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Why For?

This week, in an extra special edition of JimHillMedia’s Q & A column, Jim Hill deals with a single mountainous question. As in: What’s the deal with these proposed WDW additions: the Matterhorn, Mount Fuji / Fire Mountain and Forbidden Mountain? Then – just before he slides into a coma – Jim takes a moment to thank everyone who was nice enough to kick in a few bucks last week.



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Joan wrote to say:


Love the site … and I have a question for you. In November ’91, my husband Gary and I went on our honeymoon in Orlando. He remembers seeing some conceptual drawings of future attractions at … the MGM park and swears that he saw a drawing of a roller-coaster type attraction in the Japan section of Epcot to be called Mt. Fuji. Have you ever heard of such a thing? And if so, what happened to it?

Many thanks and keep up the good work!

Thanks for the kind words, Joan. As for what your husband remembers seeing during your visit to WDW’s Magic Kingdom: He’s right. There WAS concept art up in the post show area of the “Walt Disney Story” back in the early 1990s that clearly showed a “Space Mountain” – type roller-coaster ride which was supposed to have been built right behind the Japanese pavilion in Epcot’s World Showcase area. And – yes – this ride was to have been housed in a mountain-shaped building, with the attraction inside being called either “Mount Fuji” or “Fire Mountain.”

Now where this gets interesting is that this indoor roller-coaster ride was actually one of two “mountains” that the Imagineers had hoped to add to Epcot’s World Showcase skline back in the early 1990s. The second of these “mountains” (which was also supposed to have contained a thrill ride) would have been an updated version of Disneyland’s popular “Matterhorn” ride.

This proposed Epcot addition was to have been the centerpiece of a brand new Switzerland-themed area which WDI had hoped to add at Epcot. Had construction actually gone forward, the pavilion’s Swiss chalet-styled structures as well as its towering mountain-shaped ride building would have occupied that empty spot along World Showcase Lagoon between the Italian and German pavilions.

In the best of all possible worlds, the Imagineers had wanted to add both the “Matterhorn” as well as “Mount Fuji / Fire Mountain” to Epcot’s World Showcase. Why both? Well, there were a variety of reasons, actually.

1) With the possible exception of Norway’s rather wimpy “Maelstrom” attraction , Epcot had no real thrill rides. Adding these two new Disney mountains would (hopefully) finally clear up that problem. Which would finally give WDW’s science and discovery park a little teen appeal.

2) These two rather prominent mountain-shaped ride buildings towering over World Showcase’s skyline would obviously have made great “weenies.” (I.E. Objects that would catch the attention of Epcot visitors, compelling them to move ever deeper into the theme park.)

3) The Imagineers thought – by adding both the “Matterhorn” and “Mount Fuji / Fire Mountain” to World Showcase’s skyline – it would give the back part of Epcot some symmetry. These two faux “mountains” would have acted as book-ends for the American Adventure pavilion. Framing and balancing this part of the theme park.

But of course, none of this ever happened. In spite of all of WDI’s best laid plains, neither of these attractions were ever built.

Why for? Well, just about the same time that the Walt Disney Company began searching for a corporate sponsor to underwrite “Mount Fuji / Fire Mountain,” the Japanese economy collapsed. So suddenly there weren’t a whole lot of firms out there who could shoulder the construction costs (not to mention the 10 years of staffing costs and maintenance fees) associated with the creation of this $100-million-plus thrill ride.

Mind you, the Mouse did everything it could to try and line up a sponsor for “Mount Fuji / Fire Mountain.” The company reportedly had prolonged discussions with Fuji Film about possibly sponsoring this proposed attraction … until Kodak (the Official Film of the stateside Disney theme parks) stepped in and quickly put the kibosh on the idea that its direct competition would be the sponsor of a popular new thrill ride for World Showcase.

