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Why For?

In an update so big, it took a few extra days to complete, Jim answers your questions about “Song of the South,” reveals the real story about Epcot’s “Person of the Century” poll, as well as unveils which books Mr. Hill might have in the works.



First of all, let me offer up an apology for this latest “Why For” being delayed. But some personal stuff came up toward the middle of last week which took priority over updating the site.

“What sort of personal stuff?” you ask. Well, I had to go into work with Nancy and help her pack up her office. You see, after 23 years of working for Digital Equipment Corporation (which was swallowed by Compaq in 1998, and then in turn swallowed by HP just last year), Nancy got laid off this week.

So — what with comforting my significant other (who was understandably blue after losing a job that she’d had for more than two decades) as well as schlepping Nancy’s enormous Donald Duck collection out to the car — there wasn’t a whole lot of time left for churning out a new “Why For” this past Thursday afternoon.

Still, as I was hauling boxes through the halls of ZKO1 (and keeping an eagle eye out for Mike Scopa. You know, the guy who writes those great “‘Scoping’ The Parks” pieces for MousePlanet? Well — as it turns out — Mike also works for HP, in the very same facility that Nancy works at … er … used to work at … Anyway …), I did manage to stumble across one interesting bit of info.

There — in the middle of this huge HP self-promotional mural that decorates the first floor of Nancy’s old building — was this poster-sized reproduction of a WDI concept painting for Epcot’s soon-to-be-opening “Mission: Space” attraction. In the upper right hand corner of the poster was this description of the attraction:

“It’ll be the most sophisticated theme park attraction in the world. “Mission: Space” at Epcot in Disney World is a collaboration between Disney, NASA and HP. Our technology will help bring the experience of space flight to life. It’s the closest thing to space travel most of us on earth will ever get. Lift off in Summer 2003.”

This reproduction of the WDI concept painting (which shows a space shuttle-like craft — which clearly has the number “X-2” painted on one of its wings — rocketing through the cosmos) was in the “Disney + HP” section of this self-promotional mural. Which (obviously) was intended to make HP employees aware of the many different ways that the company’s technology is currently being used by its clients.

So — at least according to the folks at HP — the “Mission: Space” attraction at Epcot’s Future World section will officially be opening sometime later this summer. Now, where this gets interesting is that … well, that “Summer 2003” opening that was listed on that HP “Mission: Space” poster is at least three to four months earlier than when WDW’s publicity department is claiming this new Epcot thrill ride will open.

According to members of the Mouse’s marketing staff that I’ve spoken with, “Mission: Space” will only be doing test-and-adjust stuff this summer. Which means that this new Future World attraction is only slated to be open on a sporadic basis July – September. It won’t actually be ’til October 1st of this year that “Mission: Space” will have its official unveiling (as part of WDW’s annual birthday bash / press event) and then officially be open to the public.

So keep that in mind if you’re making plans to visit WDW this year. If you really want to make sure that you can blast off on “Mission: Space,” maybe you’d better hold off on scheduling your Disney World vacation ’til well after the first week of October.

Okay. Enough with the self indulgent, personal crud. Let’s get started with answering your letters and e-mails, shall we?

First up, Ryan R. writes in to ask:


I just discovered your site and love your insights and tidbits. I was just wondering if you know anything about if we will ever see “Song of the South” again. I recognize that it not politically correct, but for those of us who grew up in the eighties who have only heard about it, it would be a wonderful treat to see this title …

Thanks for your time and all the info,

Rrapier 33


Jeese. I don’t know what to tell you here, Ryan. Given that Buena Vista Home Entertainment is really beginnng to scrape the bottom of the barrel when it comes to the Disney film vault (Coming soon from BVHE to a retailer near you: “The Don Knotts Collection.” As if there are really people out there who are truly desperate to add the DVDs of “Gus” and “The Apple Dumpling Gang Rides Again” to their collection), I know that they’d really love to put a title like “Song of the South” out there in the marketplace. A movie that Disneyana fans and animation buffs have been begging for for years now. A title that would be sure to sell 10-12 million units easy.

But — that said — seriously wonder if Disney will ever dare to put “Song of the South” out on home video and DVD in Region 1 (I.E. the United States and Canada). I mean, if the former head of Disney Feature Animation Thomas Schumacher is to be believed, “SOTS” is now supposedly on permanent moratorium.

