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Ruminations

Back again? Cranky pants are at the ready if you need them. Roger is all set to share today!

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Ever felt like your brain needed a jump-start? That’s me this week trying to come along with a topic. But never fear! The well is not dry just yet. Balky, yes, but not out of ideas…So, bouncing along, here we go.

Let me start off with this little gem. Gee, you’d almost think this was someone we all know, wouldn’t you?

As much as anyone, I would likely buy the Pal Mickey on a future visit, (Michele and I try not to buy more plush, but it doesn’t work. Yes, I do have one of the smaller Nemo’s.) But I would rather have a Pal Stitch or Pal Eeyore. “Thanks for noticing me…” Some wag (name protected to save the guilty) on the JHM message boards suggested a Pal Jim, but I warned them that he would probably never finish a story.

So, tomorrow is the big day in Anaheim. Wonder if the usual suspects got their media passes to go in and see all the fuss and muck? Guess we’ll know as soon as they get access to their ISP’s and start raking…

While I can appreciate some of the sentiments about closing the Park on a Saturday (why didn’t someone think of doing it on Friday instead?) night in the middle of the summer, I imagine folks (guests and CM’s alike) will roll with it. If I was in the middle of that once in a lifetime vacation and I didn’t know this was happening, I could become peeved about it. But I imagine Disney will offer all kinds of goodies to make up for it. Remember the old saying? “It’s far easier to ask forgiveness than to ask for permission.”

And any AP holder who tries to complain about the closure at City Hall should just have their pass revoked by Disney. Says right on the back of it, “This NONTRANSFERABLE Passport is the property of Disneyland Resort. It provides the individual whose name and picture appear herein with pre-specified, revocable privileges, which may be changed or canceled at any time without notice.” Some things just don’t get noticed, I guess…

Casting about for other things worthy of comment, I was somewhat surprised to see all the Disney characters that made the AFI’s Heroes and Villians list recently:

#10 Villian — The Queen from “Snow White”
#20 Villian — Man from “Bambi”
#39 Villian — Cruella De Ville from “101 Dalmatians”

#33 Hero — Tarzan from “Tarzan” various

Other Nominees included — (from animated and other Disney films)

Heroes:

Davy Crockett — from “Davy Crockett and the River Pirates”
Buzz Lightyear — “Toy Story” and “Toy Story 2”
Peter Pan — “Peter Pan”
Mary Poppins — “Mary Poppins”
Robin Hood — “Robin Hood”
Shrek — “Shrek”
Sinbad — “Sinbad”
*** Tracy — “*** Tracy”

Villians:

Judge Claude Frollo — “Hunchback of Norte Dame”
The Headless Horseman — “Ichabod Crane”
Captain Hook — “Peter Pan”
Maleficent — “Sleeping Beauty”
Long John Silver — “Treasure Island”
“Stromboli” — “Pinocchio”
“Ursula” — “The Little Mermaid”

And how is it that Gregory Peck never made it as a voice in a Disney animated film? Come on Burbank, there are more great voices out and about waiting to be used besides Wayne, David, Jim and Frank. Time for a rest for that quartet. Don’t you think?

And while I’m on a roll, call me one of the few people who had hoped for more than we got from “Finding Nemo.” As I posted to the JHM message board on June 2:

“Well, I saw it Saturday night in a theater that was “sold out” according to the marquee display at the box office. Funny thing, though… There were plenty of empty seats. Wonder who was padding the take?

As for the picture:

Yes, it looked nice. The audience, as a whole, liked it. However, I had issues with it.

Characters were good, as far as they went, which IMHO, was not far enough. Case in point, the sharks. Why waste such good potential characters (upon who so much was played up in marketing) to such a brief bit? I really felt they should have done better using them more than they did.

Story had more holes in it than the net full of fish at the end of the film. Sorry, just how I saw it.

Not so much a story as a series of connected scenes. I guess I wasn’t expecting an underwater version of an old Hope and Crosby “Road” picture (really B-movies with A stars – “Road to Utopia” anyone?), which was what we got.

