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TASCHEN ‘s “Walt Disney Film Archives” features stunning artwork, seldom-told stories from that studio’s past



As one very wise cinephile once put it, “Every Disney film is someone’s favorite movie.”

Editor / author Daniel Kothenschulte tried to keep that in mind over the past two years as he worked on “The Walt Disney Film Archives: The Animated Movies 1921 – 1968” (TASCHEN America, October 2016). But given that he only had so many pages to work with as Kothenschulte tried to cover this massive chunk of Mouse House history, Daniel began the pruning process almost as soon as he entered Disney’s Animation Research Library (i.e., that climate-controlled, high security structure where Walt Disney Animation Studios has an estimated 65 million pieces of art in storage).

“This addition to TASCHEN’s ‘Archives’ series of film books was originally supposed to have been 800 – 900 pages,” Kothenschulte recalled during a recent phone interview. ‘But given that we wanted this volume to be filled with lots of large illustrations that had been scanned at high resolution … Well, at some point, you have to start taking into consideration the size of the pages you’ll be working with as well as the weight of the paper you’ll be printing your book on. And since we wanted film fans to actually be able to lift this Disney film book, that then began limiting what we could put into this volume.”

Copyright TASCHEN. All rights reserved

Mind you, given that “The Walt Disney Film Archives” is 620 pages long (More importantly, given that this 18.8 by 2.5 by 12.8 inch volume weighs a whopping 13.8 pounds), there isn’t a movie buff on the planet who would dare to call this book skimpy. But even though it features 1500 pieces of artwork that were carefully culled from the ARL’s collection (Not to mention entertaining & informative essays written by some of the top animation historians working today. Among them Didier Ghez, J.B. Kaufman & Disney Legend Dave Smith), Daniel still reflects on the book that might have been.

“Of course, we had to represent all of the animated features that Walt had worked on. Plus a good selection of Disney’s shorts. But it kind of broke my heart that we weren’t able to do more with those featurettes that Walt Disney Animation Studios made back in the 1940s, 1950s & 1960s. Those films were made by the exact same great artists who worked on Disney’s full-length animated features. They actually feel like little features. They’re special and unique. I just wish that we’d been able to do more with those,” Kothenschulte lamented.

What’s kind of ironic here is that Daniel first learned about the ARL’s artistic treasure when he was paging through another great film history book, Charles Solomon’s “The Disney That Never Was: The Stories and Art from Five Decades of Unproduced Animation” (Hyperion Press, November 1995).

Copyright Disney / TASCHEN. All rights reserved

‘I remember reading that book in my early 20s. And the artwork that Charles had in there from sequences that were developed for Disney’s concert feature but never completed just fascinated me. Mind you, they were only a few images from those abandoned ‘Fantasia’ sequences in that Solomon book. But that artwork so fascinated me that I think that they were the very first pieces that I asked Fox to pull once I was actually invited to visit the ARL,” Kothenschulte stated.

That’s Fox Carney – the Manager of Research at the Walt Disney Animation Research Library – which Daniel is talking about. And Carney and his crew at the ARL were more than happy to pull some of the rarer-than-rare images out of their flat files as Kothenschulte was just beginning the research portion of this then-proposed addition to TASCHEN’s “Archives” series.

“It was a pleasure to have Daniel here,” Carney said. “And for those of us who work at the ARL, we always get a kick of bringing art to a table for someone to look at that maybe they haven’t seen before and then just watch their jaws drop open.”

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“That happened a lot of times while I was working on this book,” Daniel laughed.

So what sort of treasures can one expect to see when they finally pick up this hefty film history book? To hear Carney & Kothenschulte talk, striking just the right balance with “The Walt Disney Film Archives: The Animated Movies 1921 – 1968” was tricky.