And what exactly is “permanent moratorium?” Is it the Disney-esque equivalent of Dean Wormer’s infamous “Double Secret Probation?” Actually, what “permanent moratorium” supposedly means (in this case, anyway) is that the Walt Disney Company has no intentions to ever put “Song of the South” back into theatrical release here in the U.S. Nor does the corporation have any plans to release this live action / animated feature in the home video or DVD format here in North America.

Which is unfortunate. Not to mention hypocritical. After all, Disney’s “Song of the South” has been readily available for purchase in the Orient for years now. (Why else do you think that all those video versions of “Song of the South” that sell on eBay have Japanese subtitles? That’s because they’re direct dubs off of the “SOTS” laser disc.)

Why exactly would Disney make “Song of the South” available for sale in Asia but not in North America? Basically BVHE’s international arm believes that there aren’t many African-Americans there who would complain about the film’s portrayal of blacks.

Which is kind of a two faced policy, don’t you think? That Disney pretends to care about the feelings of its black customers here in North America … then abandons that pretense in the Orient.

But this sadly has become standard operating procedure with the modern Walt Disney Company: to give the impression that the company actually cares about something, rather than actually caring.

This actually reminds me of the last time that Walt Disney Studios put “Song of the South” out in theaters here in the U.S. That was back in 1986. Just two years after Michael Eisner took control of the Mouse House.

If the Walt Disney Company is really so concerned about the feelings of African Americans, then why did the studio put this allegedly offensive film back into theaters?

Well, actually there’s kind of an interesting story associated with that particular re-release of “Song of the South.” You see, Tony Baxter and the Imagineers who were working on “Zip-a-Dee-Doo-Dah River Run” (a new flume ride that was being proposed for construction at Disneyland in the late 1980s) were leaning heavily on Eisner to allow them to use the characters and settings from “Song of the South” to help theme this attraction.

And Uncle Michael actually liked the idea of adding a flume ride to Disneyland. It’s just that Disney’s CEO was somewhat squeamish about the attraction’s proposed subject matter. Eisner was worried that a ride that was built around Uncle Remus might unintentionally offend African-Americans. Which might result in Disneyland being picketed by the NAACP.

Still the Imagineers persisted, insisting that this proposed Disneyland flume ride wouldn’t work unless they were allowed to build “Zip-a-Dee-Doo-Dah River Run”‘s storyline around the “Song of the South” characters and settings.

This is why — as sort of a litmus test for this attraction — Eisner ordered that “Song of the South” be put into an extremely limited release in the Fall of 1986. If I’m remembering correctly, the film was only out in theaters for two weeks. Three weeks max. Before “SOTS” was quickly pulled and put back in the vault.

Given that no one wrote to the Walt Disney Company while “Song of the South” was playing in theaters here in the U.S. to complain about the film’s portrayal of its black characters (and — more importantly — given that “SOTS” actually did pretty well at the box office during its limited re-release), Eisner finally gave the Imagineers the okay to use the movie’s characters and settings in their proposed Disneyland flume attraction.

However, just to play it safe, Uncle Michael ordered that all references to Uncle Remus be removed from the ride; that’s why the narrator in the queue area is clearly identified as Brer Frog. Eisner also asked that — to further distance this thrill ride from the somewhat controversial “Song of the South” — that WDI drop the name “Zip-a-Dee-Doo-Dah River Run” in favor of something a bit more generic. Which is how Disneyland’s flume ride ended up being called “Splash Mountain.”

Anyway … Rick, you asked me if Disney has any plans to release “Song of the South” on home video and DVD. Well, given this “permanent moratorium” nonsense, the Mouse is now insisting that this particular film will never ever see the light of day again … at least here in the United States.

Which is really interesting. Given that — as recently as three years ago — Buena Vista Home Entertainment was actively exploring ways they could release “SOTS” on home video and DVD here in the U.S.

Of course, in order to make this title palatable to the general public during these increasingly politically correct times, BVHE knew that it had to package this film just right. Which is why (for a time) Disney toyed with the idea of selling a version of “Song of the South” that would have been preceded by a showing of Walt Disney Feature Animation’s new short, “John Henry.”

