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Were Michael Jackson & Mickey Mouse actually supposed to team up for a music video back in the 1980s? Profiles in History has the proof

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Just a quick heads-up to all you animation & theme park history buffs
out there: Profiles in History is holding an animation art auction on
Wednesday, July 31st that you really don't want to miss.


Copyright 2013 Profiles in History. All
rights reserved

Joseph Maddalena and his PIH team always manage to chase down some truly
amazing items for their auctions. Rarer-than-rare pieces like this early concept painting of Snow
White

from back when Walt was considering making "The Fairest in the Land"
a blonde.


Copyright 2013 Profiles in History. All
rights reserved

Or this "Brer Rabbit's Splash Mountain" booklet that the
Imagineers put together in the mid-1980s, back when Walt Disney Parks &
Resorts was still trying to persuade McDonalds to come be the sponsor of this
still-yet-to-be-built flume ride.


Copyright 2013 Profiles in History. All
rights reserved

That's what's usually so great about the animation art auctions that the Profiles in
History people put together. The entertaining & eclectic mix of items that
Maddalena & Co. always manage to put together. Weird
period promotion items like the cell below, which shows Donald Duck dressed as the
Coachman from Disney's "Pinocchio
" …


Copyright 2013 Profiles in History. All
rights reserved

… or how about the ultimate pool toy? Which would be a couple of full-sized deep sea
diver figures that used to be part of the show at Disneyland's Submarine Voyage ride.


Copyright 2013 Profiles in History. All
rights reserved

But if I had to pick the one item from Wednesday's animation
art auction that is the true gem, that one thing which Disney enthusiasts &
pop culture fans are going to completely lose their minds over, I'd have to say
that it was Item No. 374. Which is this set of 12 storyboards for a never-shot
music video which was to have started Michael Jackson & Mickey Mouse.


Copyright 2013 Profiles in
History. All rights reserved

Yep, back in the late 1980s, the King of Pop wanted to do what his idol —
screen legend Gene Kelly — had never been able to pull off. And that was dance with
the world's most famous cartoon mouse.

For those who haven't heard this story before: Back in 1944 when Kelly was still
pulling together the dance routines that he wanted to perform in Metro-Goldwyn-Mayer's then-upcoming musical, "Anchors Aweigh
," he reportedly reached out directly to Walt Disney
and asked for his permission to use Mickey Mouse in a musical number that would combine live-action footage & animation in a way that had never been done before.


The Gene Kelly Audio Animatronic figure from the
"Singin' in the Rain" sequence in
the Great Movie Ride at WDW's
Disney's Hollywood Studios theme park.
Copyright Disney Enterprises, Inc. All
rights reserved

As the story goes, Walt allegedly initially gave Gene permission to use
Mickey in this soon-to-begin-shooting screen musical. But then Roy O. Disney
reportedly nixed the idea, arguing that since the Studio still owed millions to
the Bank of America for earlier production loans, it just wouldn't be wise for
Disney to lend out the Studio's biggest star to the competition for free.

So since Gene now couldn't dance with Mickey in "Anchors Aweigh," Kelly
was then forced to go with the second most famous cartoon mouse in the world. Which is Jerry the Mouse of "Tom & Jerry" fame.
And while the finished version of  this musical number still wound up being a wow … To hear Michael tell this story, whenever these two legendary entertainers
got together to talk about Hollywood history, Gene would
always eventually wind up moaning about how Roy O. Disney had ruined his chance to work with Mickey
Mouse. Which is why he had to settle for the second best cartoon mouse instead.


Copyright Warner Home Video. All rights reserved

Now jump ahead to September of 1986. Which is when "Captain EO" had just
opened at Disneyland Park.
Which — to Michael Jackson's way of thinking, anyway — meant that The Walt
Disney Company now owed him.

And given that Michael was already been developing
"Moonwalker
" at this point (i.e., a "Fantasia
" -like concert film
that Jackson dreamed of building around some of the songs featured on his
soon-to-be-released album, 1987's "Bad
") … Well, he wasn't going to settle for second best. Michael now wanted to do what Gene Kelly hadn't been able to do 40+ years earlier. Which is why Jackson reportedly reached out
to Michael Eisner and personally pitched Disney's then-CEO about Michael &
Mickey possibly teaming up to do a dance routine together for this
yet-to-be-shot motion picture.

