Theme Parks & Themed Entertainment
The Walt Disney Family Museum celebrates the on-going artistry of animation master Andreas Deja
Though Andreas Deja may not be working for Walt Disney Animation Studios right now, don’t make the mistake of thinking that this master animator is retired.
“That’s why I react funny when people ask me ‘So how’s retired life treating you?,'” Andrea revealed during a recent phone interview. “I’m like ‘Are you kidding me?’ These days, I’m actually busier than I was during my last few years at Disney. I’m not sitting at home watching ‘Lucy’ reruns.”
What’s taking up a lot of Deja’s time these days is his passion project, “Mushka.” Which is this half hour-long hand-drawn film that’s set in the Soviet Union of the 1970s and features an unlikely pair: Sarah, a young girl, and Mushka, a Siberian tiger.
Copyright 2017 The Walt Disney Family Museum
“I sometimes wish – for my first post-Disney project – that I could have chosen something a bit more manageable. A story that I could have perhaps told in an animated film that was just 5 or 6 minutes-long,” Deja mused. “But ‘Mushka’ isn’t that sort of story. It honestly needs 30 minutes of screen time to be told properly. So that’s the length of the movie we’re now making.”
Now please notice that Andreas used the term “We.” That’s because Deja has enlisted his old friend Peter Moehrle to do visual development on “Mushka.”
“Peter and I met while I was down in Orlando working at Walt Disney Feature Animation – Florida on ‘Lilo & Stitch,’ ” Andreas explained. “Peter was a background painter on ‘Lilo.’ And he did such a great job on that film that – as I was getting ‘Mushka’ going – I reached out to Peter and asked if he’d like to be part of this project. And even though Peter’s busy these days teaching in Seattle, he did have enough free time to some visual development on this movie. And Peter really did a fantastic job of establishing a look, a style for Siberia & Russia of the 1970s.”
Copyright 2017 The Walt Disney Family Museum
So here was Deja, hard at work on establishing a production pipeline for his passion project (” ‘Mushka’ ‘s going to have a very unique look,” Andreas enthused. “It’s going to look as though it were entirely composed of pencil-shaded character drawings”) when – back in the Spring of 2016 – Michael Labrie, the Director of Collections at The Walt Disney Family Museum, reached out with a most intriguing offer.
“Now I know Michael from ‘Leading Ladies and Femme Fatales,’ that Marc Davis exhibition that I co-curated for the Disney Family Museum,” Deja recalled. “But he wasn’t calling about me co-curating another exhibition. Michael was wondering if I’d be interested in showcasing some of my own work in this one gallery at the museum.”
Which was obviously a very flattering invitation. One that Andreas initially planned on politely refusing.
Andrea Deja shares a laugh with Ron Miller at the opening reception for “Deja View: The Art of Andreas Deja.” Photo by Frank Anzalone.
“The space that they were offering to me was the exact same area where The Walt Disney Disney Family Museum had recently staged an exhibition of Mel Shaw’s work. And while it’s obviously a gigantic honor to be invited to display your own work in this manner, I would never consider my own work to be of the same quality standard as a Marc Davis or a Mel Shaw or any of the other great artists & animators that The Walt Disney Family Museum has previously showcased ,” Deja stated.
But Mr. Labrie was hesitant to take “No” for an answer. The Museum felt his great work needed to be shared, and Andreas eventually agreed to allow this exhibition to go forward. But not before establishing a few ground rules.
“One of the things that I wanted be a part of this exhibition was the portfolio that I had submitted to Disney Feature Animation back when I had first applied for a job at the Studio” Deja said. “I wanted people to see what my artistic drawing standard was like in 1979 & 1980. “
Copyright 2017 The Walt Disney Family Museum
Of course, this exhibition also features macquettes & rough animation drawings of Andreas’ memorable trio of Disney Villains: Jafar from “Aladdin,” Scar from “The Lion King,” and Gaston from “Beauty & the Beast.” And what with Disney’s live-action reimagining of that Academy Award-winning feature currently burning up the box office worldwide, Deja took a moment to look back at the creation of this character who claims to be ” … roughly the size of a barge.”
“Gaston was probably the toughest character I ever had to draw. But that was largely because of the degree of realism the studio leadership was looking for. They didn’t want Gaston to be some sort of cartoony villain. And – as I recall – when I was first drawing Gaston, I did make him a bit more cartoony with a large Captain Hook jaw and a pencil-thin mustache,” Andreas remembered.
Copyright 2017 The Walt Disney Family Museum
Which wasn’t what the then-Head of Walt Disney Animation Studios was looking for. This is why Jeffrey Katzenberg asked Deja to drop by his office during the early days of production on this film.
