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Television & Shows

Sitting in on a taping of Tim Allen’s new ABC sitcom, “Last Man Standing”



So how did I almost wind up winning an autographed “Tim the
Tool Man” Taylor toolkit while attending a taping of Tim Allen’s new ABC
sitcom, “Last Man Standing” ? It’s kind of a funny story.

Tim Allen and Nancy Travis on the
set of “Last Man Standing.” Photo by Peter “Hopper”
Stone. Copyright American
Broadcasting Companies, Inc. All rights reserved

To explain: I have always wanted to attend a TV taping just
to see what one was like. But in all my previous trips to Southern California,
the timing just never worked out. Either they weren’t taping while I was in
town or I had waited too long to order tickets. So I kept missing my chance.

But this past summer, Jim had asked Angela Ragno and I if we’d
like to come along and help cover the 2011 D23 EXPO for JHM. And since Angela
is an event planner … Well, she knows a thing or two about planning ahead.
Which is why –  before I had even got on
the plane to fly out to Orange County – Angela had already lined us up some
seats for “Last Man Standing.”

Which – given that Tim Allen’s new show was going to be on ABC’s Fall schedule
(“Last Man Standing” actually has its series premiere on that network tonight at
8 p.m. ET / PT) – I thought this sitcom would be shot on the Disney Lot in
Burbank. No such luck. As it turns out, “Last Man Standing” is a 20th
Century Fox production. Which – to further confuse the issue – is being shot at
the CBS Studio Center in Studio City.

The entrance to CBS Studio Center
in Studio City

Anyway … On the day of the taping, Angela and I drive up
from Anaheim and roll up to the gate at CBS at the appointed hour. The
instructions that came with our “Last Man Standing” tickets said to arrive at 5
p.m. More importantly, because cameras and cell phones aren’t allowed on the
soundstage during a taping, we were told to lock all of that stuff up in the

Angela and I made our way to the meet-up point at CBS Studio
Center. A page then walked our group back to the soundstage where “Last Man
Standing” was being shot. En route, we passed trailers for “CSI.” I also
noticed that – as we walked through the Lot – that NBC‘s new sitcom, “Whitney
also seemed to be shooting at CBS Studio Center.

Once we actually got to the soundstage, before we entered
the building, all would-be audience members first had to be wanded by Security.
Just to make sure that none of us were still carrying our cell phones and/or
were trying to smuggle a camera into this taping.

Setting up a shot on “Last Man
Standing.” Photo by Peter “Hopper” Stone. Copyright
American Broadcasting
Companies, Inc. All rights reserved

After that, we led up into the bleachers on this soundstage.
Angela and I wound up with great seats, right down front. And I then tried to
take in everything that was going on around me.

There were sets for “Last Man Standing” all over this
soundstage. Some to our left, some to our right, while the main set of the
Baxter household was right in front of us. Meanwhile the  cameramen and technicians were all making
ready for the start of taping.

Then suddenly the warm-up guy appeared. His job was to keep
the crowd in the bleachers upbeat & energized. He kept asking for
volunteers to come help him out. Which I eventually found myself standing in
front of the “Last Man Standing” set, trying to lead this group in a cheer. It
didn’t work.

Tim Allen says a quick “Hello” to
the audience before a taping of “Last Man Standing”
gets underway. Photo by Peter “Hopper” Stone. Copyright
American Broadcasting
Companies, Inc. All rights reserved

Now because “Last Man Standing” was a brand-new show at this
point which had yet to air … Well, obviously the members of the audience at
this taping had no clue as to who these characters were and what their
relationships might be. Which is why – before this taping got underway – the warm-up
guy screened  the pilot of “Last Man Standing” for us. At which point, we were well
versed in the world of Mike Baxter, his wife and three daughters.

And then finally it was time to start taping. The producer
of “Last Man Standing” introduced the cast, with Tim Allen – of course –
getting the largest round of applause as he entered. Tim grabbed the mike and
said a quick “Hello” to the crowd. And with that, the taping of Episode 3 of
this new ABC series quickly got underway.