Now as I understand it, it was Jackson himself who hired a
former Disney artist to put together the storyboards that were used for this pitch. Which
starts out with the King of Pop telling the kids he's babysitting that it is now time to go to bed.


Copyright 2013 Profiles in
History. All rights reserved

And as Jackson
is herding this boy & girl into their bedroom, Michael notices that these
kids have left some of their toys behind on the floor.


Copyright 2013 Profiles in
History. All rights reserved

But as Michael bends over and picks up that Mickey Mouse doll, the King of
Pop's magical touch then somehow brings this plush toy to life.


Copyright 2013 Profiles in
History. All rights reserved

At first, Michael & Mickey just dance & interact inside of that kids playroom.


Copyright 2013 Profiles in
History. All rights reserved

But then with a wave of that magical paintbrush which so
often appears in Disney productions …


Copyright 2013 Profiles in
History. All rights reserved

… Mickey & Michael find themselves dancing through a
surreal animated landscape that borrows a number of ideas & key creative
concepts from the Benny Goodman sequence in Disney's 1946, "Make Mine
Music

."


Copyright 2013 Profiles in History. All rights
reserved

The borrowing from other earlier Disney animated films continues as
Mickey — just as he did in the "Sorcerer's Apprentice" sequence in
"Fantasia" — lose control of the magic that powers this fantasy world.
And as giant dinosaur-like musical notes threaten to eat the world's most
famous mouse, it's up to the King of Pop to rescue this rodent.


Copyright 2013 Profiles in
History. All rights reserved

Before things get totally out of control, Mickey &
Michael finally manage to make their way back to the relative safety of that kids playroom which they started out  in …


Copyright 2013 Profiles in
History. All rights reserved

… where Mickey now decides that he's had more than enough music
& magic for one night. And as the Mouse climbs up onto the dresser …


Copyright 2013 Profiles in
History. All rights reserved

… and as Michael clicks off the lights in the playroom …


Copyright 2013 Profiles in
History. All rights reserved

… the camera swings back to the dresser, revealing that
Mickey is now once again just a plush plaything.


Copyright 2013 Profiles in
History. All rights reserved

Isn't that a cute — if somewhat slight — concept to build a
late 1980s-era music video around? Michael Jackson certainly thought so. And even though he
and Disney's lawyers reportedly repeatedly tried to find a way to make this
live action / animated musical extravaganza actually happen, in the end, they just
couldn't get the financials to line up.

Long story short: Given that Michael had made "Captain
EO" for the Disney Parks, Jackson
— being the shrewd businessman that he was — felt that Eisner should now give him
a sweetheart deal. Make him only pay pennies on the dollar for the rights to use Mickey Mouse
in this proposed music video.


Mickey Mouse bows down before the
King of Pop during a
1980s-era visit to WDW's Magic
Kingdom. Copyright
Disney
Enterprises, Inc. All rights reserved

Whereas Michael Eisner … While he recognized what a huge deal it would be from
a promotional point of view for both the Company & its most famous character to have Mickey Mouse & Michael Jackson appear together in
a music video, he still wasn't willing to sell Disney's corporate symbol
short. And when Jackson wasn't able
to get Eisner to budge on the proposed budget for the project … Well, that's
when Michael suddenly found himself in Gene Kelly country. That if he still really wanted
"Moonwalker" to have an animated sequence in it, Jackson
was now going to have to creatively compromise. Which is why the proposed
Mickey-and-Michael musical number got ditched in favor of a new Will Vinton-produced Claymatian sequence built around Jackson's
"Speed Demon" song
.


Copyright Warner Home Video.
All rights reserved

So was Jackson angry with Eisner specifically and The Walt Disney Company in general for not allowing him to use Mickey Mouse in this proposed music video? Well, as you watch the "Speed Demon" sequence in "Moonwalker" today, it's hard not to look those two huge, obnoxious & grossly overweight Disney fans with their Mickey Mouse ears who are prominently featured in this portion of that motion picture …


Copyright Warner Home Video. All rights reserved

… without thinking that these two Claymation characters have to be some sort of crude attempt at payback.

Anyway, this 22.5-by-30-inch board (which is covered with 12
drawings that are each 5.5 by 6.5 inches) are now all that remains of that proposed
Mickey & Michael team-up. And given how many Mickey Mouse & Michael
Jackson fans there are out there … Well, I'd have to say that — when this
animation art auction is all over on Wednesday afternoon — I will be very
surprised if this piece of pop culture history doesn't wind up going for a multiple of the amount than the
people at Profiles in History currently suggest that it will. Which is a relatively lowball
bid of $600 – $800.

