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Toon Thursday: Animation vet helped create this past weekend’s top grossing film AND this week’s best selling DVD

Jim Hill talks with Roger Allers about his two most recent assignments: Directing “The Little Match Girl” for Disney Feature Animation as well as co-directing “Open Season” for Sony Pictures Animation



At first glance, the poor little match girl and Boog the grizzly bear don’t really seem to have a whole lot in common …

Copyright 2006 Disney Enterprises & Sony Pictures Animation

But both of these characters have recently began entertaining animation fans. Thanks (in large part) to the story-telling talents of Roger Allers.

Photo courtesy of Google Images

For over 25 years now, Roger has been toiling in the toon trade. His very first feature was 1980’s “Animalympics” …

Copyright 1998 United American Video

… a production that was originally supposed to capitalize on the popularity of the 1980 Summer Olympics. Unfortunately, once the United States decided to boycott the XXII Olympiad in order to protest the Soviet Union’s December 1979 invasion of Afghanistan … Well, that geopolitical move pretty much destroyed “Animalympics” chance of ever going for the box office gold.

Which — obviously — was a disappointment. But still, Allers had enjoyed working with “Animalympics” producer Steve Lisberger enough that he was willing to work with Steve on his very next project. Which was a ground-breaking film for Walt Disney Productions. One that skillfully combined live action footage and computer animation. Maybe you’ve heard of this movie?

Copyright 1982 Walt Disney Productions

Anyway … After “Tron,” Roger bounced around the animation industry for a bit. Working on features like “Rock & Rule” and “Little Nemo: Adventures in Slumberland” before returning to the Mouse House to begin working in the studio’s story department. After doing exemplary work on projects like 1988’s “Oliver & Company” and 1990’s “The Prince and the Pauper” …

Copyright 1988 & 1990 The Walt Disney Company

… Allers quickly found himself becoming one of Disney’s top story guys. Hailed by the heads of the studio for his significant contributions to that trio of musical blockbusters, 1989’s “The Little Mermaid,” 1991’s “Beauty & the Beast” and 1992’s “Aladdin.”

Copyright 1989, 1990 & 1991 The Walt Disney Company

In fact, when George Scribner’s “King of the Jungle” seemed to be going seriously off-track, then-Disney-studio-head Jeffrey Katzenberg recruited Roger to come rescue this project. Which eventually — with the help of co-director Rob Minkoff — became the highest grossing traditionally animated film of all time, “The Lion King.”

Copyright 1994 Disney Enterprises

Unfortunately, studio execs eventually lost confidence in Aller’s vision for his “TLK” follow-up project, “Kingdom of the Sun” …

Copyright 1997 Disney Enterprises

… Which is why Roger ultimately turned that production over to director Mark Dindal and producer Randy Fullmer. Who transformed Aller’s ambitious animated adventure into a breezy cartoon comedy, 2000’s The Emperor’s New Groove.”

After “Sun” flamed out, Allers kept busy by tackling odd jobs around the studio. Serving as a story consultant on 2002’s “Return to Never Land” and creating additional material for 2004’s “The Lion King 1 1/2

Copyright 2002 & 2004 Disney Enterprises

But the project that Roger really poured his passion into was “The Little Match Girl” …

Copyright 2006 Disney Enterprises

… a short film that was based on the classic Hans Christian Andersen story. A touching tale that Allers had regularly read to his own children back when they were young.

“Originally, this short was supposed to have been part of a new full-length feature that Roy E. Disney wanted to do, ” Roger explained. “A sort of follow-up to ‘Fantasia 2000.’ Only this time around, instead of being set to classical music, the sequences were supposed to have been built around international music.”

The only problem with “The Little Match Girl” was that Allers wanted to remain true to the story’s original downbeat ending. Where the girl — though temporarily warmed by the matches that she strikes, which reveal happy memories from her past …

Roger Allers drawing courtesy of Google Images

… still succumbs to the cold.

“We wound up animating four different endings for this film,” Roger continued. “With the hope that the executives and I might eventually come to some sort of creative compromise. An ending that we both could live with.”