I have to admit that that was what impressed me the most
about attending this taping of “Last Man Standing.” How quiet & professional
the cast and production team were. Each scene in this sitcom has obviously been
rehearsed well in advance. The cast all hit their marks and got their laughs.
Sometimes – just to freshen things up a bit – Tim would vary his reading of a
particular line or maybe tweak a punchline. But there wasn’t a lot of horsing
around or ad-libbing. They’d do two, sometimes three takes of each scene and then
quickly move on to the next camera set-up.

Evan/Luke Kruntchev and Tim Allen on set
at “Last Man Standing.” Photo by Peter
“Hopper” Stone. Copyright American
Broadcasting Companies, Inc.
All rights reserved

The only member of the cast who wasn’t actually cooperating
with this extremely professional on-set work attitude was little Evan or Luke
Kruntchev (I’m not sure which twin they had in front of the camera that night).
This extremely cute toddler plays Tim Allen’s grandson on “Last Man Standing.”
But as toddlers often do, Evan and/or Luke was misbehaving. Which is why –
after a while – young Mr. Kruntchev was taken backstage.

The producer then came out and explained that they’d shoot
those parts of this episode which featured  the grandson character at another time when
this toddler was feeling better / was better behaved. But in the meantime, to
help the actors who were still onstage get through this scene / maintain the
proper sightlines when it came to performing this scene with a toddler, the “Last
Man Standing” production team then brought out a blonde-headed doll. Which then
became Little Mr. Kruntchev’s stand-in for the rest of the scene.

As time went on, the warm-up guy – in order to help keep the
audience’s interest and energy level up – challenged us to singing and dancing
contests. The studio even provided us with pizza and bottles of spring water.

(L to R) Joel David Moore,
Christopher Sanders, Kaitlyn Dever, Molly Ephraim, Alexandra
Krosney, Hector Elizondo,
Nancy Travis and Tim Allen take their bows at the end of a
taping of “Last Man
Standing.” Photo by Peter “Hopper” Stone. Copyright
American Broadcasting
Companies, Inc. All rights reserved

By the time 9 p.m. rolled around, this “Last Man Standing”
taping was over. The cast all gathered onstage for a quick bow, waved to the
audience and then disappeared backstage. The warm-up guy then announced that he’d
awarding a special souvenir to the audience member who had done the most to
keep the crowd revved up that night. At our taping, this person was a young
Irish girl who worked as a counselor at a camp for autistic children. Her
energy (more importantly, her laugh) was so infectious that, all throughout the
taping, the warm-up guy kept circling back to her.

Anyway … As you might have already guessed, this special
souvenir was a genuine “Tim the Tool Man” Taylor toolbox from Tim Allen’s first
sitcom, “Home Improvement.” And since Tim himself had signed this toolbox, the
young Irish woman seemed very pleased with her prize.

And as for me … Well, it’s not like I went home from this “Last
Man Standing” taping empty-handed. I have my memories … as well as an
autographed picture of Tim Allen that I got for volunteering. Which was pretty

And – no – this is not the kind of
camera that they use to shoot “Last Man Standing.”
Photo by Peter “Hopper”
Stone. Copyright American Broadcasting
Companies, Inc. All rights reserved

So now … Well, having seen how this sitcom was shot, I just
can’t wait ’til later this month to see what changes – if any – they’ve made to
the episode of “Last Man Standing” that I saw get taped.

But – all in all – this was a very fun experience. And I
highly recommend that you try and attend the taping of a sitcom the very next
time that you’re out in LA.

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Film & Movies

“Seinfeld” Moms: A Tribute to Two TV Moms We Lost in April 2022, Estelle Harris & Liz Sheridan



Seinfeld Moms - Estelle Harris Liz Sheridan

In what many have called his greatest poem, “The Waste Land” (Poetry fans will be celebrating the centennial of its publication later this year. It first appeared in print back in December of 1922. Anyway … ), T.S. Eliot once said “ … April is the cruelest month.”

Well, this past April was certainly cruel to “Seinfeld” fans. That’s when we not only lost Estelle Harris (Who played George Costanza’s Mom. Who was also named Estelle) but also Liz Sheridan (Who played the mother of that hit TV show’s title character, Helen Seinfeld).

Less than two weeks separated these performers’ passings. We lost Ms. Harris on Saturday, April 2nd and then Ms. Sheridan on Friday, April 15th. In a kind of interesting coincidence, both women died of natural causes at the age of 93.

Mind you, these two talented ladies took two very different paths when they started their careers in show business. Liz started early and began dancing on Broadway back in the 1950s.