So what did you folks think of the artwork for this proposed
Mickey & Michael music video? If this project had actually been completed,
would you have been that much more likely to see "Moonwalker" when it
was released to theaters back in 1989 and/or have purchased this Michael Jackson movie when it then became
available on VHS?


Copyright Warner Home Video. All rights reserved

Your thoughts?

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Jens Dahlmann of LongHorn Steakhouse has lots of great tips when it comes to grilling

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Sure, for some folks, the Fourth of July is all about fireworks. But for the 75% of all Americans who own a grill or a smoker, the Fourth is our Nation’s No. 1 holiday when it comes to grilling. Which is why 3 out of 4 of those folks will spend some time outside today working over a fire.

But here’s the thing: Though 14 million Americans can cook a steak with confidence because they actually grill something every week, the rest of us – because we use our grill or smoker so infrequently … Well, let’s just say that we have no chops when it comes to dealing with chops (pork, veal or otherwise).

So what’s a backyard chef supposed to in a situation like this when there’s so much at steak … er … stake? Turn to someone who really knows their way around a grill for advice. People like Jens Dahlmann, the Vice President and Corporate Executive Chef for Darden Restaurant’s LongHorn Steakhouse brand.

Given that Jens’ father & grandfather were chefs, this is a guy who literally grew up in a kitchen. In his teens & twenties, Dahlmann worked in hotels & restaurants all over Switzerland & Germany. Once he was classically trained in the culinary arts, Jens then  jumped ship. Well, started working on cruise ships, I mean.

Anyway … While working on Cunard’s Sea Goddess, Dahlmann met Sirio Maccioni, the founder of Le Cirque 2000. Sirio was so impressed with Jens’ skills in the kitchen that he offered him the opportunity to become sous-chef at this New York landmark. After four years of working in Manhattan, Dahlmann then headed south to become executive chef at Palm Beach’s prestigious Café L’Europe.

Jens Dahlmann back during his Disney World days

And once Jens began wowing foodies in Florida, it wasn’t all that long ’til the Mouse came a-calling. Mickey wanted Dahlmann to shake things up in the kitchen over at WDW’s Flying Fish Café. And he did such a good job with that Disney’s Boardwalk eatery the next thing Jens knew, he was then being asked to work his magic with the menu at the Contemporary Resort’s California Grill.

From there, Dahlmann had a relatively meteoric rise at the Mouse House. Once he became Epcot’s Food & Beverage general manager, it was only a matter of time before he wound up as the executive chef in charge of this theme park’s annual International Food & Wine Festival. Which – under Jens’ guidance – experienced some truly explosive growth.

“When I took on Food & Wine, that festival was only 35 days long and had gross revenues of just $5.5 million. When I left Disney in 2016, Food & Wine was now over 50 days long and that festival had gross revenues of $22 million,” Dahlmann admitted during a recent sit-down. “I honestly loved those 13 years I spent at Disney. When I was working there, I learned so much because I was really cooking for America.”

And it was exactly that sort of experience & expertise that Darden wanted to tap into when they lured Jens away from Mickey last year to become LongHorn Steakhouse’s new Vice President and Corporate Executive Chef. But today … Well, Dahlmann is offering tips to those of us who are thinking about cooking steak tips for the Fourth.

Photo by Jim Hill

“When you’re planning on grilling this holiday, if you’re looking for a successful result, the obvious place to start is with the quality of the meat you plan on cooking for your friends & family. If you want the best results here, don’t be cheap when you go shopping. Spend the money necessary for a fresh filet or a New York strip. Better yet a Ribeye, a nice thick one with good marbling. Because when you look at the marbling on a steak, that’s where all the flavor happens,” Jens explained. “That said, you always have to remember that — the higher you go with the quality of your meat — the less time you’re going to want that piece of meat to spend on the grill.”

And speaking of cooking … Before you even get started here, Jens suggests that you first take the time to check over all of your grilling equipment. Making sure that the grill itself is first scraped clean & then properly oiled before you then turn up the heat.

“If you’re working with a dirty grill, when you go to turn your meat, it may wind up sticking to the grill. Or maybe those spices that you’ve just so carefully coated your steak with will wind up sticking to the grill, rather than your meat,” Dahlmann continued. “Which is why it’s always worth it to spend a few minutes prior to firing up your grill properly cleaning & oiling it.”