In the end, Allers got what he wanted. The final version of “The Little Match Girl” did stick with Andersen’s original ending. Where the little girl — after dreaming that she re-unites with her long-dead grandmother …

Copyright 2006 Disney Enterprises

… — freezes to death in the snow. The downside is … Because Roy’s “Fantasia” follow-up wound up being cancelled after he resigned from the Walt Disney Company back in November of 2003, Roger’s version of “The Little Match Girl” never really got a theatrical release. Only this week has the general public finally gotten the chance to see this beautiful little short as a bonus feature on the new Platinum Edition DVD of “The Little Mermaid.”

Which makes Allers kind of sad. “I really wish that people had gotten the chance to see ‘Match Girl’ on the big screen,” he said. “The backgrounds for this film were all done as watercolors. And you can’t appreciate that sort of detail when you’re seeing this short on the small screen.”

Given that the Mouse Factory seemed to be breaking down as the new millenium was getting underway, Roger decided to decamp from Disney. Seeking the greener pastures over at Sony Pictures Animation. And he was over at that studio, working on his own new feature, when Allers got invited to take part in a story conference for “Open Season.”

Coyright 2006 Sony Pictures Animation

“The film had been in development for at least a year at that point,” Roger explained. “Steve Moore — the creator of the “In the Bleachers” comic strip — had come up with the initial concept of the film. Which was about this bear and this deer who live in a mountain resort town, dining out of dumpsters, mooching off of humanity.”

Pixar vet Jill Culton — who’s credited with creating the original story for “Monsters, Inc.” — was the first director hired onto the project. Working with ILM FX wizard Anthony Stacchi, these two had nailed down the basic shape of the story. How Boog the now-800-pound grizzly bear had been raised by humans …

Copyright 2006 Sony Pictures Animation

… How a chance encounter with a dim-bulb mule deer named Eliot ….

Copyright 2006 Sony Pictures Animation

… had resulted in Boog being sent back to the wild. Where he then had to deal with threats that were as varied as hordes of vicious squirrels …

Copyright 2006 Sony Pictures Animation

… not to mention rifle-packing hunters …

Copyright 2006 Sony Pictures Animation

But even though Culton & Stacchi were veterans when it came to working with CG, they still hadn’t quite broken the back of “Open Season” ‘s story problems. As Allers observed when he first sat in on that film’s story conference:

“There were too many action sequences that seemed very similar. A car chase along a raging river followed by a runaway mine train. I just thought that they needed to mix things up a bit. Adjust the story a bit.”

Evidently, Sony execs must have liked what Roger had to say. For the next thing he knew, Allers had been invited to become “Open Season” ‘s third director. And he helped helm the film during its final year of production.

“Things moved pretty quickly through our production pipeline,” Roger admitted. “Still I’m pleased with the way ‘Open Season’ ultimately turned out. It now has a nice balance. The movie has these great comic moments …

Copyright 2006 Sony Pictures Animation

… along with some incredible action sequences …

Copyright 2006 Sony Pictures Animation

… But — at the same time — there are these quiet moments where Boog & Eliot interact. Where the audience really gets to know these two characters, what makes them tick. Those are the sorts of scenes that I just love to put in movies.”

Clearly, audiences must have found a lot to love about “Open Season” too. For this Sony Pictures Animation production was Number No. 1 at the box office this past weekend, taking in an estimated $23 million. And given that “The Little Mermaid” is almost certain to be this week’s best selling DVD … Well, you’d think that having his name associated with two such high profile (and highly profitable) projects would give Allers the right to have a slightly swelled head right about now.

Copyright 2006 Sony Pictures Animation

But Roger’s been in the animation business for too long to make an amateur mistake like that. Which is why — rather than focusing on today’s successes — Allers is already looking ahead to new challenges. Which (hopefully) will include a new animated feature for Sony Pictures as well as a musical play.

“I mean, it’s nice to have ‘Open Season’ be a hit and have ‘The Little Match Girl’ hitting store shelves all in the same week,” Roger concluded. “But after I finish doing publicity for this film and then take a little break, it’s back to work for me.”

Here’s hoping that — once Allers gets back from that break — that Roger gets the chance to have more of his “Match” -less movies “Open” in theaters for many years yet to come.

Your thoughts?