In fact, if you’d like a look back at that time in Ms. Sheridan’s career, you should pick up a copy of “Dizzy and Jimmy,” the book she wrote back in 2000. It details her love affair with a certain 21-year-old Indiana farm boy who had traveled to NYC by way of Hollywood seeking his fortune. Maybe you’ve heard of this guy? Screen legend James Dean?

Whereas Estelle … Well, strange as this may seem (given how effortlessly she stole scenes from every other actor she ever worked with), Harris actually waited ‘til she turned 53 before then embarking on her professional performing career. 

Estelle Harris & Liz Sheridan: Early Career in Television & Film

Estelle’s first film role was in Sergio Leone’s “Once Upon a Time in America” (1984). Harris’ first role of television quickly followed. She played Easy Mary, an elderly hooker on an episode of NBC’s “Night Court” back in 1985. And Harris’ performance got such big laughs at that night’s taping that the show’s producers quickly decided to write Estelle’s character into additional episodes.

A similar sort of thing happened around this same time in Liz Sheridan’s career. In 1986, she was hired to play the nosy neighbor on an episode of another NBC sitcom, “ALF.” But Sheridan’s performance as grumpy Raquel Ochmonek made such a big impression on the audience attending that evening’s taping the producers brought her back multiple times. Over the course of “ALF” ‘s four season run on NBC (September of 1986March of 1990), Liz appeared in nearly 30 episodes.

So it stands to reason that — when production of “The Seinfeld Chronicles” was getting underway in 1989 (This show’s name wouldn’t officially be shortened to just “Seinfeld” until the start of Season 2 in January of 1991) — whenever the question of “Who’s gonna play George or Jerry’s Mom?” would come up, the show’s creative team would always say it’s gotta be someone solid and strong. Some veteran performer who just can walk in and then immediately claim that role. In short, someone like Estelle Harris or Liz Sheridan.

Roles on “Seinfeld”

Sheridan made her very first appearance as Jerry’s Mom Helen relatively early on. We’re talking Episode 2 of Season One in an episode entitled “The Stake Out.” Which initially aired on NBC on May 31, 1990.

Whereas Georga Costanza’s Mom, Estelle … That character didn’t make her first appearance on “Seinfeld” until November of 1992. But give that Estelle Harris’ entrance into this by-then-hit sitcom came with “The Contest,” that infamous episode which introduced the phrase “Master of Your Domain” into the pop lexicon, few people ever forgot her arrival on that show.

Anywho … Being cast as George Costanza’s Mom really put Estelle Harris on the map. At least as far as animation studios were concerned.

Work in Animation

Estelle was soon hired to voice Mrs. Potato Head in “Toy Story 2” (1999). Which was truly inspiring casting when it came to the wife of Don Rickles’ Mr. Potato Head character. For her shrillness was a perfect counterpoint to Don’s vocal bombastics. She reprised this role twice more, “Toy Story 3(2010) and “Toy Story 4” (2019). And that vocal performance wound up being Harris’ very last ever film role.

Just so you know: Liz Sheridan did some voice work for animation as well. She was the voice of Mrs. Stillman on “Life with Louie,” that animated sitcom from the 1990s built around the late, great Louie Anderson’s stand-up routine.

Back to Estelle Harris now … Since animators just loved her voice, Estelle wound up playing a lot of cartoon Moms over the past 25 years:

  • Professor Hubert J. Farnsworth’s Mom on “Futurama” 
  • Sylvester’s Mom on “The Looney Tunes Show”
  • even Death’s Mom on “Family Guy”
Don Rickles & Estelle Harris – Credit:

Conversation with Estelle Harris

And while I never got to meet Ms. Sheridan, I did once get the chance to sit down with Ms. Harris and then interview her in regards to Estelle’s reoccurring role on that Disney Channel hit from the mid-2000s, “The Suite Life with Zack & Cody.

And I can tell you folks that — after having had a half hour-long conversation with this delightful woman — that that shrill, grating voice was Harris’ real voice. But the lady herself could not have been nicer. Estelle was a sweet old broad who was actually in on the joke. She just loved the fact that people were constantly hiring her to come on their shows & then be incredibly annoying.

