Theme Parks & Themed Entertainment
Ruminations
Hoping you enjoyed one of Jim Hill’s Disneyland Resort tours last weekend, Roger’s back, first with a look at meeting customer needs and then a peek at three of the “official” Disneyland tours. Surprises await!
Well, let’s see… Today is Friday, the thirteenth. So, summon up all the good luck you can find!
You may recall that I was off to the Disneyland Resort back in May for the long Memorial Day weekend. Originally, the plan called for my six-year old nephew to join us. I was looking forward to seeing the park from that perspective. But plans change, so we were without him as our guide.
Switching to a hastily assembled plan “B”, we took advantage of a variety of different activities. In other words, we made it up as we went along. Kind of like some of my columns from time to time. However, not so today, as this one was in production not long after the return from the Southland. Who knew procrastination could be so much fun? (By the time you read this, I may actually have posted the full trip report over on the Laughing Place boards!)
But in the best Jim Hill tradition, I’m off to drift to another topic before reaching the real story.
A recent pleasure has been reading a fine magazine called “Heritage Railway” — all about preserved railways and equipment in the British Isles. If some folks think we are all a bit goofy about Disney, then they would really have something to say about the world of railway preservation over there.
Thanks to a bit of forward thinking, a great deal of history (not just railways) has been preserved for future generations to enjoy. Lotteries and a variety of national trusts, along with generous donors fund many worthy projects.
Where once railway lines were abandoned to the weeds and weasels, or were collecting rust on rails and wheels, today vacationing families enjoy a heritage tourism experience widely unequaled in North America.
In the February 2003 issue of “Heritage Railway”, there was a six-page interview with a media mogul railway preservationist. As they put it, “Pop impresario Pete Waterman, whose Hit factory music company gave us amongst other household names, Kylie Minogue and Steps, has established his rail vehicle maintenance company LNWR as the market leader in contract rolling stock repairs.”
Pete got his start in 1961 in railway service and success in his music career allowed his hobby to transition to a full-time booming business. For a while, he even owned what is likely the most well-known steam locomotive in the world, #4472, the “Flying Scotsman.” (The locomotive has pulled excursion trains in England, Scotland and Wales as well as the United States, Canada and Australia.)
What caught my attention in this interview were comments that while intended for railway museums and the like, are easily applicable to anyone who competes for disposable income in today’s market. Here are the quotes:
“… Our heritage lines are not tourist attractions — they are ‘theme parks’.
What we are really saying to the public is ‘please come and visit our themed attraction and provide the finance so that for the rest of the year we the steam enthusiasts can play trains’.
Nothing wrong with that, but to achieve it railways must embrace progress and learn the skills of customer care.
Perhaps 15 years ago it was sufficient to steam a restored engine, stick any old coaches behind it and chuff up and down between nowhere and nowhere.
Not so now; the preserved railways have to compete head to head with other theme parks and attractions for a share of visiting families hard-earned money. Our railways need to be clean, accessible, and safe but most of all have family appeal.
The steam buff may tolerate inadequate toilet facilities and ‘paper cup tea bars’, the 21st Century family will not, they want, and deserve, more ‘buzz for their buck’.
Our steam railway, which really are working museums, create enjoyment for a great many people, employment for some and for certain keep alive in hundreds of working volunteers the skills of the past.
The youngsters of today find fascination in recreations of the steam era, the Reverends Awdry’s stories (Thomas The Tank Engine) are highly popular, the steam train in the Harry Potter series of movies delighted youngsters worldwide, so where’s the problem?
Get it right — and the paying customers will come. Get it wrong — and the bank manager will come, wearing that ‘I want my money back’ expression, and any organisation who fails to get customer care right will have contributed to their own failure.”
Gee, sounds like something that a fair number of folks have been saying for sometime. Now if only those in the right places would get the message. Got a two by four handy for the traditional smack upside the head?
The truth is that there exists intense competition for the disposable income of any consumer. It’s everything from McDonalds to Blockbuster to Safeway to Wal-Mart to Starbucks to Disney. Success is something shared among them in more ways than one. Giving the customer what they want and need is a challenge they all will try to meet. We’ve seen both their failures as well as their successes. There will certainly be more of both. As much as we would hope for more of the latter, the only guarantee is that the competition will only become greater for that disposable income. As the choices increase, so will the need to excel at meeting the customers needs.