At least we didn’t see every voice under contract at Disney as a fish ala Dreamworks and “Antz”. Could easily have happened. All the fish in the sea, etc. But can’t we look a bit further for voice talent than the pool? I like John Ratzenberger as much as anyone, but he’s become the Pixar equivalent of David Ogden Stiers and Disney. “Gentlemen…”

Was somewhat surprised by the “Bambi” moment so early. Considering that “Monsters” was so purposely brightened in tone, story and coloring to not seem so threatening to children, this was different — not the usual good times Pixar fluff to open.

Seagulls get my vote for best of the bunch. I will never look at one the same way.

Hope you all sat through the credits, there was a good laugh you shouldn’t have missed.

We were treated to many trailer before the feature including “Brother Bear” (Looks like a poor cousin to Dreamworks “Spirit” that will probably drive another nail into the coffin of 2D at Disney) and “The Incredibles” (one gag used too many times and November 2004? One long wait!).

And, no, I was not wearing the cranky pants either when I saw it or when I wrote this…

I guess I just expected better.”

While lurking about eBay, I amused to see the Reyn-Spooner shirts made for the Nemo cast and crew at Pixar for sale from Disney Auctions. Note that the same shirt is now for sale directly from Reyn-Spoonerbut backordered until sometime in July — for only $77.50 for adults up to XXL and for children for only $47.50. Amusingly, you won’t find shirts from this company for sale at Disneyland, as they used to be in the Adventureland Bazaar. Too bad as the company does nice work and has a good selection of Disney shirts in it’s catalog.

Which leads to another opportunity. Seems that we have a fair amount of traffic (yes, we do our own bit of user tracking – very simple) from folks who come and read the message boards but do not post. Trust me, we don’t bite, much. Come on in, the water’s fine. See something you don’t agree with? Post a reply! Same goes if you see something you do agree with! Post your reply! We (the lurkers and smurkers of the JHM message boards) would love to have you join in the fun.

I also noted that after the stories about Pal Mickey, the series of stories on other Disney fan pages goes on about the subject. One of the new folks on the message board had some interesting technical details about the processes involved. I won’t repeat it here, but if you’re into the geekier side of the story, check out the topic about the Pal Mickey story on the boards with all the info. If Disney really chooses to go the full route, that AP or Park Hopper Pass in your wallet could tell TDA a whole bunch of things you didn’t think about.

My column a while back on wine chatted a bit about Riesling, specifically mentioning Schloss Johanisberg in Germany’s Rheingau. The San Francisco Chronicle had a great article recently on the increasing popularity of this particular wine. Worth a read if wine is your thing…

Don’t know if you’ve seen this, but Rhino Records has released some great stuff. In particular, “That’s All Folks – Cartoon Songs From Merrie Melodies & Looney Tunes” has more great tracks from some of my favorite short subjects. Warner Brothers released two other discs, “The Carl Stalling Project” – Vol. 1 and 2, that offered a good start to sharing these gems with us. In the usual corporate foolishness, the other volumes promised have yet to see the store shelves, and Rhino fills the bill big time. Classics like the complete soundtracks for “What’s Opera, Doc?” and one of my all time favorites, “Three Little Bops” make this two disc set a must have. And the square dance called by Bugs Bunny from “Hillbilly Hare” got a friend to do a classic spit take when I mentioned the phrase “fursuit square dance”! It may seem pricey for a CD set at $31.98, but Amazon has the first two volumes at $29.98 on special. If you love the music from these as much as I do, you should have all four discs! Buy now!

The Kid Rhino label also has some newer bits including the Animaniacs as well as Powerpuff Girls discs. Rhino also has DVDs including MST3K!