There were even allegedly conversations with Toho Studios, built around the notion that this Epcot attraction could possibly prominently feature Toho’s biggest star, Godzilla. The idea behind this radically revamped version of the ride is that WDW guests would now race around inside of this faux “mountain” aboard miniature bullet trains, just inches away from constantly being crushed by Big G.

As for the “Matterhorn” … well, it’s the same sad story, folks. The Imagineers just weren’t able to find a Swiss corporation that was willing to pick up the tab for this proposed $100 million Epcot addition. Which is why Disney eventually had to abandon the idea of adding two “mountains” to World Showcase’s skyline and concentrated instead on adding exciting new elements to Future World.

Why Future World? Because it was infinitely easier — back in the mid-1990s, anyway — for Disney execs to convince American corporations to pony up sufficient dough to help showcase their latest products in Future World. I mean, surely the name “Innoventions” rings a bell.

Eve so, it’s still kind of sad to think that none of these faux “mountains” proposed for Walt Disney World ever made it off of WDI’s drawing board. Particularly the “Matterhorn.”

What’s so sad about the “Matterhorn” not getting built at Epcot? Well, it’s just that *** Nunis, the former Chairman of Disney Attractions, tried for over 20 years to get a version of this Disneyland favorite built at Walt Disney World.

Take for example, back in the mid-1970s, when Nunis envisioned building a “Matterhorn” in the Magic Kingdom – in the same approximate area that “Mickey’s Toontown Fair” currently occupies. This Florida version of Disneyland’s “Matterhorn” ride was supposed to have straddled the railroad track that circled the park.

The idea behind doing this was that the WDW railroad was supposed to have rolled right through an opening in the base of the “Matterhorn.” Once inside this cave, guests would have encountered … a raging blizzard! (Which you have to admit would be a very cool way to spend a few moments on a blistering hot summer afternoon in Central Florida.)

Anyway … when the Magic Kingdom version of this thrill ride failed to make it off the drawing board, *** set his sights on getting a “Matterhorn” attraction added to Disney – MGM. Below, you’ll find a photo of a conceptual painting for the studio theme park that shows one of the proposed layouts for the park. Please note that – at approximately the center of this photograph (back and to the left of the “Great Movie Ride” show building) – you’ll see a pointy mountain rising right up where Disney – MGM’s New York backlot area was eventually built.

Click to view larger image.

What is that? You guessed it, kids. Another Florida version of the “Matterhorn.” Only – in this incarnation of the attraction – only the side facing out toward World Drive would have been finished and actually looked like a real mountain. The side facing in toward the center of the park would have been open, unfinished. Just like most movie sets are.

The idea behind this version of the “Matterhorn” was that WDW guests would (thanks to all the daylight that was pouring in through the open side of the mountain) get a big thrill out of seeing how close their ride vehicle was actually coming to the “mountain”‘s support beams. Which (supposedly) would have added to the fun of this Disney-MGM thrill ride.

The only problem was that – as the budget kept ballooning for the studio theme park – the Imagineers were under constant pressure from Disney’s CEO Michael Eisner to keep construction costs down on Disney-MGM. (You have to understand that – by building the studio theme park – Uncle Michael was out to prove that all future WDI-designed projects wouldn’t have to be like Epcot. Which ended up costing the corporation over a billion dollars to complete. Eisner wanted MGM to be the new template for WDI. To prove to the Imagineers that it really was possible to build an entire new theme park for a 1/3rd or half of what it cost the Walt Disney Company to build Epcot).

One easy way to keep construction costs down on this particular park was to pull the plug on the enormous “E” Ticket that towered over the backlot. Which is how Disney-MGM’s version of the “Matterhorn” ended up on the cutting room floor.

What happened to the Epcot version of the “Matterhorn,” you already know. And – by the time WDI was hatching plans for Disneys’ Animal Kingdom – Nunis had been promoted up and out of his position of power at Disney Attractions. Once he became chairman of that division, ***’s powers became largely ceremonial. He’d show up ribbon cuttings, maybe hand out a few oversized checks to organizations like the United Way. But – beyond that – Nunis was no longer in a position to call the shots as to what got built where at the Walt Disney World resort.