You see, Buena Vista Home Entertainment’s idea was to persuade a prominent African-American like James Earl Jones, Morgan Freeman or Dr. Maya Angelou to serve as the MC on this DVD / home video. Someone who could introduce “Song of the South,” explaining the film’s historical significance as well as re-enforcing the idea that “SOTS” was a product of a less enlightened time in Hollywood.

Then — once “Song of the South” finished being shown — the film’s host would then introduce “John Henry.” Which (hopefully) would demonstrate the great strides that the Walt Disney Company had made in its depiction of and attitudes toward African-Americans.

It seemed like a pretty fool-proof scheme. Using the device of a prominent African-American narrator to help put “Song of the South” in proper perspective. A framework which would (hopefully) make “SOTS” more palatable (or — at the very least — less distasteful to) African American consumers.

The only problem was … Buena Vista Home Entertainment reportedly approached the wrong African American first. The way I keep hearing this story, the very first person that BVHE went to in their quest to recruit a narrator / host for their “Song of the South” / “John Henry” home video and DVD project was poet Maya Angelou. Angelou supposedly loved “John Henry” when WDFA screened the short for her, but was deeply offended by “SOTS.” The noted author then allegedly told the reps at Buena Vista Home Entertainment that — if they ever dared to put “Song of the South” up for sale in the United States — that she personally would take part in the protests.

That threat was reportedly enough for the Walt Disney Company to order “Song of the South” back into the vault … never to see the light of day again.

And that framing device that Buena Vista Home Entertainment dreamed up for its proposed “Song of the South” / “John Henry” combo release? That concept actually ended up being used on BVHE’s “American Legends” release. That home video and DVD (which was released back in 2001) featured James Earl Jones as its host/narrator. In which the noted African American actor introduced “John Henry,” “Johnny Appleseed,” “Paul Bunyan” and Casey Jones, “The Brave Engineer.”

Still — as Buena Vista Home Entertainment struggles to find other older Disney film titles to put up for sale on home video and DVD — you have to wonder if the temptation to release “Song of the South” will eventually become too great. That — even with the outcry from African-Americans that is almost certain to accompany the re-release of this film — that this still could end up being a profitable venture for the Mouse. That — if BVHE were eventually able to move 10-12 million units of “SOTS” — that all of the agita and anxiety associated with this movie’s home video and DVD release would ultimately be worth it.

My advice, Ryan? Keep an eye on Buena Vista Home Entertainment. If this division of the Walt Disney Company’s upcoming releases — “Treasure Planet,” “Atlantis II: Milo’s Return,” and the colorized version of “The Absent Minded Professor” — don’t exactly set the retail world on fire, BVHE execs may feel that they have no choice but to revisit the company’s decision to put “SOTS” on permanent moratorium.

After all, this was the corporation that said that Disneyland’s “Main Street Electric Parade” was ” … glowing away forever.” So — if that parade can come back to Anaheim — chances are pretty good that “Song of the South” won’t actually be stuck in Disney’s film vaults forever.

So just be patient, Ryan. The smart money is on a video and DVD version of “Song of the South” actually being available for purchase long before this decade is out.

Next, Jay writes in to ask:


Could you please shed some light on whatever happened to the whole “Person of the Century” electronic polls that you could take while visiting Epcot?



Ah yes … Epcot’s “Person of the Century” poll. For those of you out there who don’t recall this intriguing Future World attraction, let me do a quick recap.

On January 14, 1990, the Walt Disney Company (with much hoopla) launched its “Person of the Century” poll. An unique “election” in which Disney theme park visitors were supposed to determine who the most influential individual over the past 90 years was.

The idea was that Disney would tabulate the votes of Epcot visitors right up until January 1, 2000. The results of this unique “election” would then be revealed on a TV special, during which Michael Eisner was supposed to have presented the one-and-only “Person of the Century” award to that person (or his or her descendants).