Another challenge is to look for more clients for your existing products. The San Francisco Chronicle carried a story in it’s May 16 edition describing how retailers are looking to increase their market share among Hispanic customers. One particular example was Hallmark cards and how they had doubled the number of cards for that market to 2,500 over the past year. The article notes how the Hispanic market has grown over the last decade. Up 58 percent to 35.3 million according to census data. Here’s hoping folks in certain Burbank offices are paying attention.
Now back to the Disneyland Resort…
Hope that everyone who joined Jim for his last batch of Anaheim tours had a great time. Wish I could have been there. Lots to learn about one of our favorite places.
Disney offers some interesting tours of their own of both Disneyland and Disney’s California Adventure. As the story is told, the tradition of tour at Disneyland goes back to Walt himself and the days before the Park opened to the public. Nothing made Walt happier than a trip around the place to see what was going on. And if he could share his enthusiasm with someone at the same time, well then that was all the better.
As Walt became better known to guests, he was often besieged for autographs. It got to the point where he could hardly cross Main Street without being mobbed. So his days of playing tour guide were over and the task farmed out to a staff of lovely young ladies. Garbed in a snappy outfit reminiscent of English riding clothes in a fine red tartan pattern (complete with hat and riding crop), they were easy to spot as they led guests about the Park.
On our recent visit, we started our day by entering Disneyland and stopping so Michele could visit with her counterparts at the AAA travel office, in what used to be the Tour Garden. While she chatted, my mother and I ventured over to the Tour Cart located in front of City Hall. Capably staffed by Edmundo, we learned more about both of the Disneyland tours available.
Taking the flyers describing the tours, we went off to breakfast to contemplate the choices. Harking back to visits of earlier days, our target for this meal was the River Belle Terrace (yes, I’ve heard stories from CM’s who did time here) in Frontierland. (My father and mother both visited the Park back in 1955, but separately. My mother, aunt and a friend made a short nighttime visit that first summer. My father remembers having breakfast on his first visit, at what was then the Aunt Jemima Pancake House, complete with the scene of Walt Disney having a chat with the woman appearing as Aunt Jemima. Oh, for a photo of that!) I stepped back a few years and enjoyed a Mickey pancake. Good as ever!
So what are the differences between the two tours? Well, from their respective flyers, here we go:
The “Red Carpet Tour” offers a look at both Disneyland and Disney’s California Adventure. It’s two and half-hours long ending with V.I.P. seating for one of the performances of “Aladdin”, and offers two extra Fast Passes for use after the tour. The cost is $25 per person, and park admission is not included. You need to already have your pass for the day. (I’m not sure if you need a park hopper pass or not, but I would tend to doubt it, as the tour begins with Disneyland.)
The other tour has been offered for a few years, and is called “A Walk In Walt’s Footsteps.” This tour was $49 per person, again not including admission, and is three and half-hours long. Highlights of this tour include:
A sneak peek at the lobby of the legendary Club 33 restaurant in New Orleans Square
A visit to the Enchanted Tiki Room, the first Disneyland attraction to feature Disney’s innovative Audio-Animatronics technology
A collectible “A Walk In Walt’s Footstep’s” trading pin
Luncheon on the balcony of the Disney Gallery, complete with one of Walt’s favorite desserts!
This tour is limited to 15 guests, and was offered twice that day. The other tour was only offered once.
Looking over the choices, we opted for “A Walk In Walt’s Footsteps” at 2:30 p.m. and booked space for the three of us over the phone, using a credit card to save our spots.
We arrived at the designated spot (in front of Guest Relations, outside Disneyland to the left of the News Stand) about 20 minutes before the start of the tour to check in. A short time later, Edmundo and D.J. arrived to gather the group together. A brief introduction got things started with the menu for lunch passed around and our selections noted. D.J. went off to place our orders, and left Edmundo to handle the tour guide duties.