Back to Estelle’s passing now … Last month, Harris’ really-for-real son Glenn — issued this statement:

“It is with the greatest remorse and sadness to announce that Estelle Harris has passed on this evening at 6:25 pm. Her kindness, passion, sensitivity, humor, empathy and love were practically unrivaled, and she will be terribly missed by all those who knew her.”

Then Estelle’s TV son, the hugely talented Jason Alexander, Tweeted out a tribute to this beloved performer:

“One of my favorite people has passed. My TV mama, Estelle Harris. The joy of playing with her and relishing her glorious laughter was a treat. I adore you, Estelle. Love to your family. Serenity now and always. RIP Estelle Harris.”

Jerry Seinfeld also used social media to share his thoughts about the sad passing of Liz Sheridan:

“Liz was always the sweetest, nicest TV mom a son could wish for. Every time she came on our show it was the coziest feeling for me. So lucky to have known her.”

More “Seinfeld” Dads and Relatives

And just in case, you’re wondering:

  • We lost John Randolph (he was the actor who originated the role of George Costanza’s Dad) back in 2004
  • We lost Barney Martin (he played Jerry’s Dad) back in 2005
  • We lost Len Lesser (he played Jerry’s Uncle Leo) in 2011
  • And we lost Jerry Stiller (who took over the role of George Costanza’s Dad from John Randolph and really made it his own) in 2020
John Randolph, Barney Martin, Len Lesser, & Jerry Stiller

Mom – Let Her Know How You Feel

Okay. I know. These were just two very talented ladies who played Moms on TV. But let this be a reminder to you that — in this life — you only get one Mom. My own turned 90 earlier this year. So — if you get the chance today — be sure and let them know how you really feel about them.

Unless — of course — you have a somewhat problematic relationship with your Mother. If so … Well, then maybe you should wait ‘til Festivus to let Mom know about how you really feel about her. Just remember that you’re not allowed to air any grievances until you’re actually holding that unadorned aluminum pole.

Happy Mothers Day!

Credit: WikiHow
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Television & Shows

Looking back at the colorful show business career of original Mouseketeer Doreen Tracey



Doreen Tracey – who passed away last Wednesday while being treated for pneumonia at a hospital in Thousand Oaks, CA — had a complicated relationship with The Walt Disney Company.

Copyright Disney Enterprises, Inc. All rights reserved

How so? Well, this story that Jennifer Armstrong shared in “Why? Because We Still Like You: An Oral History of the Mickey Mouse Club” (Grand Central Publishing, October 2010) should give you some idea of the challenges that this performer faced in her post-Mouseketeer career.

Picture this: It’s January of 1968. At this point, it’s been almost a decade since the last episodes of the original “Mickey Mouse Club” show have been shot. And the now-25 year-old Tracey has gone to extremes to distance herself from that particular Disney television production.

How extreme? Doreen’s spent the past year touring Vietnam with the USO. Trading her formerly demur Mouseketeer sweater & ears for a skin-tight t-shirt, white go-go boots and mini-skirt, Tracey has choppering from base to base as she entertains the troops. Performing covers of then-popular 1960s songs like “Hold On, I’m Coming” and “We’ve Gotta Get Out of This Place” with her band, Doreen and the Invaders.

Anyway … It’s the middle of the Tet Offensive. And Tracey & her band have just finished playing for the Army’s Seventh Calvary. And as Doreen begins taking her bows, one soldier in the crowd starts singing “The Mickey Mouse Club March.” And then the whole audience joins in.

As Armstrong recounts in her book:

At first Doreen was crushed. Would she ever be known as anything except a Mouseketeer? And yet (as the singing continued, Tracey) felt a proud swelling in her throat and tears dampening her face in spite of herself.  Nostalgia overwhelmed her as the war-torn soldiers belted “M-I-C – See you real soon! K-E-Y – Why? Because we like you!” Who could deny the emotional impact of an audience full of warriors, mid-quagmire, with the world’s most innocent song, from the world’s most innocent kids’ show, bubbling up from their memories and wafting out of their mouths?

Copyright Grand Central Publishing. All rights reserved

“Every time I performed, I wanted to get away from the Mouseketeer thing,” Doreen says. “I wanted (to be identified) as an entertainer on my own. But I couldn’t escape my past.”