Sounds like a pretty intriguing idea, doesn’t it? Well, the Imagineers set up the “Person of the Century” polling stations in the Electronic Forum area of Future World’s Communicore East, turned on the machines and then …

Well, for a time, Disney made regular announcements about which candidates had emerged as the favorites in its “Person of the Century” poll. As of April 1990, the top candidates were (listed alphabetically, not in order of placement) the Beatles, Winston Churchill, Walt Disney, Thomas Edison, Albert Einstein, Henry Ford, Mikhail Gorbachev, John F. Kennedy, Martin Luther King Jr. and Franklin D. Roosevelt.

But then — toward the end of 1990 — Disney stopped talking about its “Person of the Century” poll. And sometime in March 1991, the Imagineers quietly unplugged those polling machines in Epcot’s Communicore area, packed them away and … well, that’s the last that anyone ever heard about the “Person of the Century” poll.

Why did Disney pull the plug? Well, for years now, rumors have circulated that WDW officials were uncomfortable with the number of votes that Adolph Hitler had been getting. Or that Mouse House officials were embarrassed by how many votes Walt Disney was getting (which was unfairly skewing the results of the poll).

But the REAL reason that WDW officials shut down this Future World attraction was because a prank that was being played by Epcot cast members kind of got out of hand.

To explain: those of you who remember voting on the “Person of the Century” electronic polling system may recall that you could either vote for a pre-selected candidate (one of the names that was already listed on the touch-sensitive screen) or you could type in the name of your very own candidate. Well, some Epcot employees noticed the system had this “type in your own candidate” feature and thought: “Wouldn’t it be funny if we made (some really popular cast member’s name – let’s call him Bob) our write-in candidate for ‘Person of the Century’?”

So these folks began typing in Bob’s name and noticed that — the more people who typed in Bob’s name each day — the further up in the daily results for Epcot’s “Person of the Century” poll Bob’s name moved. So these Epcot cast members began recruiting other WDW employees to — as a goof — drop by Communicore every workday and type in Bob’s name.

And some of these WDW cast members were truly dedicated to the “Make Bob the ‘Person of the Century'” project. I mean, they’d devote their entire lunch hour to repeatedly typing in Bob’s name over and over and over. Some people would even come in on their days off and type in Bob’s name for hours on end.

The end result was … first Bob’s name made it in the poll’s top 100. Then the top 50. Then the top 10.

It was just about this time that Epcot managers began to notice that a WDW cast member had somehow turned up as a top candidate for Disney’s “Person of the Century” award. And they were reportedly livid at the idea that an hourly employee had managed to rack up more votes than Albert Schweitzer and Pope John Paul II.

Which is why Epcot officials allegedly threatened to fire Bob (who — truth be told — had absolutely nothing to do with this prank) and any other WDW employees that they found typing in a cast member’s name at a “Person of the Century” polling station.

So — having put the kibosh on this prank — the Epcot officials then turned to the Imagineers and asked them if there was any way that WDI could remove Bob’s name from the “Person of the Century” poll’s running tally. Thereby eliminating all of those bogus votes.

The Imagineers responded that they could do this. The only problem was — once they shut down the polling machines in order to take Bob’s name off the tally board — the master computer that kept track of all of the other “Person of the Century” votes would then automatically wipe the slate clean. Effectively erasing a year and a half’s worth of votes.

Realizing that they now had a PR nightmare on their hands (after all, how could Disney claim — in January 1, 2000 — that they were announcing the one-and-only “Person of the Century” as voted by WDW guests if the company had thrown out the first 18 months worth of votes?), Disney did what it always does when it’s faced with a crisis. Which is: pretend that it never happened.

Which is why Disney unplugged those “Person of the Century” polling machines in late 1991 and packed them away. Never to see the light of day again. (I imagine that Disney has these Communicore voting machines stored in the same vault where they’re keeping all of those old film prints of “Song of the South.)

Our next question comes from Rick G.:

Hi Jim,

I’m going to try this again. Don’t get me wrong. It was a thrill to see my question in print (Kind of. It was the internet, after all). But here are some questions that I’m sure you’ll be able to answer.

1) What did happen with the “Project Atlantis” sign in Tomorrowland? What you said in answer to my previous question intrigued me about the Imagineers getting into a shouting match with other Disney employees. Please tell us that story.

2) My second question. Was there at one point talk about another land at Disneyland? I’ve heard something about the expansion being in the area between Tomorrowland and Main Street. That’s something I’ve always wondered.