In other theme park areas, the Las Vegas Hilton has Star Trek: The Experience, and it’s going through some changes. A second attraction featuring the Voyager bridge and an encounter with the Borg is under construction. No changes to the retail end of things with Deep Space Nine’s Promenade planned from what my sources tell me…

Remember the Red Car’s from “Who Framed Roger Rabbit”? Well, they’re making a comeback down in San Pedro. Soon to see service are an original Pacific Electric wooden interurban car and two recreations. The wooden car, PE 1058, appeared in several scenes in the film. Here’s info on the car and it’s conversion to rubber tires for operation after the end of the PE.

How about some info from the web pages on the new operation? “The new Port of Los Angeles Waterfront Red Car Line is a 1.5 mile vintage trolley line connecting San Pedro’s cruise ship terminal with other attractions along the waterfront. The $7 million dollar project is being financed and constructed by the Port of Los Angeles, the independent City agency which manages the bustling port facility, and the Los Angeles Department of Water and Power. The line will use a former Pacific Electric right-of-way, now used only for freight operation, rebuilt to accommodate trolley operations with traditional 600-volt DC overhead trolley wire. The stations will feature ADA-compliant high-level platforms that will make boarding and alighting easier for everyone and the new cars will easily accommodate wheelchairs.” No side trips to Toon Town… Should be up and running sometime this summer, so if you’re in the area, something new to look for.

Who says you can’t get anything worthwhile for free? If like many Disney fans I know, you have a thing for monorails, why not join the Monorail Society? Just over 3000 members share this interest. With monorails becoming transportation all over the world (with Las Vegas as our most notable system in the U.S.), there is a lot of information being shared here.

So, finally, if you’re waiting for “Pirates” to come to your local theaters, like a lot a lot of folks I know, grab a rum drink or three, say “Aarrrgh”, sing a chorus of your favorite pirate lyrics and settle in for the wait…

 

Next week? Strap on your parachutes, cause Roger’s gonna tell you about flying in a big World War II airplane!

And if you’ve enjoyed another fine mess above, why not click on the link for Roger’s Amazon Honor System Pay Box and share a buck or two? It’s appreciated greatly if you do!

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History

The Super Bowl & Disney: The Untold Story Behind ‘I’m Going to Disneyland!’

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One of the highlights of the Super Bowl isn’t just the game itself—it’s the moment when the winning quarterback turns to the camera and exclaims, “I’m going to Disney World!” This now-iconic phrase has been a staple of post-game celebrations for decades. But where did this tradition begin? Surprisingly, it didn’t originate in a stadium but at a dinner table in 1987, in a conversation involving Michael Eisner, George Lucas, and aviation pioneers Dick Rutan and Jeana Yeager.

Credit: AP News

The Unlikely Beginning of a Marketing Sensation

To understand the origins of this campaign, we have to go back to December 1986, when the Rutan Voyager became the first aircraft to fly around the world without stopping or refueling. Pilots Dick Rutan and Jeana Yeager completed the nine-day journey on December 23, 1986, flying over 26,000 miles before landing at Edwards Air Force Base. Their historic achievement earned them national recognition, and just days later, President Ronald Reagan awarded them the Presidential Citizen Medal at the White House.

Meanwhile, Disney was gearing up for the grand opening of Star Tours at Disneyland, set for January 12, 1987. Following its usual playbook of associating major theme park attractions with real-world pioneers, Disney’s PR team invited astronauts Gordon Cooper and Deke Slayton to the launch event. But in a twist, they also invited Rutan and Yeager, who were still making headlines.

Credit: Endor Express

A Dinner Conversation That Changed Advertising Forever

After the Star Tours opening ceremony, a private dinner was held with Disney CEO Michael Eisner, George Lucas, and Eisner’s wife, Jane. During the meal, Eisner asked Rutan and Yeager, “You just made history. You traveled non-stop around the planet on a plane without ever refueling. How are you ever going to top that, career-wise? What are you two gonna do next?”

Without hesitation, Jeana Yeager replied, “Well, after being cramped inside that tiny plane for nine days, I’m just glad to be anywhere else. And even though you folks were nice enough to fly us here, invite us to your party… Well, as soon as we finish eating, I’m gonna go over to the Park and ride some rides. I’m going to Disneyland.”