“When we first began digging through our collection, our goal was to provide Daniel with some really novel pieces that hadn’t ever been seen before. But – at the same time – because we knew that the team at TASCHEN was going to do a wonderful job when it came to the reproduction of images for this book … Well, there are were some pieces in here, some pastels that might be familiar to animation fans. But these images honestly have never looked better than they do in this new book,” Fox enthused.

Copyright Disney / TASCHEN. All rights reserved

In addition to the amazing imagery, there are some never-before-told tales in “The Walt Disney Film Archives” that are just going to amaze animation fans. Take – for example – this story that Berlin-based film journalist Katja Lüthge shares about the development of 1947’s “Fun and Fancy Free.” Believe it or not, the “Mickey and the Beanstalk” portion of this package feature came about because …

… in an early story conference, Walt Disney wanted to motivate Mickey’s appearance in a feature film with, of all things, a studio strike. On May 2, 1940, he spontaneously shared his idea: “We could use the opening business where Mickey, Don and the Goof are protesting – they’re going on strike – they want to work in features. Have (these) … characters (carry signs which read) “Disney Unfair to Short-Subject Actors” …

Now when you consider that – almost exactly one year later (on May 29, 1941 to be exact) – 334 Disney Studio employees went out on strike and almost immediately began picketing their place of work. Carrying virtually identical signs (i.e., “Disney Unfair to His Artists”) to the ones that Walt once proposed that Mickey, Donald & Goofy carry in their feature film debut … Well, you honestly can’t get much more ironic than that.

Copyright Disney / TASCHEN. All rights reserved

But that’s what’s really great  about “The Walt Disney Film Archives: The Animated Movies 1921 – 1968.” Daniel’s determination to build on what Charles Solomon did with “The Disney That Never Was.” Dig down deep into the ARL’s expansive collection (which – in an interesting side note here – the Company has recently begun digitizing. Just this past summer, Carney and the ARL image capture team reached a huge milestone: Their millionth image scanned) to share images & stories about proposed animated features that ultimately never made it off of Disney’s drawing board.

Take – for example – “Hiawatha.” In an essay that Kothenschulte himself wrote, it is revealed that …

Walt Disney’s admiration for (Henry Wadsworth) Longfellow’s portrait of the life of a Native American in the 16th century … inspired him to continue looking for ideas for a possible adaptation. In 1943, development of a serious dramatic adaptation began, which brought about Kelsey’s epic storyboard in 1948 and 1949.

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That’s Dick Kelsey – one of the untrue unsung stars of Walt Disney Animation Studios’ first golden age – that Daniel is talking about. Walt was so sure that there was enormous potential for an truly ambitious animated feature material in “Hiawatha” (more importantly, that he thought so highly of Dick’s artistic abilities) that – starting in September of 1948 – Disney sent Kelsey on a six week-long trip to the Great Lakes Region. Where Dick was to then document & sketch many of the settings from Longfellow’s famous narrative poem.

As an Associated press story that was published before Dick began his journey, what this Disney artist was attempting …

… will be no easy task in this modern era since (Kelsey) insists he will try to recapture both the spirit and the look of Hiawatha’s land.  Every remaining forest, prairie, lake and river associated with the Indian legend will be visited by boat, automobile, train, horse or on foot, (Dick) declared.  He has arranged to study museum material in Chicago, St Paul, Minneapolis, and Rochester the American Museum of Natural History and the Heye Foundation in New York and the Smithsonian Institute and the Bureau of Indian Affairs in Washington.  At Naples, NY (Kelsey) will confer with Dr. Arthur C. Parker, director emeritus of the Rochester Museum, an authority on American Indian life and lore.

Copyright Disney / TASCHEN. All rights reserved

All of this research did ultimately pay off. For those “Hiawatha” storyboards that Dick produced – all in pastels, mind you – once he returned to Disney Studios were stunning.