“That’s when Jeffrey told me that – to his way of thinking – the underlying theme of ‘Beauty and the Beast’ was that ‘You can’t judge a book by its cover,’ ” Andreas continued. “And with the Beast, you had this character who was outwardly scary-looking but was eventually revealed to have a good heart. So in order for there to be balance in this film’s story, Gaston had to be this handsome guy who the audience would eventually find out was evil through & through.”
And for this concept to come across graphically in “Beauty and the Beast,” that then meant that Gaston couldn’t be cartoony. That – in order for the audience to be surprised when this character’s darker side was revealed midway through this movie – he would have to be drawn as this incredibly handsome fellow.
Jeffrey Katzenberg gestures toward some “Beauty and the Beast” storyboards during the late 1980s. Copyright Disney Enterprises, Inc. All rights reserved
“And I remember telling Jeffrey that this was going to make Gaston so much harder to draw & animate. And he just threw up his hands in standard studio boss fashion and said ‘Well, nobody said that this was going to be easy,'” Deja laughed.
And Katzenberg – as it turns out – was right. Drawing Gaston in a more realistic, handsome manner wasn’t easy. It made this character far more challenging for Andreas to work on. But in the end, “Beauty and the Beast” greatly benefitted from all that extra effort.
“When you really think about it, Disney has had beautiful female villains before. Maleficent from ‘Sleeping Beauty.’ Likewise the Queen from ‘Snow White.’ So Gaston got to be the first male Disney animated character to go down this route, have his handsome exterior mask what was dark & sinister inside,” Deja said.
Copyright 2017 The Walt Disney Family Museum
Andreas isn’t one to shy away from challenges. As one can clearly see as they walk through “Deja View: The Art of Andreas Deja” and explore all of the pieces that The Walt Disney Family Museum currently has on display. One only has to look at Andreas’ wire sculptures or his sketchbooks to realize that this is an artist who’s still growing, still moving forward.
“When I look at the exhibition that Michael and his team have mounted , what strikes me is how my drawing style has changed over the past four decades,” Deja stated. “My drawings aren’t as dark now as they once were. The stuff I’m doing for ‘Mushka’ right now has a lightness, a looseness to it that my drawings didn’t have before.”
And speaking of Andreas’ passion project: What’s “Mushka” ‘s ETA for showing up at a film festival near you?
Copyright 2017 The Walt Disney Family Museum
“I’ve got a very small team of people working on this project now. We’ve just started effects animation,” Deja reported. “We’re looking to have most of this movie animated by the end of the year and then move into post production in early 2018. That should allow ‘Mushka’ to start making the rounds on the festival circuit next year.”
Of course, if you’re really not willing to wait ’til 2018 to see what Deja plans to do with Sarah and a Siberian tiger … Did I mention that this passion project makes up one entire wall of this new exhibition at The Walt Disney Family Museum?
“And what’s great is that Michael and his team took this one piece of ‘Mushka’ pre-production art that I sent along of a Siberian forest with snow & bare trees and they then extended it across this entire wall as a backdrop. It really is quite stunning,” Andreas enthused.
Andreas Deja tours the “Mushka” portion of this exhibition with Michael Labrie, the Head of Collections at The Walt Disney Family Museum.
“Deja View: The Art of Andrea Deja” continues at the Walt Disney Family Museum through October 4, 2017.
This article was originally published by the Huffington Post on Wednesday, April 5, 2017
Theme Parks & Themed Entertainment
Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut
Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.
The Very First Parade and the Early Days of Balloons
The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.
And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.
1934: Mickey Mouse Floats In, and Disney Joins the Parade
It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.
Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.
Duck Joins and Towers Over Mickey
A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.
Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.
A Somber Parade in 2001
Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.
That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.
Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo
Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.
In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.
These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.
Mickey’s Comeback as a Bandleader and Sailor Mickey
After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.
But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.
Macy’s Disney Celebration at Hollywood Studios
In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.
Minnie Mouse’s Long-Awaited Debut in 2024
This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.
For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.
As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.
Theme Parks & Themed Entertainment
Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street
When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.
You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.
This is where Disneyland’s Little Monsters on Main Street came in.
The Origins of Little Monsters on Main Street
Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.
This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.
A Unique Halloween Experience
Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.
The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.
It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!
The Haunted Mansion “Tip-Toe” Tour
Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.
Growing Success and a Bigger Event
Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.
In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.
From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash
Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.
While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.
The Merch: A Piece of Little Monsters History
For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.
While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.
Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!
Theme Parks & Themed Entertainment
The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition
The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.
Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.
A Not-So-Scary Beginning
I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.
This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.
A Different Approach
Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.
Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.
Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.
A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.
A Modest Start but a Big Future
That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.
Universal’s Influence
It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.
So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.
For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.
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