Photo by Jim Hill

And speaking of heat … Again, before you officially get started grilling here, Jens says that it’s crucial to check your temperature gauges. Make sure that your char grill is set at 550 (so that it can then properly handle the thicker cuts of meat) and your flattop is set at 425 (so it can properly sear thinner pieces of meat).

Okay. Once you’ve bought the right cuts of quality meat, properly cleaned & oiled your grill, and then made sure that everything’s set at the right temperature (“If you can only stand to hold your hand directly over the grill for two or three seconds, that’s the right amount of heat,” Dahlmann said), it’s now time to season your steaks.

“Don’t be afraid to be bold here. You can’t be shy when it comes to seasoning your meat. You want to give it a nice coating. Largely because — if you’re using a char grill — a lot of that seasoning is just going to fall off anyway,” Jens stated. “It’s up to you to decide what sort of seasoning you want to use here. Even just some salt & pepper will enhance a steak’s flavor.”

Then – according to Dahlmann – comes the really tough part. Which is placing your meat on the grill and then fighting the urge to flip it too early or too often.

“The biggest mistake that a lot of amateur cooks make is that they flip the steak too many times. The real key to a well-cooked piece of meat is just let it be, “Jens insisted. “Of course, if you’re serving different cuts of meat at your Fourth of July feast, you always want to put your biggest thickest steak on the grill first. If you’re also cooking a New York Strip, you want to put that one on a few minutes later. But after that, just let the grill do its job and flip your meat a total of three or four times, once every three minutes or so.”

Of course, the last thing you want to do is overcook a quality piece of meat. Which is why Dahlmann suggests that – when it comes to grilling steaks – if you’re going to err, err on the side of undercooking.

“You can always put a piece of meat back on the grill if it’s slightly undercooked. When you over-cook something, all you can do then is start over with a brand-new piece of meat,” Jens said. “Just be sure that you’re using the correct cut of meat for the cooking result you’re aiming for. If someone wants a rare or medium rare steak, you should go with a thicker cut of steak. If one of your guests wants their steak cooked medium or well, it’s best to start with a thinner cut of meat.”

Photo by Jim Hill

As you can see, the folks at Longhorn take grilling steaks seriously. How seriously? Just last week at Darden Corporate Headquarters in Orlando, seven of these brand’s top grill masters (who – after weeks of regional competitions – had been culled from the 491 restaurants that make up this chain) competed for a $10,000 prize in the Company’s second annual Steak Master Series. And Dahlmann was one of the people who stood in Darden’s test kitchens, watching like a hawk as each of the contestants struggled to prepare six different dishes in just 20 minutes according to Longhorn Steakhouse’s exacting standards.

“I love that Darden does this. Recognizing the best of the best who work this restaurant,” Jens concluded. “We have a lot of people here who are incredibly knowledgeable & passionate when it comes to grilling.”

Speaking of which … If today’s story doesn’t include the exact piece of info that you need to properly grill that T-bone, just whip out your iPhone & text GRILL to 55702. Or – better yet – visit  ExpertGriller.com prior to firing up your grill or smoker later today. 

This article was originally published by the Huffington Post on Tuesday, July 4, 2017

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Brattleboro’s Strolling of the Heifers is a sincere if somewhat surreal way to spend a summer’s day in Vermont

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Some people travel halfway ‘around the planet so that they can then experience the excitement of the Running of the Bulls in Pamplona. If you’re more of a Slow Living enthusiast (as I am), then perhaps you should amble to Brattleboro, VT. Where – over the first weekend in June – you can then join a herd of cow enthusiasts at the annual Strolling of the Heifers.

Now in its 16th year, this three-day long event typically gets underway on Friday night in June with a combination block party / gallery walk. But then – come Saturday morning – Main Street in Brattleboro is lined with thousands of bovine fans.

Photo by Jim Hill

They’ve staked out primo viewing spots and set up camp chairs hours ahead of time. Just so these folks can then have a front row seat as this year’s crop of calves (which all come from local farms & 4-H clubs) are paraded through the streets.

Photo by Jim Hill

Viewed from curbside, Strolling of the Heifers is kind of this weird melding of a sincere small town celebration and Pasadena’s Doo Dah Parade. Meaning that – for every entry that actually acknowledged this year’s theme (i.e. “Dance to the Moosic”) — …

Photo by Jim Hill

… there was something completely random, like this parade’s synchronized shopping cart unit.