“And the thing – with drawings that are done with pastels – is that they can be really tricky to reproduce. But because Daniel and the team at TASCHEN spared no expense when they were putting together ‘The Walt Disney Film Archives: The Animated Movies 1921 – 1968,’ the images from ‘Hiawatha’ that are included in this book are simply stunning,” Fox stated. “The fires and the fireplaces that Dick drew, the glowing arrows and such, they just really stand out. The colors of the foliage are just amazing. “

And for every seldom-seen / recently unearthed image that you’ll find in this 620-page tome, you also find a story that perhaps a previous management team at the Mouse House would have preferred that Kothenschulte had kept buried. Take – for example – this somewhat startling behind-the-scenes tale that Brian Sibley shares in his essay about the Studios’ 1963 release, “The Sword and the Stone.” It would seem that Walt’s brother …

Copyright Disney / TASCHEN. All rights reserved

… Roy O. Disney, who was of the opinion that since the Studio had a significant catalog of films available for re-release on a regular basis, (felt that – as of the early 1960s – production of) new animated features were far from essential.

But since Daniel was determined to make the newest title in TASCHEN’s ‘Archives’ series of film books as truthful & as far-reaching as he possibly could, this ambitious writer / editor kept that somewhat embarrassing story in “The Walt Disney Film Archives: The Animated Movies 1921 – 1968.”

“It was a question of history, of film history,” Kothenschulte concluded. “Besides, my girl friend’s favorite Disney film is ‘The Sword and the Stone.’ And ‘Robin Hood.’ “

Copyright Disney / TASCHEN. All rights reserved

FYI: You won’t find anything about Disney’s 1973 animated take on the tales of Robin Hood and his Merry Men. That information is being currently saved for TASCHEN’s proposed follow-up to “The Walt Disney Film Archives.” But before that comes the book that Daniel has already begun working on, which will be yet another hefty Disney-related volume.

“My next project is supposed to be a book on Walt Disney’s life and art. Since this project is supposed to be more focused on Walt the man, it will have many, many photographs of his personal life. And – once again – lots of wonderful artwork from Disney’s animated features,” Daniel said. “So that should be the next one. Mind you, it will be different than ‘The Walt Disney Film Archives.” More like an art book. More like – I don’t know – maybe like a book about the life & art of Leonardo. You know, that’s what some people called Walt back in the 1930s: Leonardo da Disney. So maybe this will be TASCHEN’s Leonardo da Disney book.

Well, all I know – if the 13.8 pound “The Walt Disney Film Archives: The Animated Movies 1921 – 1968” is any indication of what Kothenschulte & TASCHEN will be doing with their proposed “Leonardo da Disney” book – now might be a really good time for animation fans to go out and buy a good, steel-reinforced bookcase. 

This article was originally published by the Huffington Post on Wednesday, November 2, 2016

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Jens Dahlmann of LongHorn Steakhouse has lots of great tips when it comes to grilling



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Sure, for some folks, the Fourth of July is all about fireworks. But for the 75% of all Americans who own a grill or a smoker, the Fourth is our Nation’s No. 1 holiday when it comes to grilling. Which is why 3 out of 4 of those folks will spend some time outside today working over a fire.

But here’s the thing: Though 14 million Americans can cook a steak with confidence because they actually grill something every week, the rest of us – because we use our grill or smoker so infrequently … Well, let’s just say that we have no chops when it comes to dealing with chops (pork, veal or otherwise).

So what’s a backyard chef supposed to in a situation like this when there’s so much at steak … er … stake? Turn to someone who really knows their way around a grill for advice. People like Jens Dahlmann, the Vice President and Corporate Executive Chef for Darden Restaurant’s LongHorn Steakhouse brand.

Given that Jens’ father & grandfather were chefs, this is a guy who literally grew up in a kitchen. In his teens & twenties, Dahlmann worked in hotels & restaurants all over Switzerland & Germany. Once he was classically trained in the culinary arts, Jens then  jumped ship. Well, started working on cruise ships, I mean.

