General

Wednesdays with Wade: Walt’s Christmas Story

Wade Sampson shares a highlight of this year’s JHM Christmas Party. Which was Jim Korkis telling the story of the Christmas that literally changed Walt Disney’s life

Published

19 years ago

December 20, 2005

Jim Korkis

During the holiday season, there are many wonderful Disney related Christmas stories. I thought about writing about my favorite Disney Christmas cartoons or live-action movies or the history of the Candlelight Processional or the Osborne Festival of Lights. Then it occured to me that one of my favorite Disney holiday stories has never appeared fully in print. Highly abbreviated versions are in both the Diane Disney Miller biography of her father and in the classic “Walt Disney: An American Original” by Bob Thomas.

For those who were unable to attend this year’s Jim Hill Media Christmas Party in Orlando, one of the highlights was Disney Historian Jim Korkis telling the complete story of the Christmas present that gave us the Walt Disney that we all know today. Jim spent many years tracking down the full story and confirming the facts and one of the things that folks like about Jim is how freely he shares information that cost him time and money to obtain.

Jim Korkis is all smiles as he poses with one of the guests at this year’s JHM Christmas Party:
Margaret Kerry, the original model for Tinker Bell in Disney’s “Peter Pan”
(Photo by Stephan Solovitz)

So as Christmas approaches, I thought I would ask Jim if he would be kind enough to share the full story and, of course, being a Disney Historian and a nice guy, Jim felt it would be his way of giving a gift to all of those who love the true spirit of Disney as much as he does. So here it is:

“Walt’s father, Elias, bought a newspaper distributorship in Kansas City, Missouri which meant that he had a certain area where he was responsible for the daily delivery of the newspaper. He hired boys to deliver the papers, paying them up to $2.50 a week. His son, Walt, also delivered those papers starting at age eight but was paid nothing. Elias felt that since he provided clothing and food for his son that was payment enough.

In addition to doing his paper route, Walt earned extra money by delivering prescriptions for a local drugstore and sold extra newspapers on street corners without his father knowing about it. During the noon recess at school, he swept out the candy store across from the school in return for a hot meal. Some days after school, he wasn’t even able to steal a few minutes to play football or hockey with his school friends because he had to deliver the afternoon edition of the newspaper.

Walt never forgot his days as a newsboy and some of those memories weren’t always pleasant ones. Walt had re-occuring nightmares throughout his life and one of them was that he had missed customers on my paper route. He’d wake up in a kind of a cold sweat and think, ‘Gosh, I’ve got to hurry and get back. My dad will be waiting up at that corner.’ His dad really wanted to make that business a success after so many other failures and Walt could sense that anxiety.

Young Walt’s route was in a fairly wealthy neighborhood. They were certainly much better off finanically than the Disney family at the time. Walt would start out at 3:30 in the morning and some of the kids in the neighborhood had wonderful toys and often they would leave them out on the porch after playing with them the previous evening.

Walt didn’t have any toys. If he got a top or marbles or something, it was a big deal. Everything his parents gave him was something practical like underwear or a winter jacket. His older brother Roy was the one who set aside some extra money from his job so that Walt and his younger sister Ruth would always get some small toy for Christmas.

Anyway, there would be kid’s toys out on these big porches. At four o’clock in the morning in the dark, Walt would put his paper bag down and go up and play with these wind-up trains and things. He’d sit there and play all alone with them. One time he came to a porch and there were some toys as well as a box of half eaten candy. So he sat there and ate some of the half-eaten candy and played with the toys.

When Walt told about this time in his life, he always insisted on saying that he left the toys in good shape and always carefully put them back in the same place so the families wouldn’t know he’d played with them. Then he’d have to hurry and finish his route before school started.

In the wintertime, he had to get up at 3:00 in the morning for awhile and he’d fall back asleep sitting on the edge of his bed, tying his shoes. His dad would yell ‘Walter!’ and he’d wake up with his heart racing and finish tying his shoes.

He delivered the papers to the apartments first. He’d go up three floors and deliver to all the doors and come down. Years later, he could remember with clarity those icy cold days when he was just a kid. One time the snow drifts were higher than he was. The weather records for Kansas City confirms that fact. On those icy cold days he’d sometimes have to crawl up those icy, slippery steps. Walt once told his daughters that he would sometimes slip down the steps and just cry because he was all alone and so cold.

