Fire, Duck Dodgers in the 24 1/2 Century
Extras: Vintage documentary “Camera Three: The Boys Termite Terrace (Part 2).” New Behind-the-Tunes Featurettes: “Hard Luck Duck,” “Porky Pig Roast,” “Animal Quackers.” Stills gallery

Disc 3 – Looney Tunes All Stars
14 Cartoons (7 with commentary, 1 with music-only track): Elmer’s Candid Camera, Bugs Bunny and The 3 Bears, Fast and Furry-ous, Hair-Raising Hare, The Awful Orphan, Haredevil Hare, For Scent-imental Reasons, Frigid Hare, The Hypo-Chondri-Cat , Baton Bunny, Feed the Kitty, Don’t Give Up The Sheep, Bugs Bunny Gets the Boid, Tortoise Wins By A Hare
Extras: Documentary “Toon Heads: The Lost Cartoons.” New Behind-the-Tunes Featurettes: “Too Fast, Too Furry-ous,” “Merrie Melodies: Carl Stalling and Cartoon Music,” “Blanc Expressions.” From the Vaults: “Hair-Raising Hare Schematics,” “The Hypo-Chondri-Cat Schematics.” Still gallery

Disc 4 – Looney Tunes All Stars
14 Cartoons (6 with commentary, 3 with music-only track): Canary Row, Bunker Hill Bunny, Kit for Cat, Putty Tat Trouble, Bugs and Thugs, Canned Feud, Lumber Jerks, Speedy Gonzales, Tweety’s S.O.S., Foghorn Leghorn, The, Daffy Duck Hunt, Early to Bet, Broken Leghorn, Devil May Hare
Extras: New documentary “Irreverent Imagination: The Golden Age of Looney Tunes.” New Behind-the-Tunes Featurettes: “Needy for Speedy,” “Putty Problems and Canary Rows,” “Southern Pride Chicken.” From the Vaults: “Bosko the Talk-Ink Kid,” “Virgil Ross Pencil Tests.” Stills gallery

Now as far as the restoration goes, let me refer you to a web page of Jerry Beck (yes, one of the authors of the above book reviewed). This page has some great comparisons of old and new images. But let me relate my own experience. I sat down at home and popped the first disc. After the last two columns, you’ve gotten the idea I’m a baseball fan. Well, when it started up and right off the bat was “Baseball Bugs”, my jaw just dropped when I saw the quality of the restored images. Check the comparisons on the page from Beck’s web site and you see what I mean. Every short I watched just was one fantastic image after another. Frankly, I don’t think these have looked so good, ever!

(A few other restorations have snuck onto other Warner Home Video titles, such as “Rabbit Hood” and “Robin Hood Daffy” (Yoikes and Away!!!) appear on the “Adventures of Robin Hood” release (along with a great documentary on Technicolor). Here’s info on a few others:

Casablanca: Special Edition (2-DVD)” — “Carrotblanca”

The Treasure of the Sierra Madre: Special Edition (2-DVD)” — “Hot Cross Bunny”, “8 Ball Bunny”

Yankee Doodle Dandy: Special Edition (2-DVD)” — “Yankee Doodle Daffy”, “Yankee Doodle Bugs”

A number of years ago, I enjoyed a great evening at Oakland’s Grand Lake Theater watching a full program of Warner Brothers cartoons and frankly, I wish those prints had looked half as good then as they do now on these discs.

So, there we have it. An oldie and something newer. While I don’t know of any plans to reprint or reproduce the book (it would make a great CD or DVD product, don’t you think? Imagine a searchable database kind of thing…), one can hope, right?

Next week, it’s the flip side with a similar effort from Burbank, and the Disney world of animation. Stay tooned!

Well, all I can say is that everyone out there must simply have a passionate interest in advertisements on the message boards. As not one person as contributed or taken up one of the offers, we seem to be fated to enjoy these distractions for some time to come. Unless a few of you chip in and show your support or take up one of those fine offers. So, all you children of the mass media age, it’s either succumb to the lure of the advertisements or do your part and share a buck to make them go away…

Roger Colton

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History

The Evolution and History of Mickey’s ToonTown

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Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all.  Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?

There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.

The Beginning: Mickey’s Birthdayland

The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.

In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.

Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.

From Concept to Reality: The Birth of Toontown

In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.

Building Challenges: Innovative Solutions

The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.

And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.

Key Attractions: Bringing Animation to Life

Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.

Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.

Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.

Executive Decisions: Shaping ToonTown’s Unique Attractions

The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.

In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.

These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.

Global Influence: Toontown’s Worldwide Appeal

The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.

Evolution and Reimagining: Toontown Today

As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.

Dive Deeper into ToonTown’s Story

Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

Unpacking the History of the Pixar Place Hotel

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Pixar Place Hotel, the newly unveiled 15-story tower at the Disneyland Resort, has been making waves in the Disney community. With its unique Pixar-themed design, it promises to be a favorite among visitors.