Again, thanks for such a great site.

Rick G.

Rick –

Thanks for the compliments. Which is why it really pains me to tell you that you’re going to have to wait a while for an answer on both of those questions.

You see — in order to tell the “Project: Atlantis” shouting match story properly — I’ll have to delve into the on-going battle between WDI and the operations staff at the various Disney theme parks. To explain: WDI wants all of the rides and attractions that it creates to always be operated in a careful, thoughtful manner. With the cast members who actually run these shows to do everything that they can to preserve and maintain the magic of a Disney theme park experience.

Whereas the park’s operations staff … well, their goal is to have Disney’s theme parks always working at peak efficiency. Which means loading as many people as possible on every attraction for as many hours as that park is open each day. With precious little thought to preserving the magic. All these guys care about is keeping each area’s rides-per-hour rates as high as possible.

So — in order to fully explore and explain this on-going battle between these two opposing forces in the Disney theme park empire — I’m probably going to have to write a feature, Rick. Not just some quick blip of an answer in one of my weekly “Why For” columns.

Then — if you really want me to start writing about all of the lands that have been talked about as possible additions to Disneyland that were ultimately never built — well, that’s a series, Rick. I mean, just describing all the ideas that the Imagineers have proposed for that small patch of land out behind Main Street U.S.A. and Tomorrowland (I.E. International Street, followed by Liberty Street, Edison Square, Chinatown, Liberty Square and Hollywoodland) would be a multi-part saga.

And let’s not even get started on all the other additions that were proposed for other parts of the park. Mythia. Big City U.S.A. World Holiday Land. Discovery Bay. Dumbo Circus. The list goes on and on …

That’s also a series, Rick. A big multi-part story that will probably end up making my “Remembering Light Magic” series look like a pamphlet.

Which is why I guess I’m going to have to ask for your patience here, Rick. The short answer questions, I’m perfectly happy to deal with here in my “Why For” column. Whereas the bigger, more involved questions (which — of course — call for more elongated answers) … I’d like to reserve those for the series treatment here at the site.

So, my apologies for putting you off yet again, Rick. I hope you’ll understand. And I promise that I’ll personally give you a heads-up once I finally get around to answering the above questions in a feature-length form. With lots and lots of info. With stories that seem to go on for days.

And — speaking of days — it feels like I’ve been answering “Why For” questions for about a week now. So how’s about I answer just one more question and then wrap this up for this week?

James S. of Bridgewater, MA. writes to say:

Dear Jim –

First of all, let me tell you how glad I was to find out that you now had your own web site. Best of luck.

Second, you mentioned on your site last week that you had a few $10.00 off coupons for the Disney Catalog Outlet Store. Enclosed, please find a self addressed envelope & thanks.

Third, just two quick questions: How’s your unofficial WDW book coming and do you ever think you’ll have time to host a tour of WDW for Disney fans.

Thanks again,

Jim S.

Jim S.

Thanks for the kind words regarding JimHillMedia. It’s honestly nice to hear that people really appreciate the crud that I churn out here.

Regarding those $10.00 off coupons for the Disney Catalog Outlet Stores: I put two of them in the mail to you yesterday afternoon. So — with luck — those coupons should turn up in your mailbox on Monday. Tuesday at the latest.

(By the way: Thanks to all of you who chose to take part in JHM’s Disney Catalog Outlet Store coupon giveaway. Reader response to this special limited time offer was overwhelming. Better than we ever could have hoped for! Unfortunately, Jim S. just snagged my last two $10.00 off coupons. Hopefully, sometime in the not-so-distant future, we’ll be able to do something like this again. Offer up a cool perk to JHM readers. Here’s hoping anyway …)

Now, regarding your question about my unofficial history of the Walt Disney World resort: Unfortunately, Jim S., I’ve decided to table that book project for a while. You see, given all that’s involved with getting a brand new web site up out of the ground (not to mention creating new content for JHM two or three times a week) has really been eating into my outside writing time.

Then there’s David Koenig’s upcoming WDW book. A follow-up to his highly successful, very entertaining “Mouse Tales” books. Only this time, David turns his attention to Disney’s Central Florida resort.