The irony here is that – prior to agreeing to become one of the original Mouseketeers on “The Mickey Mouse Club” TV series (which aired on ABC every afternoon Monday – Friday from October of 1955 – August of 1959) – Tracey actually already had the makings of a very promising start when it came to a career as a child performer. She had parlayed an appearance in “The Farmer Takes a Wife” (i.e., a Betty Grable film that 20th Century Fox released back in July of 1993) into a guest spot on NBC’s Colgate Comedy Hour.

But when a casting agent from Disney called the dancing studio that Doreen’s Dad ran, saying that Walt was looking for talented young people to appear on a television project that his company was planning … The Tracey family saw this as a huge opportunity for their then-12 year-old daughter.

“That’s what Walt himself once told me after I’d aced my audition and then actually signed a contract to do ‘The Mickey Mouse Club,’ ” Doreen once told me during a 2015 phone interview. “He cautioned me that appearing on his TV show would probably have a huge impact on my career. But neither of us knew how right he was.”

And Walt … He really loved what this talented youngster was doing on “The Mickey Mouse Club” TV show. So much so that – when production of this daily ABC television series was on hiatus – Disney would then find Tracey roles in motion pictures that his studio was producing at that time like 1956’s “Westward Ho the Wagons!”

“The film that I wish Walt had gone forward with, ‘The Rainbow Road of Oz,’ I was supposed to have had a really great part in that movie,” Doreen continued. “I was supposed to have played the Patchwork Girl of Oz. Bobby (Burgess) and I actually shot a version of the song that my character was supposed to have performed in that movie – Bobby was supposed to have been the Scarecrow to my Patchwork Girl. And that number then aired on ABC as part of the Disneyland TV show’s fourth anniversary.”

Bobby Burgess as the Scarecrow and Doreen Tracey as the Patchwork Girl of Oz perform  a musical number from “The Rainbow Road to Oz” on the Disneyland TV series’ fourth  anniversary show. Copyright Disney Enterprises, Inc. All rights reserved

Unfortunately, when Walt opted to shut down production of “The Mickey Mouse Club” in May of 1958 (largely because Disney was reportedly upset with the number of commercials that ABC tried to cram into each daily airing of this kid’s show), he also pulled the plug on “The Rainbow Road to Oz.” And Tracey … Well, to hear her tell the story, she was then typecast at the age of 15 as “… that girl who used to be on ‘The Mickey Mouse Club’ show.”

Which (to be blunt) kind of Doreen crazy in her late teens and early twenties. Which is why – in order to show the world that she was now a full-grown woman, rather than forever a Mouseketeer – Tracey married Robert Washburn on May 7, 1961. Given that this wedding took place just a month after Doreen had turned 18 … Well, is it really such a surprise to learn that – just 15 months later – it ended in divorce?

Mind you, there was at least one good thing that came out of this very brief union. And that was Doreen & Robert’s son Bradley. And since Tracey was determined to provide for this child, she then worked all sorts of show biz-related gigs. Doing everything from working as the opening act for performers like George Gobel, Trini Lopez, the Mills Brothers, and Neal Sedaka to trying her hand at songwriting over at Crown Records.

Once she returned from entertaining the troops in Vietnam in the early 1970s, Doreen then transitioned to a position in promotions. And during the years that she worked at Warner Brothers Records, Tracey took great pride in the part she played in helping to launch the careers of the Doobie Brothers, Tower of Power and Frank Zappa.

But that said, Doreen still found herself dealing with colleagues who just couldn’t see past her appearances on “The Mickey Mouse Club” TV show. They continued to view Tracey as that girl who used to dress in a Mouseketeer sweater and wear ears.

Which is why – in an effort to make a definitive break from her Disney-related past – Doreen agreed to appear in the December 1976 issue of “Gallery” magazine. That men’s magazine trumpeted Tracy’s appearance with a headline that read “… Exclusive pictorial. Mouseketeer in the nude: Little Doreen Grows Up.”