In the winter Elias would insist that every paper had to go behind the storm door. On these days when Walt finally got home, people had looked out on their porch but wouldn’t open the front door. They’d look on the porch and see no paper and they’d go and phone Elias to complain and Walt’s dad would say sternly, ‘Walter, did you forget to deliver to so and so?’ And his dad wouldn’t believe him when he told them he had.

Elias would say ‘Well, they say they didn’t find it. Now here, here’s a paper.’ Walt would have to go all the way back up there. Young Walt would struggle back through the cold and go up and ring the bell. When they’d come, he’d open the storm door and the paper would fall at their feet and Walt would be standing holding another one outside. They’d say something like ‘Oh, I’m sorry I didn’t look there’. No matter how often it happened, they’d still forget to look there.

One Christmas when Walt was about thirteen, he decided he wanted these boots. The kids at school were all wearing boots then and he really wanted a pair of these high leather boots with metal toes and decorated leather strips over the laces. Walt knew that money was tight and that his dad would never agree to such an extravagance so he tried arguing that the boots would be very practical for delivering newspapers through the slush and rain. It would give him more traction and so he could deliver the papers quicker. His dad didn’t agree.

Walt remembered hounding his parents for quite awhile hoping the boots would appear as a birthday present or for Christmas. Well, Walt’s mom, Flora had put aside a few pennies each week from the housekeeping budget without her husband knowing and Roy had gotten some extra work and contributed that money so on that Christmas, Walt got his pair of boots.

He ran downtown and leaned against a drugstore near the intersection of Thirty-First and Indiana showing off his new boots in hopes that some of his school friends might pass by. It was a warmer winter and some of the ice had already started to melt a bit.

According to Walt about six o’clock, it got dark at that time of year and he decided to go back home. While he was walking across the street, he came up with a new game to kill time. There were hunks of ice frozen in the street because the street was where the ice would start to melt first. So with those new boots on he was kicking these hunks of ice. He’d kick them loose and they skid across the street and Walt was trying to figure what new variations he could create by kicking harder or softer or at an angle.

He came up to kick one hunk of ice and got stuck. He tried to pull his foot out and he couldn’t. There was no leverage. There was a nail frozen in that block of ice. A big horseshoe nail. The nail had gone right through the boot into his foot.

There wasn’t anyone around. They were all home with their families at that time. Walt couldn’t break the hunk of ice loose. He couldn’t put any pressure on his foot and he started to panic and just yelled: “Help! Help!”

Walt said that streetcars went by as he waved and yelled, “Help!” They just looked at him and went on by. Even people walking a block away didn’t stop. They thought he was a kid playing around. They didn’t realize he was stuck to that piece of ice.

Walt claimed he was stuck that way for a good twenty minutes before a horsedrawn delivery wagon came by. Walt yelled, “Help! I’m stuck! I’m stuck!” But the guy didn’t believe him. He started to go on. And Walt finally broke into tears. And the driver stopped. He said suspciously, “Are you kidding?” And Walt through his tears said, “No, I’m stuck!”

So the driver came back and looked and saw what had happened. He had to go and get a tool to chop the ice loose. And he carried the small frail boy down the corner where there was a doctor’s office. He took Walt up to the doctor’s office and the only thing the doctor could do was get a big pair of pliers and put two people holding the young boy’s legs down. He said, “Kid, I can’t do anything for you. I haven’t got anything to give you. Just hang on.”

So Walt had to grit his teeth as the doctor got these huge metal pliers to dig in and pull the nail out of his foot. In order to do that, the doctor had to cut the boot off. Then he went in and he had to open up the hole to get the dirt out and then, of course, came the tetanus shot.

Walt was laid up for two weeks. He had to lay on the couch in the living room with his foot elevated. He felt terrible. How could he have been so stupid as to kick blocks of ice? The Disney family would never be able to afford another pair of boots. The fear of being trapped alone on that street came back to haunt his dreams.

Unable to go to school and with no radio or other forms of entertainment, all Walt could do was read or sketch cartoons in a big pad given him by his aunt. At one time, he had seriously considered being a doctor or a lawyer but finally realized that he wasn’t an exceptional student. With all the work he was doing, he would sometimes try to catch a catnap in class and miss important information.