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Jens Dahlmann of LongHorn Steakhouse has lots of great tips when it comes to grilling



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Sure, for some folks, the Fourth of July is all about fireworks. But for the 75% of all Americans who own a grill or a smoker, the Fourth is our Nation’s No. 1 holiday when it comes to grilling. Which is why 3 out of 4 of those folks will spend some time outside today working over a fire.

But here’s the thing: Though 14 million Americans can cook a steak with confidence because they actually grill something every week, the rest of us – because we use our grill or smoker so infrequently … Well, let’s just say that we have no chops when it comes to dealing with chops (pork, veal or otherwise).

So what’s a backyard chef supposed to in a situation like this when there’s so much at steak … er … stake? Turn to someone who really knows their way around a grill for advice. People like Jens Dahlmann, the Vice President and Corporate Executive Chef for Darden Restaurant’s LongHorn Steakhouse brand.

Given that Jens’ father & grandfather were chefs, this is a guy who literally grew up in a kitchen. In his teens & twenties, Dahlmann worked in hotels & restaurants all over Switzerland & Germany. Once he was classically trained in the culinary arts, Jens then  jumped ship. Well, started working on cruise ships, I mean.

Anyway … While working on Cunard’s Sea Goddess, Dahlmann met Sirio Maccioni, the founder of Le Cirque 2000. Sirio was so impressed with Jens’ skills in the kitchen that he offered him the opportunity to become sous-chef at this New York landmark. After four years of working in Manhattan, Dahlmann then headed south to become executive chef at Palm Beach’s prestigious Café L’Europe.

Jens Dahlmann back during his Disney World days

And once Jens began wowing foodies in Florida, it wasn’t all that long ’til the Mouse came a-calling. Mickey wanted Dahlmann to shake things up in the kitchen over at WDW’s Flying Fish Café. And he did such a good job with that Disney’s Boardwalk eatery the next thing Jens knew, he was then being asked to work his magic with the menu at the Contemporary Resort’s California Grill.

From there, Dahlmann had a relatively meteoric rise at the Mouse House. Once he became Epcot’s Food & Beverage general manager, it was only a matter of time before he wound up as the executive chef in charge of this theme park’s annual International Food & Wine Festival. Which – under Jens’ guidance – experienced some truly explosive growth.

“When I took on Food & Wine, that festival was only 35 days long and had gross revenues of just $5.5 million. When I left Disney in 2016, Food & Wine was now over 50 days long and that festival had gross revenues of $22 million,” Dahlmann admitted during a recent sit-down. “I honestly loved those 13 years I spent at Disney. When I was working there, I learned so much because I was really cooking for America.”

And it was exactly that sort of experience & expertise that Darden wanted to tap into when they lured Jens away from Mickey last year to become LongHorn Steakhouse’s new Vice President and Corporate Executive Chef. But today … Well, Dahlmann is offering tips to those of us who are thinking about cooking steak tips for the Fourth.

Photo by Jim Hill

“When you’re planning on grilling this holiday, if you’re looking for a successful result, the obvious place to start is with the quality of the meat you plan on cooking for your friends & family. If you want the best results here, don’t be cheap when you go shopping. Spend the money necessary for a fresh filet or a New York strip. Better yet a Ribeye, a nice thick one with good marbling. Because when you look at the marbling on a steak, that’s where all the flavor happens,” Jens explained. “That said, you always have to remember that — the higher you go with the quality of your meat — the less time you’re going to want that piece of meat to spend on the grill.”

And speaking of cooking … Before you even get started here, Jens suggests that you first take the time to check over all of your grilling equipment. Making sure that the grill itself is first scraped clean & then properly oiled before you then turn up the heat.

“If you’re working with a dirty grill, when you go to turn your meat, it may wind up sticking to the grill. Or maybe those spices that you’ve just so carefully coated your steak with will wind up sticking to the grill, rather than your meat,” Dahlmann continued. “Which is why it’s always worth it to spend a few minutes prior to firing up your grill properly cleaning & oiling it.”

Photo by Jim Hill

And speaking of heat … Again, before you officially get started grilling here, Jens says that it’s crucial to check your temperature gauges. Make sure that your char grill is set at 550 (so that it can then properly handle the thicker cuts of meat) and your flattop is set at 425 (so it can properly sear thinner pieces of meat).