Which – as I said earlier – is sort of sad. Still, I’m hoping that *** Nunis can take at least some comfort in the knowledge that DAK’s “Forbidden Mountain” attraction clearly draws its inspiration from Disneyland’s “Matterhorn” ride. This new thrill ride – which is supposed to be built in Animal Kingdom right along the edge of Discovery River near the entrance to Asia (facing out across the water toward the “Tarzan Rocks!” amphitheater) – is, of course, another snow capped faux Disney “mountain.”

Only this version of the “mountain” (which hides most of trackwork for this indoor roller-coaster) is lush and green below the snow line. Truth be told, the pictures that I’ve seen of the model for this attraction (thanks Michelle!) suggest a somewhat squashed “Matterhorn.” Shorter in stature, but wider around the base.

So – if all goes according to plan (I keep hearing that Disney plans to break ground on DAK’s “Forbidden Mountain” sometime in early 2003. With an eye toward having the ride up and running by October 2004. Just in time for WDW’s annual press event) – Walt Disney World will finally get its “Matterhorn” clone.

Just not in the shape that *** Nunis had originally envisioned.

I apologize for only answering one “Why For” question this week, kids. But, frankly – after cranking out five days worth of new features for in one straight shot – I’m kind of beat.

So I’ve decided to rest and regroup this weekend. With the hope that some of the other columnists who write for this site (Hello, Chuck. Hey, Andrea) will start sending in new stories again shortly.

Not that I’m complaining, mind you. I’m really very happy with the crew we currently have here at JimHillMedia. So – if these guys need some extra time off in order to wrap up all of their Christmas-related crud – then I’m perfectly happy to pick the slack. For a while. Until – of course – I slip into a writing induced coma …

(There. That ought to be enough guilt to motivate those guys … Don’t you think?)

Anyway … Before I go, I also wanted to thank all of you JHM readers who were nice enough to answer the call last week and throw a few bucks in the Amazon honor box. Michelle tells me that we received enough donations to keep the site up and running well into January. (How did my ex-wife put it? “They like you. They really like you.”)

Those of you who donated … I honestly can not thank you enough for all the generosity you’ve shown (Not to mention all those nice letters of support I also received). You’re a great bunch of readers, you know that?

Anywho … I’m going to go lie down. Hoping that a little rest now will get me in shape for Monday. When I have to start churning out stories again.

You folks have a great weekend, okay? Talk to you Monday,


Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Jens Dahlmann of LongHorn Steakhouse has lots of great tips when it comes to grilling



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Sure, for some folks, the Fourth of July is all about fireworks. But for the 75% of all Americans who own a grill or a smoker, the Fourth is our Nation’s No. 1 holiday when it comes to grilling. Which is why 3 out of 4 of those folks will spend some time outside today working over a fire.

But here’s the thing: Though 14 million Americans can cook a steak with confidence because they actually grill something every week, the rest of us – because we use our grill or smoker so infrequently … Well, let’s just say that we have no chops when it comes to dealing with chops (pork, veal or otherwise).

So what’s a backyard chef supposed to in a situation like this when there’s so much at steak … er … stake? Turn to someone who really knows their way around a grill for advice. People like Jens Dahlmann, the Vice President and Corporate Executive Chef for Darden Restaurant’s LongHorn Steakhouse brand.

Given that Jens’ father & grandfather were chefs, this is a guy who literally grew up in a kitchen. In his teens & twenties, Dahlmann worked in hotels & restaurants all over Switzerland & Germany. Once he was classically trained in the culinary arts, Jens then  jumped ship. Well, started working on cruise ships, I mean.

Anyway … While working on Cunard’s Sea Goddess, Dahlmann met Sirio Maccioni, the founder of Le Cirque 2000. Sirio was so impressed with Jens’ skills in the kitchen that he offered him the opportunity to become sous-chef at this New York landmark. After four years of working in Manhattan, Dahlmann then headed south to become executive chef at Palm Beach’s prestigious Café L’Europe.