I consider Koenig to be a colleague and a friend. Which is why I really wouldn’t want my unofficial WDW history to end up competing with his new book. Based on recent conversations that I’ve had with David, his Disney World book should (hopefully) be ready to hit store shelves in late 2004.

So — to insure that our two unofficial histories of the WDW resort don’t wind up crowding each other off of book store shelves — I’m probably going to hold off on fielding my own Disney World book ’til the Fall of 2006 (Just in time to cash in on all the hoopla surrounding WDW’s 35th anniversary).

Mind you, this doesn’t mean that all you loyal JHM readers are going to have to wait three years ’til you get the chance to hold a really-for-real Jim Hill book in your hot little hand. You see, I actually already have two other literary projects well under way.

First up will be “Whale of a Tale.” Which will detail the colorful history of Pleasure Island, a theme park that was built up here in New England in 1959 by some of the very same folks who built Disneyland back in 1954 / 1955. C.V. Wood (ehe infamous “Master Builder of Disneyland”) plays a very prominent role in this tale, which (hopefully) will make this book something all of you Disneyana fans out there might want to check out.

If all goes according to plan, I’ll finish writing “Whale of a Tale” in the late Spring / early Summer of this year. Which means that the book should be available for purchase sometime around Thanksgiving.

After that comes “Movin’ Right Along,” which will actually be a radically expanded version of that “When You Wish Upon a Frog” Henson / Disney series that I did over at back in the Summer of 2001. Once the Jim Henson Company finally gets sold to someone sometime next month, I’ll also finally have an end for my book. So look for that one to be available for sale sometime in the latter part of 2004.

After that … well, I’m also toying with putting together a collection of stories to be released in the Summer of 2005 to commemorate and celebrate Disneyland’s 50th anniversary. I’ve also had a few conversations about possibly churning out another book in 2004 which would take a fond look back at the 1964 New York World’s Fair (on the occasion of the Fair’s 40th anniversary).

So — as you can see, Jim S. — I’ve got a busy couple of years ahead of me. I’m actually going to try and burp out at least one new book each year from here on in (as well as create new content for JimHillMedia each week). In my free time … well, I was hoping that I might be able to squeeze in a little eating, sleeping and bathing.

Which — getting to your final question now, Jim — doesn’t leave a whole lot of time for giving tours of the Disneyland and Walt Disney World resorts.

Still, I’ve been getting so many requests lately to give tours of the parks that I thought “Oh, what the hell …”

So — if you’d like to be part of the grand experiment (Why is this a grand experiment? Because I’ve never actually given an official-type tour of the parks before) — mark your calendars now. For I’m going to be out in LA in the middle of March (to help celebrate my daughter Alice’s 9th birthday). And that when I plan on hosting the first (and possibly the last) JimHillMedia tour of the Disneyland Resort around then.

Saturday, March 22nd will be the day I lead a tour of Disneyland. Sunday, March 23rd will be the day I cover DCA and Downtown Disneyland.

I should warn you, though, that space for these tours will be extremely limited. 10 slots each day, tops. I’m also figuring that we’ll be doing a 3-to-4 hour walking tour of each park. So please be sure to wear a pair of comfortable shoes.

As for pricing … jeese, I don’t know. Given that I’ve never done anything like this before, I’m kind of reluctant to charge big bucks for these tours. I mean, what happens if I really suck at this?

Tell you what. For what basically amounts to the beta test of the JimHillMedia Disneyland Resort tours, I’m going to charge $25 per person per tour. But keep in mind that you have to cover your own admission to the park as well as any meals and snacks. That sound fair to you?

Those of your who are interested in taking part in this tryout of the JHM tour (God help you), drop me a line at my address and I’ll get a list started.

And I promise, Jim S., that — if these Disneyland Resort tours work out — I’ll look into maybe doing a couple of WDW theme park tours sometime later this year.

And — since I’ll be out at the park anyway that weekend — why don’t we finally try to have that get-together that Roger Colton keeps trying to set up? I’m thinking … late Saturday afternoon and/or late Sunday afternoon. Anyone have any ideas about a suitable meeting spot and/or a place where we can go to to sit and chat afterwards?