Okay. Once you’ve bought the right cuts of quality meat, properly cleaned & oiled your grill, and then made sure that everything’s set at the right temperature (“If you can only stand to hold your hand directly over the grill for two or three seconds, that’s the right amount of heat,” Dahlmann said), it’s now time to season your steaks.

“Don’t be afraid to be bold here. You can’t be shy when it comes to seasoning your meat. You want to give it a nice coating. Largely because — if you’re using a char grill — a lot of that seasoning is just going to fall off anyway,” Jens stated. “It’s up to you to decide what sort of seasoning you want to use here. Even just some salt & pepper will enhance a steak’s flavor.”

Then – according to Dahlmann – comes the really tough part. Which is placing your meat on the grill and then fighting the urge to flip it too early or too often.

“The biggest mistake that a lot of amateur cooks make is that they flip the steak too many times. The real key to a well-cooked piece of meat is just let it be, “Jens insisted. “Of course, if you’re serving different cuts of meat at your Fourth of July feast, you always want to put your biggest thickest steak on the grill first. If you’re also cooking a New York Strip, you want to put that one on a few minutes later. But after that, just let the grill do its job and flip your meat a total of three or four times, once every three minutes or so.”

Of course, the last thing you want to do is overcook a quality piece of meat. Which is why Dahlmann suggests that – when it comes to grilling steaks – if you’re going to err, err on the side of undercooking.

“You can always put a piece of meat back on the grill if it’s slightly undercooked. When you over-cook something, all you can do then is start over with a brand-new piece of meat,” Jens said. “Just be sure that you’re using the correct cut of meat for the cooking result you’re aiming for. If someone wants a rare or medium rare steak, you should go with a thicker cut of steak. If one of your guests wants their steak cooked medium or well, it’s best to start with a thinner cut of meat.”

Photo by Jim Hill

As you can see, the folks at Longhorn take grilling steaks seriously. How seriously? Just last week at Darden Corporate Headquarters in Orlando, seven of these brand’s top grill masters (who – after weeks of regional competitions – had been culled from the 491 restaurants that make up this chain) competed for a $10,000 prize in the Company’s second annual Steak Master Series. And Dahlmann was one of the people who stood in Darden’s test kitchens, watching like a hawk as each of the contestants struggled to prepare six different dishes in just 20 minutes according to Longhorn Steakhouse’s exacting standards.

“I love that Darden does this. Recognizing the best of the best who work this restaurant,” Jens concluded. “We have a lot of people here who are incredibly knowledgeable & passionate when it comes to grilling.”

Speaking of which … If today’s story doesn’t include the exact piece of info that you need to properly grill that T-bone, just whip out your iPhone & text GRILL to 55702. Or – better yet – visit prior to firing up your grill or smoker later today. 

This article was originally published by the Huffington Post on Tuesday, July 4, 2017

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Brattleboro’s Strolling of the Heifers is a sincere if somewhat surreal way to spend a summer’s day in Vermont



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Some people travel halfway ‘around the planet so that they can then experience the excitement of the Running of the Bulls in Pamplona. If you’re more of a Slow Living enthusiast (as I am), then perhaps you should amble to Brattleboro, VT. Where – over the first weekend in June – you can then join a herd of cow enthusiasts at the annual Strolling of the Heifers.

Now in its 16th year, this three-day long event typically gets underway on Friday night in June with a combination block party / gallery walk. But then – come Saturday morning – Main Street in Brattleboro is lined with thousands of bovine fans.

Photo by Jim Hill

They’ve staked out primo viewing spots and set up camp chairs hours ahead of time. Just so these folks can then have a front row seat as this year’s crop of calves (which all come from local farms & 4-H clubs) are paraded through the streets.

Photo by Jim Hill

Viewed from curbside, Strolling of the Heifers is kind of this weird melding of a sincere small town celebration and Pasadena’s Doo Dah Parade. Meaning that – for every entry that actually acknowledged this year’s theme (i.e. “Dance to the Moosic”) — …

Photo by Jim Hill

… there was something completely random, like this parade’s synchronized shopping cart unit.

Photo by Jim Hill

And for every piece of authentic Americana (EX: That collection of antique John Deere tractors that came chugging through the city) …

Photo by Jim Hill

… there was something silly. Like – say – a woman dressed as a Holstein pushing a baby stroller through the streets. And riding in that stroller was a pig dressed in a tutu.