Jens Dahlmann back during his Disney World days

And once Jens began wowing foodies in Florida, it wasn’t all that long ’til the Mouse came a-calling. Mickey wanted Dahlmann to shake things up in the kitchen over at WDW’s Flying Fish Café. And he did such a good job with that Disney’s Boardwalk eatery the next thing Jens knew, he was then being asked to work his magic with the menu at the Contemporary Resort’s California Grill.

From there, Dahlmann had a relatively meteoric rise at the Mouse House. Once he became Epcot’s Food & Beverage general manager, it was only a matter of time before he wound up as the executive chef in charge of this theme park’s annual International Food & Wine Festival. Which – under Jens’ guidance – experienced some truly explosive growth.

“When I took on Food & Wine, that festival was only 35 days long and had gross revenues of just $5.5 million. When I left Disney in 2016, Food & Wine was now over 50 days long and that festival had gross revenues of $22 million,” Dahlmann admitted during a recent sit-down. “I honestly loved those 13 years I spent at Disney. When I was working there, I learned so much because I was really cooking for America.”

And it was exactly that sort of experience & expertise that Darden wanted to tap into when they lured Jens away from Mickey last year to become LongHorn Steakhouse’s new Vice President and Corporate Executive Chef. But today … Well, Dahlmann is offering tips to those of us who are thinking about cooking steak tips for the Fourth.

Photo by Jim Hill

“When you’re planning on grilling this holiday, if you’re looking for a successful result, the obvious place to start is with the quality of the meat you plan on cooking for your friends & family. If you want the best results here, don’t be cheap when you go shopping. Spend the money necessary for a fresh filet or a New York strip. Better yet a Ribeye, a nice thick one with good marbling. Because when you look at the marbling on a steak, that’s where all the flavor happens,” Jens explained. “That said, you always have to remember that — the higher you go with the quality of your meat — the less time you’re going to want that piece of meat to spend on the grill.”

And speaking of cooking … Before you even get started here, Jens suggests that you first take the time to check over all of your grilling equipment. Making sure that the grill itself is first scraped clean & then properly oiled before you then turn up the heat.

“If you’re working with a dirty grill, when you go to turn your meat, it may wind up sticking to the grill. Or maybe those spices that you’ve just so carefully coated your steak with will wind up sticking to the grill, rather than your meat,” Dahlmann continued. “Which is why it’s always worth it to spend a few minutes prior to firing up your grill properly cleaning & oiling it.”

Photo by Jim Hill

And speaking of heat … Again, before you officially get started grilling here, Jens says that it’s crucial to check your temperature gauges. Make sure that your char grill is set at 550 (so that it can then properly handle the thicker cuts of meat) and your flattop is set at 425 (so it can properly sear thinner pieces of meat).

Okay. Once you’ve bought the right cuts of quality meat, properly cleaned & oiled your grill, and then made sure that everything’s set at the right temperature (“If you can only stand to hold your hand directly over the grill for two or three seconds, that’s the right amount of heat,” Dahlmann said), it’s now time to season your steaks.

“Don’t be afraid to be bold here. You can’t be shy when it comes to seasoning your meat. You want to give it a nice coating. Largely because — if you’re using a char grill — a lot of that seasoning is just going to fall off anyway,” Jens stated. “It’s up to you to decide what sort of seasoning you want to use here. Even just some salt & pepper will enhance a steak’s flavor.”

Then – according to Dahlmann – comes the really tough part. Which is placing your meat on the grill and then fighting the urge to flip it too early or too often.

“The biggest mistake that a lot of amateur cooks make is that they flip the steak too many times. The real key to a well-cooked piece of meat is just let it be, “Jens insisted. “Of course, if you’re serving different cuts of meat at your Fourth of July feast, you always want to put your biggest thickest steak on the grill first. If you’re also cooking a New York Strip, you want to put that one on a few minutes later. But after that, just let the grill do its job and flip your meat a total of three or four times, once every three minutes or so.”