Anyway … While working on Cunard’s Sea Goddess, Dahlmann met Sirio Maccioni, the founder of Le Cirque 2000. Sirio was so impressed with Jens’ skills in the kitchen that he offered him the opportunity to become sous-chef at this New York landmark. After four years of working in Manhattan, Dahlmann then headed south to become executive chef at Palm Beach’s prestigious Café L’Europe.

Jens Dahlmann back during his Disney World days

And once Jens began wowing foodies in Florida, it wasn’t all that long ’til the Mouse came a-calling. Mickey wanted Dahlmann to shake things up in the kitchen over at WDW’s Flying Fish Café. And he did such a good job with that Disney’s Boardwalk eatery the next thing Jens knew, he was then being asked to work his magic with the menu at the Contemporary Resort’s California Grill.

From there, Dahlmann had a relatively meteoric rise at the Mouse House. Once he became Epcot’s Food & Beverage general manager, it was only a matter of time before he wound up as the executive chef in charge of this theme park’s annual International Food & Wine Festival. Which – under Jens’ guidance – experienced some truly explosive growth.

“When I took on Food & Wine, that festival was only 35 days long and had gross revenues of just $5.5 million. When I left Disney in 2016, Food & Wine was now over 50 days long and that festival had gross revenues of $22 million,” Dahlmann admitted during a recent sit-down. “I honestly loved those 13 years I spent at Disney. When I was working there, I learned so much because I was really cooking for America.”

And it was exactly that sort of experience & expertise that Darden wanted to tap into when they lured Jens away from Mickey last year to become LongHorn Steakhouse’s new Vice President and Corporate Executive Chef. But today … Well, Dahlmann is offering tips to those of us who are thinking about cooking steak tips for the Fourth.

Photo by Jim Hill

“When you’re planning on grilling this holiday, if you’re looking for a successful result, the obvious place to start is with the quality of the meat you plan on cooking for your friends & family. If you want the best results here, don’t be cheap when you go shopping. Spend the money necessary for a fresh filet or a New York strip. Better yet a Ribeye, a nice thick one with good marbling. Because when you look at the marbling on a steak, that’s where all the flavor happens,” Jens explained. “That said, you always have to remember that — the higher you go with the quality of your meat — the less time you’re going to want that piece of meat to spend on the grill.”

And speaking of cooking … Before you even get started here, Jens suggests that you first take the time to check over all of your grilling equipment. Making sure that the grill itself is first scraped clean & then properly oiled before you then turn up the heat.

“If you’re working with a dirty grill, when you go to turn your meat, it may wind up sticking to the grill. Or maybe those spices that you’ve just so carefully coated your steak with will wind up sticking to the grill, rather than your meat,” Dahlmann continued. “Which is why it’s always worth it to spend a few minutes prior to firing up your grill properly cleaning & oiling it.”

Photo by Jim Hill

And speaking of heat … Again, before you officially get started grilling here, Jens says that it’s crucial to check your temperature gauges. Make sure that your char grill is set at 550 (so that it can then properly handle the thicker cuts of meat) and your flattop is set at 425 (so it can properly sear thinner pieces of meat).

Okay. Once you’ve bought the right cuts of quality meat, properly cleaned & oiled your grill, and then made sure that everything’s set at the right temperature (“If you can only stand to hold your hand directly over the grill for two or three seconds, that’s the right amount of heat,” Dahlmann said), it’s now time to season your steaks.

“Don’t be afraid to be bold here. You can’t be shy when it comes to seasoning your meat. You want to give it a nice coating. Largely because — if you’re using a char grill — a lot of that seasoning is just going to fall off anyway,” Jens stated. “It’s up to you to decide what sort of seasoning you want to use here. Even just some salt & pepper will enhance a steak’s flavor.”

Then – according to Dahlmann – comes the really tough part. Which is placing your meat on the grill and then fighting the urge to flip it too early or too often.