Next time you enter the Park, think of it as entering a theater lobby. If you look carefully, you will note how there is an uphill slope from the Esplanade into Ticket Gates and then under the berm into Town Square. (We learned this while some of the group was leaving packages at the News Stand for pick-up later, a great idea! Why carry a lot of stuff on the tour?) And if you look carefully at the Town Square you’ll notice how there is a downhill slope on Main Street — just like the floor of a theater — heading toward the Plaza in front of the Castle.
(I won’t give away all of the tour secrets, but I will say that I was impressed by some of the information provided along the way. In some cases, I had expected a bit of sugar coating of certain facts, but surprisingly got the more realistic facts instead of the fiction.)
From Town Square, we made our way into the lobby of the Main Street Opera House for a look at the Walt Disney Story, both in photos and in a excerpt from the recent Walt Disney documentary, “Walt: The Man Behind The Myth”. Then a glimpse at the formal office on display, as recreated from the Studio in Burbank. (It’s a bit eerie seeing this after having viewed the building where it used to be from the outside on the lot.) While Edmundo did mention that the Studio is closed to visitors, I did remind him of the past years when the Holiday Crafts fairs had offered that rare one-day opportunity. Hopefully, this year will also see the tradition continue.
Exiting the theater lobby (thankfully not having to sit through the new Lincoln show! As much as I like the AA show, I find the audio theatrics to be just showing off the technology instead of telling the story of Lincoln and the challenges he faced.), we headed over to the firehouse to hear the tale of Walt’s apartment. Edmundo even related the tale of Walt being seen in his underwear one morning by a curious child who had climbed the brass pole from the floor below. The apartment used to be part of the tour, but now is off limits, in memory of Walt.
I suspect ADA access is more of a reason as a small staircase is the only way in or out. That and I recall a tale of the apartment being found in disarray after someone used it for an after hours event and didn’t clean up after themselves.
Following Edmundo, we traveled down Main Street noting some previous tenants of some of the shops including the Wizard of Bras and the Main Street Tobacco Shop. Also discussed was the use of forced perspective along Main Street toward the Plaza and the installation of the Partners statue in the Hub. A brief look at the Snow White Grotto led into Fantasyland (just in time for the Sword In The Stone ceremony) to tell a bit about the area and the Castle.
Edmundo pointed out some of the “hidden features of the area” including the Wicked Queen peering out of her window along with the brass apple in the Snow White queue area. He also noted how when the area was first opened, all of attractions were created so that the guests would fill the roles of the lead characters in the stories. For example, you were Snow White retracing her path through the Scary Adventures or Peter Pan flying through Neverland. Guests didn’t really understand so the attractions were changed and now these characters appear along the way. Both Alice and Mr. Toad still have some of that original design. Toad aficionados will recall that nowhere does he actually appear in the attraction — you are Toad on one of his wild rides!
The tour then went out to a spot between the Carnation Gardens and the Plaza in front of the Castle. Note the flagstones in the grass and the gate from the walkway into the area. Kind of a neat spot I never noticed before! Here we heard more about the area and Edmundo pointed out the one Spire not finished in gold like all the others, marking that Disneyland is never finished.
The next stop was a welcome one as we got the chance to sit down for a performance in the Tiki Room. Sadly, we missed the pre-show, one of my favorites. (And yes, the whole place still could use more than a little attention. Would it really be too much to ask for an update of the thatch and bamboo?) After the show, we got to meet a special guest, and I’ll save that surprise for you to experience in person. Very neat by the way…
From the Tiki Room, we wandered off through Adevntureland through New Orleans Square (with our stop in the lobby of Club 33 — sorry no chances to buy souvenirs!) and on to the Haunted Mansion. (Here’s where we heard the tale of the British journalist who misunderstood Walt about the Mansion being for sale… among other stories) Had Pirates been open (it was down for refurbishing) I imagine we would have visited as it was noted as being the last attraction supervised by Walt. We the boarded the Disneyland Railroad for a ride over to Tommorrowland, with a stop to view the Submarine Voyage with rumors flying (no confirmation). Crossing back through the Park we stopped next to Ariel’s Grotto to hear about the Monsanto House of the Future and view the remaining wall of the foundation.