Of course, the last thing you want to do is overcook a quality piece of meat. Which is why Dahlmann suggests that – when it comes to grilling steaks – if you’re going to err, err on the side of undercooking.

“You can always put a piece of meat back on the grill if it’s slightly undercooked. When you over-cook something, all you can do then is start over with a brand-new piece of meat,” Jens said. “Just be sure that you’re using the correct cut of meat for the cooking result you’re aiming for. If someone wants a rare or medium rare steak, you should go with a thicker cut of steak. If one of your guests wants their steak cooked medium or well, it’s best to start with a thinner cut of meat.”

Photo by Jim Hill

As you can see, the folks at Longhorn take grilling steaks seriously. How seriously? Just last week at Darden Corporate Headquarters in Orlando, seven of these brand’s top grill masters (who – after weeks of regional competitions – had been culled from the 491 restaurants that make up this chain) competed for a $10,000 prize in the Company’s second annual Steak Master Series. And Dahlmann was one of the people who stood in Darden’s test kitchens, watching like a hawk as each of the contestants struggled to prepare six different dishes in just 20 minutes according to Longhorn Steakhouse’s exacting standards.

“I love that Darden does this. Recognizing the best of the best who work this restaurant,” Jens concluded. “We have a lot of people here who are incredibly knowledgeable & passionate when it comes to grilling.”

Speaking of which … If today’s story doesn’t include the exact piece of info that you need to properly grill that T-bone, just whip out your iPhone & text GRILL to 55702. Or – better yet – visit prior to firing up your grill or smoker later today. 

This article was originally published by the Huffington Post on Tuesday, July 4, 2017

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Brattleboro’s Strolling of the Heifers is a sincere if somewhat surreal way to spend a summer’s day in Vermont



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Some people travel halfway ‘around the planet so that they can then experience the excitement of the Running of the Bulls in Pamplona. If you’re more of a Slow Living enthusiast (as I am), then perhaps you should amble to Brattleboro, VT. Where – over the first weekend in June – you can then join a herd of cow enthusiasts at the annual Strolling of the Heifers.

Now in its 16th year, this three-day long event typically gets underway on Friday night in June with a combination block party / gallery walk. But then – come Saturday morning – Main Street in Brattleboro is lined with thousands of bovine fans.

Photo by Jim Hill

They’ve staked out primo viewing spots and set up camp chairs hours ahead of time. Just so these folks can then have a front row seat as this year’s crop of calves (which all come from local farms & 4-H clubs) are paraded through the streets.

Photo by Jim Hill

Viewed from curbside, Strolling of the Heifers is kind of this weird melding of a sincere small town celebration and Pasadena’s Doo Dah Parade. Meaning that – for every entry that actually acknowledged this year’s theme (i.e. “Dance to the Moosic”) — …

Photo by Jim Hill

… there was something completely random, like this parade’s synchronized shopping cart unit.

Photo by Jim Hill

And for every piece of authentic Americana (EX: That collection of antique John Deere tractors that came chugging through the city) …

Photo by Jim Hill

… there was something silly. Like – say – a woman dressed as a Holstein pushing a baby stroller through the streets. And riding in that stroller was a pig dressed in a tutu.

Photo by Jim Hill

And given that this event was being staged in the Green Mountain State & all … Well, does it really surprise you to learn that — among the groups that marched in this year’s Strolling of the Heifers – was a group of eco-friendly folks who, with their  chants of “We’re Number One !,” tried to persuade people along the parade route not to flush the toilet after they pee. Because – as it turns out – urine can be turned into fertilizer.

Photo by Jim Hill

And speaking of fertilizer … At the tail end of the parade, there was a group of dedicated volunteers who were dealing with what came out of the tail end of all those cows.