He didn’t have the grades necessary to go to a good college and his family would never be able to afford to send him to college even if he did. He thought about performing and while he had had some recognition with his various comedy acts, he really did lack the self confidence to pursue a career on the larger vaudeville circuit.

He realized that he loved cartooning. His drawings got chuckles from the people at the local barbershop as well as his fellow students at school. When his mother went to the school to pick up his homework, she would drop off those cartoons and then report back to him on the positive reactions they had gotten.

By the time his foot healed, he had made a firm decision to become a professional cartoonist. Certainly it was an odd choice for a poor boy and there weren’t many opportunities for cartoonists. Most newspapers already had their staff cartoonists and weren’t looking for new talent.

Very reluctantly, his father allowed him to take his first art lessons on Saturday mornings at the Kansas City Art Institute. When the family moved to Chicago a year or so later, Walt took more classes at the Chicago Academy of Fine Art and studied with Leroy Gossitt who was a cartoonist for the “Chicago Herald” newspaper.

Walt soon joined up for the WWI ambulance corp in France less than three years after getting those boots. When he returned to the United States, he was ready for his future.

It was that gift of a pair of boots that gave the world the Walt Disney we know today. It was that gift that helped a thirteen year old focus on what his future would be and to marshall all his efforts to make that dream come true.

So this holiday season, look very carefully at that present you give or receive. Just like Walt, it could be the one that transforms your future.”

General

Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District

Published

9 years ago

June 23, 2015

Jim Hill

Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.

Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.

Photo by Jim Hill

Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.

Photo by Jim Hill

Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building
…

Photo by Jim Hill

… and eventually wound up just below Times
Square (right behind where the Waterford Crystal Times Square New
Year's Eve Ball is kept).

Photo by Jim Hill

But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created.

Photo by Jim Hill

And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.

Photo by Jim Hill

Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …

Photo by Jim Hill

… the postman delivering the mail …

Photo by Jim Hill

… the hot dog vendor working at his cart …

Photo by Jim Hill

… the street musician playing for tourists …

Photo by Jim Hill

Not to mention the tourists themselves.

Photo by Jim Hill

But right alongside the bronze businessmen …

Photo by Jim Hill

… and the tired grandmother hauling her groceries home …

Photo by Jim Hill

… there were also statues representing people who were
from out-of-town …

Photo by Jim Hill

… or — for that matter — out-of-time.

Photo by Jim Hill

These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.

Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill

Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these
bronzes?"

Mind you, for those of you who aren't big fans of the
impressionists …

Photo by Jim Hill

… there's also an array of American icons. Among them
Marilyn Monroe …

Photo by Jim Hill

… and that farmer couple from Grant Wood's "American
Gothic."

Photo by Jim Hill

But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.

Photo by Jim Hill

By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).

Photo by Jim Hill

By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th.

General

Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues

Published

10 years ago

June 10, 2015

Jim Hill

Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las
Vegas.

Photo by Jim Hill

I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.

Photo by Jim Hill

Take — for example — all of "The Secret Life of
Pets" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
Entertainment production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.

Photo by Jim Hill

Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.

Photo by Jim Hill

And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice" to start trending on Twitter today — brought
the Batmobile to Las Vegas.

Photo by Jim Hill

Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.

Photo by Jim Hill

That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.

Photo by Jim Hill

And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.

Photo by Jim Hill

Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.

Photo by Jim Hill

I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.

Photo by Jim Hill

I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.

Photo by Jim Hill

Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.

Photo by Jim Hill

Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
Pictures will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis —
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."

Photo by Jim Hill

Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with production of Genndy Tartakovsky's
"Popeye" movie. But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.

Photo by Jim Hill

And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.

Photo by Jim Hill

"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.

Photo by Jim Hill

I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.

Photo by Jim Hill

And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.

Photo by Jim Hill

And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."

Photo by Jim Hill

And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."

Photo by Jim Hill

One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.

Photo by Jim Hill

Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.

Your thoughts?

General

It takes more than three circles to craft a Classic version of Mickey Mouse

Published

10 years ago

June 9, 2015

Jim Hill

You know what Mickey Mouse looks like, right? Little guy,
big ears?

Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
Park (especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.

Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.

Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.

That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.

Take — for example — Disney
California Adventure
Park's "World of Color:
Celebrate!" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.

Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity
3.0.

"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "

"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"

Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.

"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."

But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity
3.0.

"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."

And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.

"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.

Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.

"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."

So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?

"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."

This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015