That 5-page pictorial proved to be so popular that – less than 3 years later – “Gallery” asked Tracey to do another shoot. This one – which the magazine heralded with a “Mouseketeer Doreen Back (And Front) By Popular Demand” headline – was considered especially heinous by Mouse House managers at that time. Largely because (as Tracey recounted to Armstrong in “Why? Because We Still Like You: An Oral History of the Mickey Mouse Club”) this article featured a photo where she flashed …

… the camera while posing near the actual Walt Disney Productions employee entrance at 500 S. Buena Vista Street. “I’m in a trench coat. I’m walking at Alameda and Buena Vista – that used to be our parking lot where we would also play baseball. It was like six o’clock in the morning and the guard wasn’t on duty when we shot it. And there’s a big sign that says PROPERTY OF WALT DISNEY STUDIOS. I thought it was brilliant.”

Disney management obviously didn’t share Tracey’s opinion. Which is why – for a time – Doreen wasn’t allowed to appear at any Mouseketeer reunion events. Which (given the main reason that Tracey had agreed to appear in “Gallery” was that she’d actively been looking for a way to put “The Mickey Mouse Club” behind her) initially suited her just fine.

But then – as Doreen continued to have success while working at Warners (She spent decades working at that studio and eventually became a valued member of their anti-piracy unit) – Tracey found that she now missed all of the friends that she’d made while working on “The Mickey Mouse Club.” She found herself looking back fondly on moments like when Doreen & Annette had stolen some cigarettes from a hairdresser on the Disney Lot and then secretly smoked them out behind the sound stage. Thrilled that they’d now somehow made the jump from being Mouseketeers to becoming bad girls.

Copyright Disney Enterprises, Inc. All rights reserved

Given that Tracey shared all of these once-in-a-lifetime adventures with her fellow Mouseketeers (EX: Appearing as an aerialist in the “Mickey Mouse Club Circus” at Disneyland Park. That 1959 tour of Australia with Jimmy Dodd where they were mobbed by 4000 screaming teens at the airport in Sydney), she then decided to make amends with Disney. See if there was some way that everyone could possibly get past those pictorials.

Happily, given that the “Mickey Mouse Club March” actually includes the phrase ” … you’re as welcome as can be,” I’m pleased to report that Disney execs eventually did come to overlook Doreen’s appearances in “Gallery” magazine. Which is how Tracey was then able to spend so many happy hours with her fellow Mouseketeers meeting with fans at events like Disneyland’s 50th & 60th anniversary celebrations. Not to mention the 2015 D23 EXPO.

So with apologies to Thomas Wolfe, sometimes you can actually go home again. Especially if you’re someone like Doreen Tracey, a genuinely accomplished woman who was also enough of a show business pro / self-aware enough to realize that sometimes the smartest thing you can do for yourself is A) just let go and then B) get out of your own way.

Tracey is survived by her son, Bradley, as well as two grandchildren, Gavin & Autumn. She was 74.

This article was originally published by the Huffington Post on Monday, January 15, 2018

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Television & Shows

Chip ‘N’ Dale make more mischief with “Nutty Tales” shorts on Disney Channel & Disney Junior



Over the month of November, Disney will be spending some serious cheddar on its Big Cheese. But that’s all because Mickey Mouse will be celebrating his 89th birthday on November 18th.

As part of the lead-up to his big day, Mickey has begun traveling around the globe. Making stops in places like London so that he can then surprise some of his biggest fans (and – of course – share these encounters on Disney’s official Mickey Mouse Facebook page).

Which is all well & good. But Mickey isn’t the only Disney cartoon character who has a big milestone coming up this month. 70 years ago (on November 28, 1947, to be exact), “Chip ‘an Dale” was released to theaters.

Mind you, there’s some debate among animation history buffs as to whether this particular animated short should officially be considered Chip ‘N’ Dale’s cinematic debut. Were you to ask the staff at Disney’s corporate archives (which I actually did during the research phase of this story), they’d point to two previous shorts (i.e., 1943’s “Private Pluto” and 1946’s “Squatter’s Rights”) where Mickey’s pal Pluto finds himself battling an identical pair of mischief-making chipmunks.

On the other hand, when I interviewed Disney Legend Jack Hannah (He’s the animation legend who directed 20 of the 23 “Chip ‘N’ Dale” shorts that were released theatrically) back in the late 1980s, Jack was insistent that these cartoon characters didn’t actually officially arrive on the scene ’til 1947. As Hannah pointed out, it was in this specific short that these characters went from being identical chipmunks to taking on their signature looks (i.e., Chip is the one with the nose that looks like a chocolate chip. Dale is the one with a tuft of ruffled fur on the top of his head).