Jane Eisner immediately recognized the power of Yeager’s statement. On the car ride home, she turned to Michael and said, “That’s a great slogan. I think you should use that to promote the theme parks.” Like many husbands, Michael initially dismissed the idea, but Jane persisted. Eventually, Eisner relented and pitched it to his team.

The Super Bowl Connection

With Super Bowl XXI just around the corner, Disney’s PR team saw an opportunity. The game was set for January 25, 1987, at the Rose Bowl in Pasadena—just miles from Disney Studios. What if they convinced the winning quarterback to say, “I’m going to Disneyland” live on-air?

Disney quickly struck a deal with both quarterbacks—Phil Simms of the New York Giants and John Elway of the Denver Broncos—offering each $75,000 to deliver the line if their team won. Simms led the Giants to victory, making history as the first athlete to say, “I’m going to Disney World!” on national television.

A Marketing Triumph

That year’s Super Bowl had the second-highest viewership in television history, with 87 million people watching Simms say the famous line. The next day, Disney turned the clip into a national commercial, cementing the phrase as a marketing goldmine.

Since then, “I’m going to Disneyland” (or Disney World, depending on the commercial) has been a staple of championship celebrations, spanning the NFL, NBA, and even the Olympics. What started as a casual remark at dinner became one of the most successful advertising campaigns in history.

A Lasting Legacy

Jane Eisner’s keen instinct and Disney’s ability to act quickly on a great idea created a tradition that continues to captivate audiences. The “I’m going to Disneyland” campaign remains a testament to the power of spontaneous inspiration and smart marketing, proving that sometimes, the best ideas come from the most unexpected places.

To learn more about Disney’s ties to the world of sports, check out I Want That Too: A Disney History and Consumer Product Podcast.

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Television & Shows

How the Creators of South Park Tricked A-List Celebrities to Roast Universal – “Your Studio & You”

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Your Studio and You

Universal Studios has a rich and storied history, but few moments are as peculiar—and as hilariously cutting—as the creation of Your Studio & You. This 14-minute parody film, commissioned in 1995 to celebrate Universal’s new ownership under Seagram’s, brings together an all-star cast, biting humor, and the unmistakable comedic fingerprints of Matt Stone and Trey Parker.

Long before South Park debuted on Comedy Central in 1997, Stone and Parker were already carving out a reputation for their irreverent style, and Your Studio & You perfectly encapsulates their knack for turning even the most corporate project into something delightfully subversive.

Matt Stone & Trey Parker Before South Park

Stone & Parker were already known out in Hollywood as funny guys. Thanks largely to “The Spirit of Christmas,” which was this video greeting card that they’d crafted for a Fox executive – who then distributed this infamously funny thing (which had Our Lord Jesus Christ & Santa Claus literally duking it out for the holiday affections of Cartman, Kenny, Stan & Kyle) to friends & family.

This was the early 1990s. No internet. Each copy of “The Spirit of Christmas” was made on VHS tape and then mailed. Went viral the old-fashioned way. It’s rumored that George Clooney made over 300 copies of “The Spirit of Christmas” and passed these VHS taps along to friends and family.

Things didn’t move as fast as they do today. “The Spirit of Christmas” still became a sensation out West.

Zucker Brothers

Matt & Trey also had other supporters in the entertainment industry. Among them David Zucker, who was one of the members of ZAZ (i.e., Zucker Abrahams Zucker), the talented trio that made “Airplane!” in 1980, “Top Secret!” in 1984 and the three “Naked Gun” movies.

  • The original “Naked Gun” in 1988
  • “Naked Gun 2 & 1/2 : The Smell of Fear” in 1991
  • and “Naked Gun 33 & a 1/3: The Final Insult” in 1994

All five of these parody films had been made for Paramount Pictures. But in the Late Winter / Early Spring of 1995, Universal had persuaded the Zucker Brothers to come over and set up shop in a bungalow on their lower lot. With the hope that – at some point further on down the line – David & his brother Jerry would start making funny films for Universal.