“The biggest mistake that a lot of amateur cooks make is that they flip the steak too many times. The real key to a well-cooked piece of meat is just let it be, “Jens insisted. “Of course, if you’re serving different cuts of meat at your Fourth of July feast, you always want to put your biggest thickest steak on the grill first. If you’re also cooking a New York Strip, you want to put that one on a few minutes later. But after that, just let the grill do its job and flip your meat a total of three or four times, once every three minutes or so.”

Of course, the last thing you want to do is overcook a quality piece of meat. Which is why Dahlmann suggests that – when it comes to grilling steaks – if you’re going to err, err on the side of undercooking.

“You can always put a piece of meat back on the grill if it’s slightly undercooked. When you over-cook something, all you can do then is start over with a brand-new piece of meat,” Jens said. “Just be sure that you’re using the correct cut of meat for the cooking result you’re aiming for. If someone wants a rare or medium rare steak, you should go with a thicker cut of steak. If one of your guests wants their steak cooked medium or well, it’s best to start with a thinner cut of meat.”

Photo by Jim Hill

As you can see, the folks at Longhorn take grilling steaks seriously. How seriously? Just last week at Darden Corporate Headquarters in Orlando, seven of these brand’s top grill masters (who – after weeks of regional competitions – had been culled from the 491 restaurants that make up this chain) competed for a $10,000 prize in the Company’s second annual Steak Master Series. And Dahlmann was one of the people who stood in Darden’s test kitchens, watching like a hawk as each of the contestants struggled to prepare six different dishes in just 20 minutes according to Longhorn Steakhouse’s exacting standards.

“I love that Darden does this. Recognizing the best of the best who work this restaurant,” Jens concluded. “We have a lot of people here who are incredibly knowledgeable & passionate when it comes to grilling.”

Speaking of which … If today’s story doesn’t include the exact piece of info that you need to properly grill that T-bone, just whip out your iPhone & text GRILL to 55702. Or – better yet – visit prior to firing up your grill or smoker later today. 

This article was originally published by the Huffington Post on Tuesday, July 4, 2017

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Brattleboro’s Strolling of the Heifers is a sincere if somewhat surreal way to spend a summer’s day in Vermont



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Some people travel halfway ‘around the planet so that they can then experience the excitement of the Running of the Bulls in Pamplona. If you’re more of a Slow Living enthusiast (as I am), then perhaps you should amble to Brattleboro, VT. Where – over the first weekend in June – you can then join a herd of cow enthusiasts at the annual Strolling of the Heifers.

Now in its 16th year, this three-day long event typically gets underway on Friday night in June with a combination block party / gallery walk. But then – come Saturday morning – Main Street in Brattleboro is lined with thousands of bovine fans.

Photo by Jim Hill

They’ve staked out primo viewing spots and set up camp chairs hours ahead of time. Just so these folks can then have a front row seat as this year’s crop of calves (which all come from local farms & 4-H clubs) are paraded through the streets.

Photo by Jim Hill

Viewed from curbside, Strolling of the Heifers is kind of this weird melding of a sincere small town celebration and Pasadena’s Doo Dah Parade. Meaning that – for every entry that actually acknowledged this year’s theme (i.e. “Dance to the Moosic”) — …

Photo by Jim Hill

… there was something completely random, like this parade’s synchronized shopping cart unit.

Photo by Jim Hill

And for every piece of authentic Americana (EX: That collection of antique John Deere tractors that came chugging through the city) …

Photo by Jim Hill

… there was something silly. Like – say – a woman dressed as a Holstein pushing a baby stroller through the streets. And riding in that stroller was a pig dressed in a tutu.

Photo by Jim Hill

And given that this event was being staged in the Green Mountain State & all … Well, does it really surprise you to learn that — among the groups that marched in this year’s Strolling of the Heifers – was a group of eco-friendly folks who, with their  chants of “We’re Number One !,” tried to persuade people along the parade route not to flush the toilet after they pee. Because – as it turns out – urine can be turned into fertilizer.

Photo by Jim Hill

And speaking of fertilizer … At the tail end of the parade, there was a group of dedicated volunteers who were dealing with what came out of the tail end of all those cows.

