Theme Parks & Themed Entertainment
Ruminations: West Coast Update
Following up on some earlier “Ruminations” columns, Roger Colton shares info on several upcoming events in Northen & Southern California that JHM readers may want to check out
Last week, my e-mail offered up a few updates on some topics that I thought might be of interest to the loyal readers of this space.
First up, the folks at E-Ville Press are hard at work finishing their next collaboration with Afterworks 2. From their blog, the following update:
“Afterworks 2 is going to be published by IMAGE comics! The full color book is well underway and here’s the rundown of awesome artists that will be contributing stories to the anthology.
Mark Andrews, Scott Morse, Brian Larsen, Peter Sohn, Nate Stanton, Anthony Wong, Jennifer Chang, Angus Maclane, Bill Presing, Ted Mathot, Rob Gibbs, Louis Gonzales, Nate WraggMatt Majers, Josh Cooley, Derek Thompson, Jeff Pidgeon and Mark Holmes.
And here’s the cover design done by designer extraordinaire Mark Holmes.”
Jeff Pidgeon, one of the story veterans at Pixar, also shared the first panel of the story he and wife Anita Coulter have finished for this issue.
Looks like another great book to add to the collection!
Speaking of Pixar folks, thanks to Jerry Beck and the folks at Cartoon Brew for alerting everyone to an upcoming show in San Francisco at the Canvas Gallery.
“…Combined Weight, a collection of work by artists from Pixar Animation Studios, “produced in their spare time to show the world through their eyes”. Artists include Daniel Arriaga, Enrico Casarosa, Janet Lucroy, Jennifer Chang, Liz Holmes, Lori Klocek, Mark Holmes, Nate Stanton, Noah Klocek, Paul Topolos, Rich Quade, Robert Kondo, Robin Cooper, Ronnie Del Carmen, Simon Dunsdon, Steve Pilcher, and Steve Purcell. Opening reception is next Thursday April 27th, from 7pm – 12am. The exhibition runs from April 27 through May 22nd at The Canvas Gallery, 1200 9th Ave. at Lincoln, San Francisco.”
And while you’re in the City, the Cartoon Art Museum has a few things of note that you might want to stop by and check out, too.
From press releases from the Museum:
Earthquake!!!
Bay Area Cartoonists Look at 1906, 1989 and Beyond
April 15 – June 25, 2006
In 1906, The Great San Francisco Earthquake and Fire devastated the entire city. The Bay Area experienced a second major quake in 1989, as the Loma Prieta leveled houses and bridges, causing over $6 Billion in damages. In the event of a third major disaster, San Francisco is completely prepared for anything that Mother Nature can throw at us…or is it
Earthquake!!! features the works of two-dozen local cartoonists as they reflect on the long history of natural disasters in the San Francisco Bay Area. Artists reflect on the 1906 earthquake, provide first-hand accounts of the 1989 earthquake and speculate on a wide variety of current topics, from the modern day San Franciscan’s preparations for “The Big One” to life on the West Coast in the aftermath of the next major disaster.
This exhibition includes works from a wide array of Bay Area cartoonists including Mark Bode (Heavy Metal), Phil Frank (Farley), Jon “Bean” Hastings (Mad Science), Keith Knight (the ‘K’ Chronicles), Steve Lait (The Oakland Tribune), Paul Madonna (All Over Coffee) and Trina Robbins (The Great Women Cartoonists) and more.
The Cartoon Art Museum
Participating in Macy’s Community Shopping Day
Friday, May 12th, 2006, 10am to 10pm
Buy your $10 ticket today and help support
The Cartoon Art Museum
The Cartoon Art Museum is proud to participate for its third year with Macy’s Union Square for their Community Shopping Day Benefiting the Arts on Friday, May 12th, 2006. This event raises thousands of dollars for local small to medium sized arts organizations.
Community Shopping Day is an all-day shopping event dedicated to raising funds for local nonprofit organizations. By purchasing a Macy’s Community Shopping Day ticket directly from The Cartoon Art Museum, ticket bearers will help raise funds to support The Cartoon Art Museum’s community programs, plus enjoy exclusive 15-20% savings at Macy’s, exciting entertainment and events, special samplings from event sponsors, and the chance to win a $500 Macy’s shopping spree.
In addition to The Cartoon Art Museum’s efforts to sell tickets, Macy’s employees and Union Bank of California will be involved in the fundraising event by selling tickets to their customers three weeks prior to Community Shopping Day. Macy’s will split all funds raised by their employees among participating charities.
The Cartoon Art Museum supporters who are unable to attend Community Shopping Day or who want to avoid the crowds are invited to pre-shop beginning on May 6th. Items purchased through pre-selection may be picked up beginning the day of the event and ending Friday, May 26th, 2006.
For more information about The Cartoon Art Museum’s participation in Macy’s Community Shopping Day, to purchase your $10 ticket or to volunteer to sell tickets contact Summerlea Kashar at 415-227-8666 ext. 300 or via email at office@cartoonart.org.
Cartoon Tunes: Capturing Music in Comics
May 9 – October 15, 2006
Opening Reception Tuesday, May 9, 2006
from 7:00 – 9:00pm
Comics are, by nature, a pairing of two mediums more often kept apart: pictures and words. For many cartoonists, that pairing so often provides a vantage on yet another medium: sound. The Cartoon Art Museum’s latest exhibition, Cartoon Tunes: Capturing Music in Comics, examines the ongoing love affair between comics and music through more than 40 pieces of original artwork on themes from the unabashed love of the legendary rock band Led Zeppelin to Bob Dylan as he might have been imagined by legendary comic book creator Jack Kirby, and musical tastes from classic rock to classical and from opera to hip-hop.