Zucker Brothers featured in "Your Studio and You"

And it’s during this same window of time (We’re now talking April of 1995) that news breaks that Seagrams (Yep, the adult beverage company. Who – at the time – was making an absolute fortune on the sales of wine coolers) was about to buy a majority stake in MCAUniversal. We’re talking control of 80% of that company’s stock. Which would effectively make Seagrams the new owners of Universal Studios.

Edgar Bronfman

And Edgar Bronfman – the owner of Seagrams – knew that Universal had had a tough time with its previous owners – which had been the Matsushita Electric Industrial Co. of Japan. Matsushita had bought MCA back in November of 1990 for $7.5 billion but had never really understood the entertainment industry.

This is why – after repeatedly butting heads with Lew Wasserman & Sidney Sheinberg (i.e., the heads of Universal Studios & the Universal theme park respectively) when it came to creative control of this company – Matsushita decided to wash it hands of the entire enterprise.  Agreeing to sell their holdings in MCA to Seagrams for $5.7 billion (effectively taking a nearly $2 billion loss on this investment).

Edgar M. Bronfman
Credit: NYTimes

And Bronfman … He knew that some bad feeling had developed between Hollywood’s creative community and the Japanese owners of Universal. The thinking was that executives at Matsushita Electric had just not gotten what it took to make movies & TV shows.

And Edgar? Right from the get-go, he wanted to show that Seagrams was NOT going to be Matsushita Electric Redux. Bronfman was looking for a way to send a clear message to Hollywood’s creative community that Universal’s new owners got it. That they were willing to work with Hollywood to make the best possible movies & TV shows at Universal.

And how did Edgar decide to get this message across? By making a funny movie.

Zucker Commissions Trey Parker for “Your Studio & You”

Mind you, Bronfman himself didn’t make this film. The owner of Seagrams reached out to David Zucker. Who – after initially agreeing to produce this introduction-to-Universal film – then farmed out the production of the actual project to Trey Parker. Who – just two days before shooting was supposed to star on the Universal Lot – persuaded Matt Stone to come help him on this project.

Which brings us to “Your Studio and You.” Which is a parody of an educational film from the 1950s, right down to being shot in black & white and featuring a very generic soundtrack.

Now what’s amazing about watching “Your Studio and You” today is that this 14-minute-long film features some of the biggest names working in Hollywood back in the mid-1990s. We’re talking about people like recent Golden Globe winner Demi Moore, Sylvester Stallone, Michael J. Fox and Angela Lansbury. Not to mention two of the most powerful men in all of Hollywood, Steven Spielberg & Jeffrey Katzenberg.

And what’s especially interesting about watch “Your Studio and You” is that – as you watch these performers go through their paces in this motion pictures (which – most of the time – involves doing some innocuous task while holding a Seagram’s wine cooler) – you often get the feeling that this star is not in on the gag.

So how did Matt & Trey get away with this? Simple. There was never actually a script for “Your Studio and You.”

Filming “Your Studio & You” at Universal Studios Hollywood

Mind you, David Zucker would always insist that there was. Especially when he’d phone up celebrities on the Universal Lot and say “Hey, I’m sending over a couple of college kids later today. They’re working with me on a new parody film. It’s something that we’re doing for the new owners of Universal. I need just a half hour of your time. We’re shooting something special for the party we’ll be holding when the Seagrams people first arrive at the Studio. Absolutely. You’ll definitely get an invite to that party. So can I count on you to help these kids out? Beautiful. They’ll be over there later this morning.”