Photo by Jim Hill

This year’s Strolling of the Heifers concluded at the Brattleboro town common. Where event attendees could then get a closer look at some of the featured units in this year’s parade…

Photo by Jim Hill

… or perhaps even pet a few of the participants.

Photo by Jim Hill

But as for the 90+ calves who took part in the 2017 edition of Strolling of the Heifers, once they reached the town common, it was now time for a nosh or a nap.

Photo by Jim Hill

Elsewhere on the common, keeping with this year’s “Dance to the Moosic” theme, various musical groups performed in & around the gazebo throughout the afternoon.

Photo by Jim Hill

While just across the way – keeping with Brattleboro’s tradition of showcasing the various artisans who live & work in the local community – some pretty funky pieces were on display at the Slow Living Exposition.

Photo by Jim Hill

All in all, attending Strolling of the Heifers is a somewhat surreal but still very pleasant way to spend a summer’s day in Vermont. And that’s no bull.

Photo by Jim Hill

Well, that could be a bull. To be honest, what with the wig & all, it’s kind of hard to tell. 

This article was originally published by the Huffington Post on Sunday, June 4, 2017

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Looking to make an authentic Irish meal for Saint Patrick’s Day? If so, then chef Kevin Dundon says not to cook corned beef & cabbage



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Let’s at least start on a positive note: Celebrated chef, author & TV personality Kevin Dundon – the man that Tourism Ireland has repeatedly chosen as the Face of Irish Food – loves a lot of what happens in the United States on March 17th.

“I mean, look at what they do in Chicago on Saint Patrick’s Day. They toss all of this vegetable-based dye into the Chicago River and then paint it green for a day. That’s terrific,” Kevin said.

But then when it comes to what many Americans eat & drink on St. Paddy’s Day (i.e., a big plate of corned beef and cabbage. Which is then washed down with a mug of green beer) … Well, that’s where Dundon has to draw the line.

Irish celebrity chef Kevin Dundon displays a traditional Irish loin of bacon with Colcannon potatoes and a Dunbrody Kiss chocolate dessert. Photo by Tom Burton. Copyright Disney Enterprises, Inc. All rights reserved

“Green beer? No real Irishman would be caught dead drinking that stuff,” Kevin insists. “And as for eating corned beef & cabbage … That’s not actually authentic Irish fare either. Bacon and cabbage? Sure. But corned beef & cabbage was something that the Irish only began eating after they’d come to the States to escape the Famine. And even then these Irish-Americans only began serving corned beef & cabbage to their friends & family because they had to make do with the ingredients that were available to them at that time.”

And thus begins the strange tale of how corned beef & cabbage came to be associated with the North American celebration of Saint Patrick’s Day celebration. Because – according to Dundon – beef just wasn’t all that big a part of the Irish diet back in the 19th century.

To explain: Back in the Old Country, cattle – while they were obviously highly prized for the milk & cheese that they produced – were also beasts of burden. Meaning that they were often used for ploughing the fields or for hauling heavy loads. Which is why – back then — these animals were rarely slaughtered when they were still young & healthy. If anything, land owners liked to put a herd of cattle on display out in one of their pastures because that was then a sign to their neighbors that this farm was prosperous.

“Whereas pork … Well, everybody raised pigs back then. Which is why pork was a staple of the Irish diet rather than beef,” Dundon continued.

So if that’s what people actually ate back in the Old Country, how then did corned beef & cabbage come to be so strongly associated with Saint Patrick’s Day in the States.? That largely had to do with where the Irish wound up living after they arrived in the New World.

“When the Irish first arrived in America following the Great Famine, a lot of them wound up living in the inner city right alongside the Germans & the Jews, who were also recent immigrants to the States. And while that farm-fresh pork that the Irish loved wasn’t readily available, there was brisket. Which the Irish could then cure by first covering this piece of meat with corn kernel-sized pieces of rock salt – that’s how it came to be called corned beef. Because of the sizes of the pieces of rock salt that were used in the curing process – and then placing all that in a pot of water with other spices to soak for a few days.”