Crossing the Plaza one last time, we’re heading back to New Orleans Square to finish up the tour at the Disney Gallery. As the rest of us take the stairs, Michele gets to use the elevator, and ends up in the Club 33 kitchen. Now I’m jealous!
The tour winds up with a look at what would have been Walt’s suite of apartments over New Orleans Square. Lunch was in the patio, not on the balcony, and the food was a nice finish, with our pins waiting for us — all with our names so we know who gets what.
Top points to both Edmundo and D.J. for a great and informative tour. For someone like my mom, there was a lot to learn about Walt and his park. For the more informed, yes, there were some things to learn. And they also wanted feedback! Who knew? I suggested that a horticultural tour of the resort might be a winner, just as the Gardens of Epcot tour has become in the East. Especially considering that when the Park first opened, Walt had folks putting Latin names on weeds to make guests think they were fancy landscaping!
D.J. related that one of his tasks is to keep tabs on the various web sites and see what’s being reported. Nice to know we are being watched by interested folks.
We finally left the Disney Gallery a little after 6 p.m. after a fine Saturday afternoon. Back to our room at the Grand Californian, where we all recovered in our own ways. Some napped, I wrote some of this column on the trusty iBook, and checked the message boards.
Well worth the time and the money for this tour, in my humble opinion…
Now here’s the real surprise!
Over at the Grand Californian, there is a great tour of the hotel, called “The Art of the Craft” and it’s FREE! Yes, free. But I do think there is one catch. You have to be a guest of the hotel in order to sign up for the tour. (Space is limited.) That’s done at the Concierge Desk.
The day we took the tour, Dave was our guide through this wonderful structure. He mentioned that different people give the tour each day, and that they all have their favorite features to show guests. So it can be a different experience each time.
Highlights for me included the Hearthstone Lounge where all of the redwood you see came from a single previously fallen tree that Disney had purchased; a variety of one-of-a-kind pieces of art and furniture around the lobby; the way the forest is imitated through the use of patterns in the carpet, wall treatments and paper borders to cap the image; the landscaping reflecting the side of the hotel, i.e. plants on the north side being those found in the northern part of California; and finally, the way in which architectural elements blended with structural elements. I can never look at the hotel in the same way after this tour.
Dave also related that a book about the hotel and the Craftsman style is in production. A check at the Concierge Desk this last visit revealed that it is still a work in progress, hopefully to be in print sometime next year. I can’t wait!
So, the next time you’re down at the Disneyland Resort, why not try one of the “official” tours? I think you’ll enjoy them just as much as I did!
Next week? Climb aboard as Roger takes you out into the world for the chance to try something that some of you may have always wanted to do, but didn’t think you ever would be able to!
And if Roger keeps you amused with these columns, why not show that appreciation by clicking on the link for his Amazon Honor System Paybox and sharing a buck or three? He certain appreciates it when you do!
Theme Parks & Themed Entertainment
Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street
When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.
You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.
This is where Disneyland’s Little Monsters on Main Street came in.
The Origins of Little Monsters on Main Street
Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.
This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.
A Unique Halloween Experience
Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.
The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.
It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!
The Haunted Mansion “Tip-Toe” Tour
Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.
Growing Success and a Bigger Event
Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.
In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.
From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash
Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.
While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.
The Merch: A Piece of Little Monsters History
For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.
While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.
Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!
Theme Parks & Themed Entertainment
The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition
The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.
Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.
A Not-So-Scary Beginning
I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.
This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.
A Different Approach
Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.
Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.
Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.
A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.
A Modest Start but a Big Future
That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.
Universal’s Influence
It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.
So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.
For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.
History
The Evolution and History of Mickey’s ToonTown
Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all. Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?
There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.
The Beginning: Mickey’s Birthdayland
The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.
In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.
Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.
From Concept to Reality: The Birth of Toontown
In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.
Building Challenges: Innovative Solutions
The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.
And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.
Key Attractions: Bringing Animation to Life
Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.
Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.
Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.
Executive Decisions: Shaping ToonTown’s Unique Attractions
The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.
In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.
These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.
Global Influence: Toontown’s Worldwide Appeal
The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.
Evolution and Reimagining: Toontown Today
As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.
Dive Deeper into ToonTown’s Story
Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!
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