Also — before I close here — I should also acknowledge that, due to the fact that last week’s “Why For” ended up running today, the very first installment of my revised “Remembering ‘Light Magic'” series ended up getting bumped. So my apologies to those of you who dropped by JHM today specifically to see that story. Look for the first chapter of this radically reworked story (which delves into the history of Disneyland’s Main Street Electric Parade and why the entertainment staff at that park ultimately decided to shut down that fan favorite) to pop up on the site this Wednesday.

Okay, that pretty much wraps it up for this week, kids …

Oops. Almost forgot. JHM editor Michelle Smith (AKA the Fabulous Disney Babe) wanted me to thank all of you most generous people who kicked in a few bucks last week to help keep JimHillMedia alive and kicking. I genuinely appreciate your generosity as well as the good faith you folks continue to show in our little website.

Okay, that’s it from the Frozen North. Thanks for your continued patronage.


Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District



Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.

Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.

Photo by Jim Hill

Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.

Photo by Jim Hill

Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building

Photo by Jim Hill

… and eventually wound up just below Times
(right behind where the Waterford Crystal Times Square New
Year's Eve Ball
is kept).

Photo by Jim Hill

But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created

Photo by Jim Hill

And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.

Photo by Jim Hill

Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …

Photo by Jim Hill

… the postman delivering the mail …

Photo by Jim Hill

… the hot dog vendor working at his cart …

Photo by Jim Hill

Photo by Jim Hill

… the street musician playing for tourists …

Photo by Jim Hill

Not to mention the tourists themselves.

Photo by Jim Hill

But right alongside the bronze businessmen …

Photo by Jim Hill

… and the tired grandmother hauling her groceries home …

Photo by Jim Hill

… there were also statues representing people who were
from out-of-town …

Photo by Jim Hill

… or — for that matter — out-of-time.

Photo by Jim Hill

These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.

Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill 

Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these

Mind you, for those of you who aren't big fans of the
impressionists …

Photo by Jim Hill

… there's also an array of American icons. Among them
Marilyn Monroe …

Photo by Jim Hill

… and that farmer couple from Grant Wood's "American

Photo by Jim Hill

But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.

Photo by Jim Hill

By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around  August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).

Photo by Jim Hill

By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance
's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th. 

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues



Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las

Photo by Jim Hill

I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.

Photo by Jim Hill

Take — for example — all of "The Secret Life of
" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.

Photo by Jim Hill

Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.

Photo by Jim Hill

And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice
" to start trending on Twitter today — brought
the Batmobile to Las Vegas.

Photo by Jim Hill

Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.

Photo by Jim Hill

That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.

Photo by Jim Hill

And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.

Photo by Jim Hill

Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.

Photo by Jim Hill

I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.

Photo by Jim Hill

I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.

Photo by Jim Hill

Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.

Photo by Jim Hill

Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."

Photo by Jim Hill

Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with  production
of Genndy Tartakovsky's
"Popeye" movie.  But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.

Photo by Jim Hill

And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.

Photo by Jim Hill

"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.

Photo by Jim Hill

I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.

Photo by Jim Hill

And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.

Photo by Jim Hill

And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."

Photo by Jim Hill

And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."

Photo by Jim Hill

One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.  

Photo by Jim Hill

Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.

Your thoughts?

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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It takes more than three circles to craft a Classic version of Mickey Mouse



You know what Mickey Mouse looks like, right? Little guy,
big ears?

Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
(especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.

Copyright Disney Enterprises,
All rights reserved

Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.

Copyright Disney Enterprises, Inc. All rights

Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers
," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.

Copyright Disney Enterprises,
Inc. All rights reserved

That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.

Take — for example — Disney
California Adventure
's "World of Color:
" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.

Copyright Disney Enterprises,
All rights reserved

Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity

"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "

Copyright Disney Enterprises,
Inc. All rights reserved

"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"

Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.

Copyright Disney
Enterprises, Inc. All rights reserved

"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."

But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity

Copyright Disney Enterprises,
Inc. All rights reserved

"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of  Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."

And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.

Copyright Disney Enterprises,
Inc. All rights reserved

"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.

Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.

Copyright Disney Enterprises,
Inc. All rights reserved

"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."

So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?

Copyright Lucasfilm / Disney
Enterprises, Inc. All rights reserved

"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."

This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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