However, before we delve into this exciting addition to the Disneyland Resort, let’s take a look at the fascinating history of this remarkable hotel.

The Emergence of the Disneyland Hotel

To truly appreciate the story of the Pixar Place Hotel, we must turn back the clock to the early days of Disneyland. While Walt Disney had the visionary ideas and funding to create the iconic theme park, he faced a challenge when it came to providing accommodations for the park’s visitors. This is where his friend Jack Wrather enters the picture.

Jack Wrather, a fellow pioneer in the television industry, stepped in to assist Walt Disney in realizing his dream. Thanks to the success of the “Lassie” TV show produced by Wrather’s company, he had the financial means to build a hotel right across from Disneyland.

The result was the Disneyland Hotel, which opened its doors in October 1955. Interestingly, the early incarnation of this hotel had more of a motel feel than a hotel, with two-story buildings reminiscent of the roadside motels popular during the 1950s. The initial Disneyland Hotel consisted of modest structures that catered to visitors looking for affordable lodging close to the park. While the rooms were basic, it marked the beginning of something extraordinary.

The Evolution: From Emerald of Anaheim to Paradise Pier

As Disneyland’s popularity continued to soar, so did the demand for expansion and improved accommodations. In 1962, the addition of an 11-story tower transformed the Disneyland Hotel, marking a significant transition from a motel to a full-fledged hotel.

The addition of the 11-story tower elevated the Disneyland Hotel into a more prominent presence on the Anaheim skyline. At the time, it was the tallest structure in all of Orange County. The hotel’s prime location across from Disneyland made it an ideal choice for visitors. With the introduction of the monorail linking the park and the hotel, accessibility became even more convenient. Unique features like the Japanese-themed reflecting pools added to the hotel’s charm, reflecting a cultural influence that extended beyond Disney’s borders.

Japanese Tourism and Its Impact

During the 1960s and 1970s, Disneyland was attracting visitors from all corners of the world, including Japan. A significant number of Japanese tourists flocked to Anaheim to experience Walt Disney’s creation. To cater to this growing market, it wasn’t just the Disneyland Hotel that aimed to capture the attention of Japanese tourists. The Japanese Village in Buena Park, inspired by a similar attraction in Nara, Japan, was another significant spot.

These attractions sought to provide a taste of Japanese culture and hospitality, showcasing elements like tea ceremonies and beautiful ponds with rare carp and black swans. However, the Japanese Village closed its doors in 1975, likely due to the highly competitive nature of the Southern California tourist market.

The Emergence of the Emerald of Anaheim

With the surge in Japanese tourism, an opportunity arose—the construction of the Emerald of Anaheim, later known as the Disneyland Pacific Hotel. In May 1984, this 15-story hotel opened its doors.

What made the Emerald unique was its ownership. It was built not by The Walt Disney Company or the Oriental Land Company (which operated Tokyo Disneyland) but by the Tokyu Group. This group of Japanese businessmen already had a pair of hotels in Hawaii and saw potential in Anaheim’s proximity to Disneyland. Thus, they decided to embark on this new venture, specifically designed to cater to Japanese tourists looking to experience Southern California.

Financial Challenges and a Changing Landscape

The late 1980s brought about two significant financial crises in Japan—the crash of the NIKKEI stock market and the collapse of the Japanese real estate market. These crises had far-reaching effects, causing Japanese tourists to postpone or cancel their trips to the United States. As a result, reservations at the Emerald of Anaheim dwindled.

To adapt to these challenging times, the Tokyu Group merged the Emerald brand with its Pacific hotel chain, attempting to weather the storm. However, the financial turmoil took its toll on the Emerald, and changes were imminent.

The Transition to the Disneyland Pacific Hotel

In 1995, The Walt Disney Company took a significant step by purchasing the hotel formerly known as the Emerald of Anaheim for $35 million. This acquisition marked a change in the hotel’s fortunes. With Disney now in control, the hotel underwent a name change, becoming the Disneyland Pacific Hotel.

Transformation to Paradise Pier

The next phase of transformation occurred when Disney decided to rebrand the hotel as Paradise Pier Hotel. This decision aligned with Disney’s broader vision for the Disneyland Resort.

While the structural changes were limited, the hotel underwent a significant cosmetic makeover. Its exterior was painted to complement the color scheme of Paradise Pier, and wave-shaped crenellations adorned the rooftop, creating an illusion of seaside charm. This transformation was Disney’s attempt to seamlessly integrate the hotel into the Paradise Pier theme of Disney’s California Adventure Park.

Looking Beyond Paradise Pier: The Shift to Pixar Place

In 2018, Disneyland Resort rebranded Paradise Pier as Pixar Pier, a thematic area dedicated to celebrating the beloved characters and stories from Pixar Animation Studios. As a part of this transition, it became evident that the hotel formally known as the Disneyland Pacific Hotel could no longer maintain its Paradise Pier theme.