And then Matt & Trey would show up and say “… Dang, Miss Lansbury. We’re sorry. We must have left our copy of the ‘Your Studio and You’ script back in our office. Which is clear on the other side of the Lot. So – rather than waste your time – why don’t we do this instead? Follow us over to the Psycho House. Where we’re then going to get footage of you painting the front porch on Mother Bates’ house while you say ‘Gosh, with all of the wonderful improvements going on around here, everyone is going to want to work at Universal.’ Oh, and can we also get you to wear this button on the front of your blazer which reads ‘Universal is A-OK’ ? “

And over & over again, the biggest names who were working for Universal at that time took part in the production of “Your Studio & You” because A) David Zucker vouched for Matt Stone & Trey Parker and B) this was something that was being made for the new owners of Universal. And it’s just natural to want to get in good with the new boss.

Steven Spielberg, Jeffery Katzenberg, and Jaws

But no one at Universal anticipated that “Your Studio & You” would wind up being as sharp edged as the finished product turned out to be. I mean, it’s one thing to bite the hand that feeds you. But “Your Studio & You” ? It doesn’t just bite the hand. It takes the hand off at the wrist.

It’s a brutally funny film. With one of the meanest moments reserved for Steven Spielberg, who plays a driver on the Universal Studio Tour who’s trying to persuade a tram full of bored tourists (one of whom is played by Jeffery Katzenberg) that the “Shark Attack” scene down by Jaws Lagoon is actually exciting.

Spielberg actually says lines like “ … Whoa, whoa. What is going on here? Ladies and gentlemen, this never happens. Look out! It’s a shark! Whoa, that is one big scary shark.”


Mind you, as footage of this mechanical shark repeatedly coming up out of the water is shown, “Your Studio & You” ‘s off-screen narrator (who is voiced by Trey Parker says):

“But what about tomorrow? If we don’t keep in step with the times, things that were once neat and thrilling can become old and stupid.”

“Your Studio & You” Reception

This film was supposed to be shown only once at the welcoming party for Seagrams executive on the Universal Lot. And I’m told that – when Edgar Bronfman saw the finished product at that party – he reportedly turned to David Zucker and said “ … That’s a little more mean-spirited that I think it needed to be.”

And with that, “Your Studio & You” was supposed to go back into the Universal vault, never to be seen again. But when “South Park” debuted on Comedy Central in August of 1997 and then became a sensation for its biting humor, there was suddenly a lot of interest in what else Matt & Trey had done. Which is why copies of “The Spirit of Christmas” began to circulate. And – over time – copies of “Your Studio & You” began to bubble up.

Which – as Stone & Parker have repeatedly pointed out – was just not supposed to happen. Largely because none of the celebrities who appeared in “Your Studio & You” had never signed releases for Universal’s legal department. Because – again – this was for a movie that was only going to be shown once at a private function on the Universal Lot.

Matt mentioned (as part of a career retrospective at the Paley Center in LA back in 2000) that “ … they wouldn’t even let us keep a copy of the finished film.”

It’s a funny but brutal movie. And worth taking a look at today especially if you’re a theme park history buff because it shows Universal Studios Hollywood’s “Jurassic Park: The Ride” still under construction on the Lower Lot. That attraction would finally open to the public in June of 1996.

“Your Studio & You” became a lot easier to see after Seagrams sold off its share of Universal to Vivendi in 2000. Copies began propagating online after that. Though Universal Legal will periodically make an effort to get the latest copy of “Your Studio & You” taken off the Internet because – again – none of the performers who appear on camera ever signed the proper releases and/or were paid for their efforts.

That said, if you’re up for a mean-spirited laugh, “Your Studio & You” is well worth 14 minutes of your time. That said, once you watch this thing, be warned:

  1. You’re immediately going to be thirsty for a Seagram’s wine cooler
  2. And you’re going to have a sudden desire to go out & buy a porcelain deer.
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Theme Parks & Themed Entertainment

Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

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Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.

The Very First Parade and the Early Days of Balloons

The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.

And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade

It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.

Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.

Duck Joins and Towers Over Mickey

A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.

Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.

A Somber Parade in 2001

Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.

That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo

Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.

In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.

These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey

After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.

But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios

In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024

This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.

As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.

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