Copyright Disney Enterprises, Inc. All rights reserved

Moving past Chip ‘N’ Dale’s debut debate … Over the next nine years, Walt Disney Animation Studios kept churning out theatrical shorts featuring these characters. With the very last one, “Chips Ahoy,” bowing on February 24, 1956. Which should have spelled the end of these mischievous chipmunks. But because the folks who produced the “Disneyland” television program for ABC repeatedly found new ways to fold old Chip ‘n’ Dale cartoons into this TV show’s line-up, these rodents remained in the spotlight.

Mind you, millennials don’t think of these Disney characters as obnoxious rodents who get great pleasure out of torturing Donald Duck. To them, Chip ‘n Dale will always be the Rescue Rangers. The stars of that Walt Disney Television Animation production which premiered on Disney Channel in March of 1989 and – after airing as part of the “Disney Afternoon” programming block — and syndicated for some time after that.

As Gadget Go Coaster zooms around the track at Disneyland Park, the tree that previously housed Chip ‘n Dale’s Acorn Crawl looms in the background.

“Chip ‘N’ Dale Rescue Rangers” was so popular that – when the Imagineers decided to create a new “land” to Disneyland in the early 1990s which would serve as the permanent home for tunes at that theme park – this “Disney Afternoon” show served as the inspiration for two attractions in Mickey’s Toontown: Gadget’s Go Coaster and Chip ‘n Dale’s Acorn Crawl.

“Chip ‘n Dale Rescue Rangers” wrapped production after 65 episodes. But these two chipmunks continued to pop up in other Walt Disney Television Animation productions over the past 25 years. They were the central characters in a September 2002 episode of Disney’s “House of Mouse.” Not to mention making their CG debut in Disney Television Animation’s “Mickey Mouse Clubhouse,” which aired on Disney Junior from May 2006 through November of last year.

Copyright Disney Enterprises, Inc. All rights reserved

These days, Chip ‘n Dale can be found among the supporting cast for “Mickey and the Roadster Racers.” In this new Disney Junior production, the chipmunks now work as mechanics in Mickey’s garage high up in Hot Dog Hills.

Speaking of the “Mickey and the Roadster Racers” … The team there (i.e., executive producer Rob LaDuca, and co-executive producer/supervising story editor Mark Seidenberg) clearly has a few Chip ‘N’ Dale fans on it. Why else would they have given these characters the chance to make more mischief with that new series of 2 ½ minute cartoons that feature these characters that they just put into production?

Written by Robert C. Ramirez (“Sheriff Callie’s Wild West”) and directed by Ramirez and Jeff Gordon (“Jake and the Never Land Pirates”), “Chip ‘N’ Dale’s Nutty Tales” debuts on Disney Channel, Disney Junior, Disney Junior YouTube and the DisneyNOW app ) on Monday, November 13th. But if you’re really not willing to wait ’til Monday … Well, Disney Television Animation was nice enough to give us a complete “Chip ‘N’ Dale Nutty Tales” to view ahead of this new short-form series debut on the 13th.

Just in case you’re wondering, this birthday-themed short (which will begin airing on Disney Channel and Disney Junior on Friday, November 17th) is part of a company-wide celebration of Mickey’s 89th birthday. Over that weekend, there’ll be a special celebration cavalcade staged at Disneyland that travels from that theme park’s “it’s a small world” attraction all the way down to Town Square. Out in Orlando, guests there will be able to dine on Sorcerer Mickey cake as well as pick up a free “Happy Birthday Mickey!” At both the Shanghai Disney & Tokyo Disney Resorts, people can take advantage of special party-themed photo opportunities as well as sing “Happy Birthday” to the world’s most famous mouse.

Speaking of Tokyo … Mickey is supposed to swing through Japan on his magical moments world tour before he then stops by the Good Morning America studios in NYC’s Times Square on November 15th. Here’s hoping that the Mouse gets the chance to drop by Tokyo Disney so that he can then check out the hot new seasonal souvenir at that Resort’s two theme parks.

Copyright Tokyo Disney. All rights reserved

“And what is that?,” you ask. A line of Chip ‘N’ Dale merchandise that reimagines these ageless cartoon characters as snowmen. Kind of a nutty idea, don’t you think?

This article was originally published by the Huffington Post on Friday, November 10, 2017

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