Photo by Jim Hill

This year’s Strolling of the Heifers concluded at the Brattleboro town common. Where event attendees could then get a closer look at some of the featured units in this year’s parade…

Photo by Jim Hill

… or perhaps even pet a few of the participants.

Photo by Jim Hill

But as for the 90+ calves who took part in the 2017 edition of Strolling of the Heifers, once they reached the town common, it was now time for a nosh or a nap.

Photo by Jim Hill

Elsewhere on the common, keeping with this year’s “Dance to the Moosic” theme, various musical groups performed in & around the gazebo throughout the afternoon.

Photo by Jim Hill

While just across the way – keeping with Brattleboro’s tradition of showcasing the various artisans who live & work in the local community – some pretty funky pieces were on display at the Slow Living Exposition.

Photo by Jim Hill

All in all, attending Strolling of the Heifers is a somewhat surreal but still very pleasant way to spend a summer’s day in Vermont. And that’s no bull.

Photo by Jim Hill

Well, that could be a bull. To be honest, what with the wig & all, it’s kind of hard to tell. 

This article was originally published by the Huffington Post on Sunday, June 4, 2017

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Looking to make an authentic Irish meal for Saint Patrick’s Day? If so, then chef Kevin Dundon says not to cook corned beef & cabbage



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Let’s at least start on a positive note: Celebrated chef, author & TV personality Kevin Dundon – the man that Tourism Ireland has repeatedly chosen as the Face of Irish Food – loves a lot of what happens in the United States on March 17th.

“I mean, look at what they do in Chicago on Saint Patrick’s Day. They toss all of this vegetable-based dye into the Chicago River and then paint it green for a day. That’s terrific,” Kevin said.

But then when it comes to what many Americans eat & drink on St. Paddy’s Day (i.e., a big plate of corned beef and cabbage. Which is then washed down with a mug of green beer) … Well, that’s where Dundon has to draw the line.

Irish celebrity chef Kevin Dundon displays a traditional Irish loin of bacon with Colcannon potatoes and a Dunbrody Kiss chocolate dessert. Photo by Tom Burton. Copyright Disney Enterprises, Inc. All rights reserved

“Green beer? No real Irishman would be caught dead drinking that stuff,” Kevin insists. “And as for eating corned beef & cabbage … That’s not actually authentic Irish fare either. Bacon and cabbage? Sure. But corned beef & cabbage was something that the Irish only began eating after they’d come to the States to escape the Famine. And even then these Irish-Americans only began serving corned beef & cabbage to their friends & family because they had to make do with the ingredients that were available to them at that time.”

And thus begins the strange tale of how corned beef & cabbage came to be associated with the North American celebration of Saint Patrick’s Day celebration. Because – according to Dundon – beef just wasn’t all that big a part of the Irish diet back in the 19th century.

To explain: Back in the Old Country, cattle – while they were obviously highly prized for the milk & cheese that they produced – were also beasts of burden. Meaning that they were often used for ploughing the fields or for hauling heavy loads. Which is why – back then — these animals were rarely slaughtered when they were still young & healthy. If anything, land owners liked to put a herd of cattle on display out in one of their pastures because that was then a sign to their neighbors that this farm was prosperous.

“Whereas pork … Well, everybody raised pigs back then. Which is why pork was a staple of the Irish diet rather than beef,” Dundon continued.

So if that’s what people actually ate back in the Old Country, how then did corned beef & cabbage come to be so strongly associated with Saint Patrick’s Day in the States.? That largely had to do with where the Irish wound up living after they arrived in the New World.

“When the Irish first arrived in America following the Great Famine, a lot of them wound up living in the inner city right alongside the Germans & the Jews, who were also recent immigrants to the States. And while that farm-fresh pork that the Irish loved wasn’t readily available, there was brisket. Which the Irish could then cure by first covering this piece of meat with corn kernel-sized pieces of rock salt – that’s how it came to be called corned beef. Because of the sizes of the pieces of rock salt that were used in the curing process – and then placing all that in a pot of water with other spices to soak for a few days.”