Photo by Jim Hill

And given that this event was being staged in the Green Mountain State & all … Well, does it really surprise you to learn that — among the groups that marched in this year’s Strolling of the Heifers – was a group of eco-friendly folks who, with their  chants of “We’re Number One !,” tried to persuade people along the parade route not to flush the toilet after they pee. Because – as it turns out – urine can be turned into fertilizer.

Photo by Jim Hill

And speaking of fertilizer … At the tail end of the parade, there was a group of dedicated volunteers who were dealing with what came out of the tail end of all those cows.

Photo by Jim Hill

This year’s Strolling of the Heifers concluded at the Brattleboro town common. Where event attendees could then get a closer look at some of the featured units in this year’s parade…

Photo by Jim Hill

… or perhaps even pet a few of the participants.

Photo by Jim Hill

But as for the 90+ calves who took part in the 2017 edition of Strolling of the Heifers, once they reached the town common, it was now time for a nosh or a nap.

Photo by Jim Hill

Elsewhere on the common, keeping with this year’s “Dance to the Moosic” theme, various musical groups performed in & around the gazebo throughout the afternoon.

Photo by Jim Hill

While just across the way – keeping with Brattleboro’s tradition of showcasing the various artisans who live & work in the local community – some pretty funky pieces were on display at the Slow Living Exposition.

Photo by Jim Hill

All in all, attending Strolling of the Heifers is a somewhat surreal but still very pleasant way to spend a summer’s day in Vermont. And that’s no bull.

Photo by Jim Hill

Well, that could be a bull. To be honest, what with the wig & all, it’s kind of hard to tell. 

This article was originally published by the Huffington Post on Sunday, June 4, 2017

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Looking to make an authentic Irish meal for Saint Patrick’s Day? If so, then chef Kevin Dundon says not to cook corned beef & cabbage



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Let’s at least start on a positive note: Celebrated chef, author & TV personality Kevin Dundon – the man that Tourism Ireland has repeatedly chosen as the Face of Irish Food – loves a lot of what happens in the United States on March 17th.

“I mean, look at what they do in Chicago on Saint Patrick’s Day. They toss all of this vegetable-based dye into the Chicago River and then paint it green for a day. That’s terrific,” Kevin said.

But then when it comes to what many Americans eat & drink on St. Paddy’s Day (i.e., a big plate of corned beef and cabbage. Which is then washed down with a mug of green beer) … Well, that’s where Dundon has to draw the line.

Irish celebrity chef Kevin Dundon displays a traditional Irish loin of bacon with Colcannon potatoes and a Dunbrody Kiss chocolate dessert. Photo by Tom Burton. Copyright Disney Enterprises, Inc. All rights reserved

“Green beer? No real Irishman would be caught dead drinking that stuff,” Kevin insists. “And as for eating corned beef & cabbage … That’s not actually authentic Irish fare either. Bacon and cabbage? Sure. But corned beef & cabbage was something that the Irish only began eating after they’d come to the States to escape the Famine. And even then these Irish-Americans only began serving corned beef & cabbage to their friends & family because they had to make do with the ingredients that were available to them at that time.”

And thus begins the strange tale of how corned beef & cabbage came to be associated with the North American celebration of Saint Patrick’s Day celebration. Because – according to Dundon – beef just wasn’t all that big a part of the Irish diet back in the 19th century.

To explain: Back in the Old Country, cattle – while they were obviously highly prized for the milk & cheese that they produced – were also beasts of burden. Meaning that they were often used for ploughing the fields or for hauling heavy loads. Which is why – back then — these animals were rarely slaughtered when they were still young & healthy. If anything, land owners liked to put a herd of cattle on display out in one of their pastures because that was then a sign to their neighbors that this farm was prosperous.

“Whereas pork … Well, everybody raised pigs back then. Which is why pork was a staple of the Irish diet rather than beef,” Dundon continued.

So if that’s what people actually ate back in the Old Country, how then did corned beef & cabbage come to be so strongly associated with Saint Patrick’s Day in the States.? That largely had to do with where the Irish wound up living after they arrived in the New World.