With Pixar Pier in full swing and two successful Pixar-themed hotels (Toy Story Hotels in Shanghai Disneyland and Tokyo Disneyland), Disney decided to embark on a new venture—a hotel that would celebrate the vast world of Pixar. The result is Pixar Place Hotel, a 15-story tower that embraces the characters and stories from multiple Pixar movies and shorts. This fully Pixar-themed hotel is a first of its kind in the United States.

The Future of Pixar Place and Disneyland Resort

As we look ahead to the future, the Disneyland Resort continues to evolve. The recent news of a proposed $1.9 billion expansion as part of the Disneyland Forward project indicates that the area surrounding Pixar Place is expected to see further changes. Disneyland’s rich history and innovative spirit continue to shape its destiny.

In conclusion, the history of the Pixar Place Hotel is a testament to the ever-changing landscape of Disneyland Resort. From its humble beginnings as the Disneyland Hotel to its transformation into the fully Pixar-themed Pixar Place Hotel, this establishment has undergone several iterations. As Disneyland Resort continues to grow and adapt, we can only imagine what exciting developments lie ahead for this iconic destination.

If you want to hear more stories about the History of the Pixar Place hotel, check our special edition of Disney Unpacked over on YouTube.

Stay tuned for more updates and developments as we continue to explore the fascinating world of Disney, one story at a time.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

From Birthday Wishes to Toontown Dreams: How Toontown Came to Be

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Mickey's Birthday Land

In the latest release of Episode 4 of Disney Unpacked, Len and I return, joined as always by Disney Imagineering legend, Jim Shull. This two-part episode covers all things Mickey’s Birthday Land and how it ultimately led to the inspiration behind Disneyland’s fan-favorite land, “Toontown”. But let’s not get ahead of ourselves here. It all starts in the early days at Disneyland.

Early Challenges in Meeting Mickey

Picture this: it’s the late 1970s and early 1980s, and you’re at Disneyland. You want to meet the one and only Mickey Mouse, but there’s no clear way to make it happen. You rely on Character Guides, those daily printed sheets that point you in Mickey’s general direction. But let’s be honest, it was like finding a needle in a haystack. Sometimes, you got lucky; other times, not so much.

Mickey’s Birthdayland: A Birthday Wish that Came True

Fast forward to the late 1980s. Disney World faced a big challenge. The Disney-MGM Studios Theme Park was under construction, with the company’s marketing machine in full swing, hyping up the opening of Walt Disney World’s third theme park, MGM Studios, in the Spring of 1989. This extensive marketing meant that many people were opting to postpone their family’s next trip to Walt Disney World until the following year. Walt Disney World needed something compelling to motivate guests to visit Florida in 1988, the year before Disney MGM Studios opened.

Enter stage left, Mickey’s Birthdayland. For the first time ever, an entire land was dedicated to a single character – and not just any character, but the mouse who started it all. Meeting Mickey was no longer a game of chance; it was practically guaranteed.

The Birth of Birthdayland: Creative Brilliance Meets Practicality

In this episode, we dissect the birth of Mickey’s Birthdayland, an initiative that went beyond celebrating a birthday. It was a calculated move, driven by guest feedback and a need to address issues dating back to 1971. Imagineers faced the monumental task of designing an experience that honored Mickey while efficiently managing the crowds. This required the perfect blend of creative flair and logistical prowess – a hallmark of Disney’s approach to theme park design.

Evolution: From Birthdayland to Toontown

The success of Mickey’s Birthdayland was a real game-changer, setting the stage for the birth of Toontown – an entire land that elevated character-centric areas to monumental new heights. Toontown wasn’t merely a spot to meet characters; it was an immersive experience that brought Disney animation to life. In the episode, we explore its innovative designs, playful architecture, and how every nook and cranny tells a story.

Impact on Disney Parks and Guests

Mickey’s Birthdayland and Toontown didn’t just reshape the physical landscape of Disney parks; they transformed the very essence of the guest experience. These lands introduced groundbreaking ways for visitors to connect with their beloved characters, making their Disney vacations even more unforgettable.

Beyond Attractions: A Cultural Influence

But the influence of these lands goes beyond mere attractions. Our episode delves into how Mickey’s Birthdayland and Toontown left an indelible mark on Disney’s culture, reflecting the company’s relentless dedication to innovation and guest satisfaction. It’s a journey into how a single idea can grow into a cherished cornerstone of the Disney Park experience.

Interested in learning about Jim Shull’s original idea for a Winnie the Pooh ride? Here’s concept art of the attraction proposed for the original Toontown in Disneyland. More on [Disney Unpacked].

Unwrapping the Full Story of Mickey’s Birthdayland

Our two-part episode of Disney Unpacked is available for your viewing pleasure on our Patreon page. And for those seeking a quicker Disney fix, we’ve got a condensed version waiting for you on our YouTube channel. Thank you for being a part of our Disney Unpacked community. Stay tuned for more episodes as we continue to “Unpack” the fascinating world of Disney, one story at a time.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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