And as for the cabbage portion of corned beef & cabbage … Well, according to Kevin, in addition to buying their meat from the kosher delis in their neighborhood, the Irish would also frequent the stores that the German community shopped in. Where – thanks to their love of sauerkraut (i.e., pickled cabbage) – there was always a ready supply of cabbage to be had.

“So when you get right down to it, it was the American melting pot that led to corned beef & cabbage being found in the Irish-American cooking pot,” Dundon continued. “Since they couldn’t find or didn’t have easy access to the exact same ingredients that they had back in Ireland, Irish-Americans made do with what they could find in the immediate vicinity. And what they made was admittedly tasty. But it’s not actually authentic Irish fare.”

Mind you, what Kevin serves at Raglan Road Irish Pub and Restaurant at Disney Springs (which – FYI – Orlando Magazine voted as the area’s best restaurant back in 2014) is nothing if not authentic. Dundon and his team at this acclaimed gastropub pride themselves on making traditional Irish fare and then contemporized it.

Copyright Disney Enterprises, Inc. All rights reserved

“Take – for example – what we serve here instead of corned beef & cabbage. Again, because it was pork – rather than beef – that was the true staple of the Irish diet back then, what we offer instead is a loin of bacon that has been glazed with Irish Mist. That then comes with colcannon potatoes. Which is this traditional Irish dish that’s made up of mashed potato that have had some cabbage & bacon mixed through it,” Kevin enthused. “This heavenly ham – that’s what we actually call this traditional Irish dish at Raglan Road, Kevin’s Heavenly Ham – also includes some savory cabbage with a parsley cream sauce as well as a raisin cider jus. It’s simple food. But because of the basic ingredients – and that’s the real secret of Irish cuisine. That our ingredients are so strong – the flavors just pop off the plate.”

Which brings us to the real challenge that Dundon and the Raglan Road team face every day. Making sure that they actually have all of the ingredients necessary to make this traditional-yet-contemporized Irish fare to those folks who frequent this Walt Disney World favorite.

“Take – for example – the fish we serve here. We only used cold water fish. Salmon, mussels and haddock that have been hauled out of the Atlantic, the ocean that America and Ireland share,” Kevin stated. “Not that there’s anything wrong with warm water fish. It’s just that … Well, it doesn’t have the same structure. It’s a softer fish, which doesn’t really fit the parameters of Irish cuisine. And if you’re going to serve authentic food, you have to be this dedicated when it comes to sourcing your ingredients.

Copyright Mitchell Beazley. All rights reserved

And if you’re thinking of perhaps trying to serve an authentic Irish meal this year, rather than once again serving corned beef & cabbage at your Saint Patrick’s Day Feast … Well, back in September of last year, Mitchell Beazley published “The Raglan Road Cookbook: Inside America’s Favorite Irish Pub.” This 296-page hardcover not only includes the recipe for Kevin’s Heavenly Ham but also it tells the tale of how this now-world-renown restaurant wound up being built in Orlando.

On the other hand, if you happen to have to the luck of the Irish and are actually down at The Walt Disney World Resort right now, it’s worth noting that Raglan Road is right in the middle of its Mighty St. Patrick’s Day Festival. This four day-long event – which includes Irish bands and professional dancers – stretches through Sunday night. And in addition to all that authentic Irish fare that Dundon and his team are cooking up, you also sample the fine selection of beers & cocktails that this establishment’s four distinct antique bars (each of which are more than 130 years old and were imported directly from Ireland) will be serving. Just – As ucht Dé (That’s “For God’s Sake” in Gaelic) – don’t make the mistake of asking the bartender there for a mug of green beer.

“Why would anyone willingly drink something like that?,” Dundon laughed. “I mean, just imagine what their washroom will look like the morning after.”

This article was originally published by the Huffington Post on Friday, March 17, 2017

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