“When the Irish first arrived in America following the Great Famine, a lot of them wound up living in the inner city right alongside the Germans & the Jews, who were also recent immigrants to the States. And while that farm-fresh pork that the Irish loved wasn’t readily available, there was brisket. Which the Irish could then cure by first covering this piece of meat with corn kernel-sized pieces of rock salt – that’s how it came to be called corned beef. Because of the sizes of the pieces of rock salt that were used in the curing process – and then placing all that in a pot of water with other spices to soak for a few days.”

And as for the cabbage portion of corned beef & cabbage … Well, according to Kevin, in addition to buying their meat from the kosher delis in their neighborhood, the Irish would also frequent the stores that the German community shopped in. Where – thanks to their love of sauerkraut (i.e., pickled cabbage) – there was always a ready supply of cabbage to be had.

“So when you get right down to it, it was the American melting pot that led to corned beef & cabbage being found in the Irish-American cooking pot,” Dundon continued. “Since they couldn’t find or didn’t have easy access to the exact same ingredients that they had back in Ireland, Irish-Americans made do with what they could find in the immediate vicinity. And what they made was admittedly tasty. But it’s not actually authentic Irish fare.”

Mind you, what Kevin serves at Raglan Road Irish Pub and Restaurant at Disney Springs (which – FYI – Orlando Magazine voted as the area’s best restaurant back in 2014) is nothing if not authentic. Dundon and his team at this acclaimed gastropub pride themselves on making traditional Irish fare and then contemporized it.

Copyright Disney Enterprises, Inc. All rights reserved

“Take – for example – what we serve here instead of corned beef & cabbage. Again, because it was pork – rather than beef – that was the true staple of the Irish diet back then, what we offer instead is a loin of bacon that has been glazed with Irish Mist. That then comes with colcannon potatoes. Which is this traditional Irish dish that’s made up of mashed potato that have had some cabbage & bacon mixed through it,” Kevin enthused. “This heavenly ham – that’s what we actually call this traditional Irish dish at Raglan Road, Kevin’s Heavenly Ham – also includes some savory cabbage with a parsley cream sauce as well as a raisin cider jus. It’s simple food. But because of the basic ingredients – and that’s the real secret of Irish cuisine. That our ingredients are so strong – the flavors just pop off the plate.”

Which brings us to the real challenge that Dundon and the Raglan Road team face every day. Making sure that they actually have all of the ingredients necessary to make this traditional-yet-contemporized Irish fare to those folks who frequent this Walt Disney World favorite.

“Take – for example – the fish we serve here. We only used cold water fish. Salmon, mussels and haddock that have been hauled out of the Atlantic, the ocean that America and Ireland share,” Kevin stated. “Not that there’s anything wrong with warm water fish. It’s just that … Well, it doesn’t have the same structure. It’s a softer fish, which doesn’t really fit the parameters of Irish cuisine. And if you’re going to serve authentic food, you have to be this dedicated when it comes to sourcing your ingredients.

Copyright Mitchell Beazley. All rights reserved

And if you’re thinking of perhaps trying to serve an authentic Irish meal this year, rather than once again serving corned beef & cabbage at your Saint Patrick’s Day Feast … Well, back in September of last year, Mitchell Beazley published “The Raglan Road Cookbook: Inside America’s Favorite Irish Pub.” This 296-page hardcover not only includes the recipe for Kevin’s Heavenly Ham but also it tells the tale of how this now-world-renown restaurant wound up being built in Orlando.

On the other hand, if you happen to have to the luck of the Irish and are actually down at The Walt Disney World Resort right now, it’s worth noting that Raglan Road is right in the middle of its Mighty St. Patrick’s Day Festival. This four day-long event – which includes Irish bands and professional dancers – stretches through Sunday night. And in addition to all that authentic Irish fare that Dundon and his team are cooking up, you also sample the fine selection of beers & cocktails that this establishment’s four distinct antique bars (each of which are more than 130 years old and were imported directly from Ireland) will be serving. Just – As ucht Dé (That’s “For God’s Sake” in Gaelic) – don’t make the mistake of asking the bartender there for a mug of green beer.

“Why would anyone willingly drink something like that?,” Dundon laughed. “I mean, just imagine what their washroom will look like the morning after.”

This article was originally published by the Huffington Post on Friday, March 17, 2017

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