And as for the cabbage portion of corned beef & cabbage … Well, according to Kevin, in addition to buying their meat from the kosher delis in their neighborhood, the Irish would also frequent the stores that the German community shopped in. Where – thanks to their love of sauerkraut (i.e., pickled cabbage) – there was always a ready supply of cabbage to be had.

“So when you get right down to it, it was the American melting pot that led to corned beef & cabbage being found in the Irish-American cooking pot,” Dundon continued. “Since they couldn’t find or didn’t have easy access to the exact same ingredients that they had back in Ireland, Irish-Americans made do with what they could find in the immediate vicinity. And what they made was admittedly tasty. But it’s not actually authentic Irish fare.”

Mind you, what Kevin serves at Raglan Road Irish Pub and Restaurant at Disney Springs (which – FYI – Orlando Magazine voted as the area’s best restaurant back in 2014) is nothing if not authentic. Dundon and his team at this acclaimed gastropub pride themselves on making traditional Irish fare and then contemporized it.

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“Take – for example – what we serve here instead of corned beef & cabbage. Again, because it was pork – rather than beef – that was the true staple of the Irish diet back then, what we offer instead is a loin of bacon that has been glazed with Irish Mist. That then comes with colcannon potatoes. Which is this traditional Irish dish that’s made up of mashed potato that have had some cabbage & bacon mixed through it,” Kevin enthused. “This heavenly ham – that’s what we actually call this traditional Irish dish at Raglan Road, Kevin’s Heavenly Ham – also includes some savory cabbage with a parsley cream sauce as well as a raisin cider jus. It’s simple food. But because of the basic ingredients – and that’s the real secret of Irish cuisine. That our ingredients are so strong – the flavors just pop off the plate.”

Which brings us to the real challenge that Dundon and the Raglan Road team face every day. Making sure that they actually have all of the ingredients necessary to make this traditional-yet-contemporized Irish fare to those folks who frequent this Walt Disney World favorite.

“Take – for example – the fish we serve here. We only used cold water fish. Salmon, mussels and haddock that have been hauled out of the Atlantic, the ocean that America and Ireland share,” Kevin stated. “Not that there’s anything wrong with warm water fish. It’s just that … Well, it doesn’t have the same structure. It’s a softer fish, which doesn’t really fit the parameters of Irish cuisine. And if you’re going to serve authentic food, you have to be this dedicated when it comes to sourcing your ingredients.

Copyright Mitchell Beazley. All rights reserved

And if you’re thinking of perhaps trying to serve an authentic Irish meal this year, rather than once again serving corned beef & cabbage at your Saint Patrick’s Day Feast … Well, back in September of last year, Mitchell Beazley published “The Raglan Road Cookbook: Inside America’s Favorite Irish Pub.” This 296-page hardcover not only includes the recipe for Kevin’s Heavenly Ham but also it tells the tale of how this now-world-renown restaurant wound up being built in Orlando.

On the other hand, if you happen to have to the luck of the Irish and are actually down at The Walt Disney World Resort right now, it’s worth noting that Raglan Road is right in the middle of its Mighty St. Patrick’s Day Festival. This four day-long event – which includes Irish bands and professional dancers – stretches through Sunday night. And in addition to all that authentic Irish fare that Dundon and his team are cooking up, you also sample the fine selection of beers & cocktails that this establishment’s four distinct antique bars (each of which are more than 130 years old and were imported directly from Ireland) will be serving. Just – As ucht Dé (That’s “For God’s Sake” in Gaelic) – don’t make the mistake of asking the bartender there for a mug of green beer.

“Why would anyone willingly drink something like that?,” Dundon laughed. “I mean, just imagine what their washroom will look like the morning after.”

This article was originally published by the Huffington Post on Friday, March 17, 2017

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