Featured artists include R. Crumb, Gene Deitch, Justin Green, Ellen Forney, Dylan Horrocks, Megan Kelso, David Lasky, Jim Mahfood, Tony Millionaire, R. Sikoryak and Carol Tyler. Among the musicians included in this exhibition are Prince, Run DMC, Philip Glass, Jenny Lind (“The Swedish Nightingale”) and They Might Be Giants.
The majority of the work has never been exhibited before, and reflects a wide range of output by largely alternative or indie comic artists. Although “music” is the common theme uniting these artists, the individual entries cover subjects including biography, musicology, illustrated lyrics, abstract meditations on sound and humorous autobiographical reminiscences. Many of the pieces on display in this exhibit originally appeared in Pulse! magazine and its sister publication, Classical Pulse! , between 1992 and 2002.
Cartoon Tunes: Capturing Music in Comics is co-curated by artist Keith Knight, creator of the syndicated comics The K Chronicles and (th)ink, and Marc Weidenbaum, the Editorial Director of the manga magazine Shonen Jump and former editor of the Pulse! comics.
The opening reception for this exhibition takes place on Tuesday, May 9, 2006, from 7:00-9:00pm. The reception is free and open to the public.
About the Cartoon Art Museum
Founded in 1984, the Cartoon Art Museum was started by a group of cartoonists and collectors who wanted to share their appreciation of this unique art form with the rest of the world. The Museum is dedicated to the collection, preservation, study and exhibition of original cartoon art in all forms to benefit historians, cartoonists, journalists, artists, collectors and the general public. For more information, please visit http://www.cartoonart.org/
And if that isn’t enough from Northern California to keep you going, the Charles M. Schulz Museum in Santa Rosa has a fascinating summer event planned:
The Summer of Woodstock
June 3 through October 23, 2006 – Snoopy’s feathered friend takes center stage at the Charles M. Schulz Museum and in Santa Rosa’s Summer of Woodstock (100 statues of Woodstock will be placed throughout the community, read about it at www.peanutsonparade.com). The first birds that Schulz drew were very realistic, but over a ten-year period they gradually became more abstract and stylized. A single bird was separated from the flock in 1967, but he wasn’t given his name, Woodstock, (yes, he was named after the great counter-culture event!) until June 22, 1970.
The exhibition looks at the many roles that Woodstock filled from Legendary Sidekick to Snoopy’s Secretary. Woodstock’s distinct, if non-birdlike, personality will also be examined including his difficulty in flying and his directional dyslexia, as well as his unfortunate attempts to participate in sports
Because he was such a popular Peanuts character, Woodstock began to make appearances in many products in the 1970s. On display in the exhibition will be four decades of Woodstock-themed products. In addition, the visitor will be taken behind the scenes to learn how the Woodstock statutes were manufactured and then decorated by local artists.
Finally, if you were thinking about attending the “Cars” premiere at the Lowe’s Motor Speedway, in Charlotte, North Carolina and haven’t found the time to get tickets, then you might want to check back next week to find how you can win two of them right here…
And speaking of “Cars”, folks on the west coast aren’t being left out entirely. The El Capitan Theater in Hollywood is now selling tickets for an 11:59 p.m. showing of the film on Thursday, June 8th. Sounds like a great way to be one of the first to see this movie!
Finally, Disney railroad fans might want to mark their calendars for two events in California on the same weekend in May – the 6th & 7th. First up, Fullerton Railroad Days takes place in the area around the Amtrak station with a great collection of events and displays. This year, the Disneyland Railroad joins in the festivities as the “E.P. Ripley”, steam locomotive #2 of the fleet travels down Harbor Boulevard to greet admirers.
Somewhat further up the coast line, The Pacific Coast Railroad Roundup is being held in Santa Margarita. This is where the coaches of the original Santa Fe & Disneyland Railroad have found a home. This special event is a rare opportunity to see them in service carrying passengers as Walt Disney intended. Pulled behind vintage steam locomotives, guests will be able to enjoy the ride along a stretch of railroad through the Central California Coastal mountains. And it all goes for a good cause as this event benefits the San Luis Obispo Railroad Museum.
So there you have it — a full plate of exciting opportunities, just waiting to be taken advantage of… Here’s hoping you get the chance to enjoy one or more of them soon!
Theme Parks & Themed Entertainment
Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut
Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.
The Very First Parade and the Early Days of Balloons
The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.
And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.
1934: Mickey Mouse Floats In, and Disney Joins the Parade
It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.
Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.
Duck Joins and Towers Over Mickey
A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.
Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.
A Somber Parade in 2001
Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.
That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.
Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo
Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.
In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.
These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.
Mickey’s Comeback as a Bandleader and Sailor Mickey
After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.
But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.
Macy’s Disney Celebration at Hollywood Studios
In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.
Minnie Mouse’s Long-Awaited Debut in 2024
This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.
For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.
As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.
Theme Parks & Themed Entertainment
Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street
When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.
You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.
This is where Disneyland’s Little Monsters on Main Street came in.
The Origins of Little Monsters on Main Street
Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.
This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.
A Unique Halloween Experience
Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.
The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.
It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!
The Haunted Mansion “Tip-Toe” Tour
Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.
Growing Success and a Bigger Event
Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.
In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.
From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash
Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.
While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.
The Merch: A Piece of Little Monsters History
For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.
While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.
Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!
Theme Parks & Themed Entertainment
The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition
The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.
Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.
A Not-So-Scary Beginning
I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.
This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.
A Different Approach
Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.
Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.
Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.
A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.
A Modest Start but a Big Future
That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.
Universal’s Influence
It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.
So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.
For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.
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