Photo by Jim Hill

And for every piece of authentic Americana (EX: That collection of antique John Deere tractors that came chugging through the city) …

Photo by Jim Hill

… there was something silly. Like – say – a woman dressed as a Holstein pushing a baby stroller through the streets. And riding in that stroller was a pig dressed in a tutu.

Photo by Jim Hill

And given that this event was being staged in the Green Mountain State & all … Well, does it really surprise you to learn that — among the groups that marched in this year’s Strolling of the Heifers – was a group of eco-friendly folks who, with their  chants of “We’re Number One !,” tried to persuade people along the parade route not to flush the toilet after they pee. Because – as it turns out – urine can be turned into fertilizer.

Photo by Jim Hill

And speaking of fertilizer … At the tail end of the parade, there was a group of dedicated volunteers who were dealing with what came out of the tail end of all those cows.

Photo by Jim Hill

This year’s Strolling of the Heifers concluded at the Brattleboro town common. Where event attendees could then get a closer look at some of the featured units in this year’s parade…

Photo by Jim Hill

… or perhaps even pet a few of the participants.

Photo by Jim Hill

But as for the 90+ calves who took part in the 2017 edition of Strolling of the Heifers, once they reached the town common, it was now time for a nosh or a nap.

Photo by Jim Hill

Elsewhere on the common, keeping with this year’s “Dance to the Moosic” theme, various musical groups performed in & around the gazebo throughout the afternoon.

Photo by Jim Hill

While just across the way – keeping with Brattleboro’s tradition of showcasing the various artisans who live & work in the local community – some pretty funky pieces were on display at the Slow Living Exposition.

Photo by Jim Hill

All in all, attending Strolling of the Heifers is a somewhat surreal but still very pleasant way to spend a summer’s day in Vermont. And that’s no bull.

Photo by Jim Hill

Well, that could be a bull. To be honest, what with the wig & all, it’s kind of hard to tell. 

This article was originally published by the Huffington Post on Sunday, June 4, 2017

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Looking to make an authentic Irish meal for Saint Patrick’s Day? If so, then chef Kevin Dundon says not to cook corned beef & cabbage

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Let’s at least start on a positive note: Celebrated chef, author & TV personality Kevin Dundon – the man that Tourism Ireland has repeatedly chosen as the Face of Irish Food – loves a lot of what happens in the United States on March 17th.

“I mean, look at what they do in Chicago on Saint Patrick’s Day. They toss all of this vegetable-based dye into the Chicago River and then paint it green for a day. That’s terrific,” Kevin said.

But then when it comes to what many Americans eat & drink on St. Paddy’s Day (i.e., a big plate of corned beef and cabbage. Which is then washed down with a mug of green beer) … Well, that’s where Dundon has to draw the line.

Irish celebrity chef Kevin Dundon displays a traditional Irish loin of bacon with Colcannon potatoes and a Dunbrody Kiss chocolate dessert. Photo by Tom Burton. Copyright Disney Enterprises, Inc. All rights reserved

“Green beer? No real Irishman would be caught dead drinking that stuff,” Kevin insists. “And as for eating corned beef & cabbage … That’s not actually authentic Irish fare either. Bacon and cabbage? Sure. But corned beef & cabbage was something that the Irish only began eating after they’d come to the States to escape the Famine. And even then these Irish-Americans only began serving corned beef & cabbage to their friends & family because they had to make do with the ingredients that were available to them at that time.”

And thus begins the strange tale of how corned beef & cabbage came to be associated with the North American celebration of Saint Patrick’s Day celebration. Because – according to Dundon – beef just wasn’t all that big a part of the Irish diet back in the 19th century.

To explain: Back in the Old Country, cattle – while they were obviously highly prized for the milk & cheese that they produced – were also beasts of burden. Meaning that they were often used for ploughing the fields or for hauling heavy loads. Which is why – back then — these animals were rarely slaughtered when they were still young & healthy. If anything, land owners liked to put a herd of cattle on display out in one of their pastures because that was then a sign to their neighbors that this farm was prosperous.

“Whereas pork … Well, everybody raised pigs back then. Which is why pork was a staple of the Irish diet rather than beef,” Dundon continued.

So if that’s what people actually ate back in the Old Country, how then did corned beef & cabbage come to be so strongly associated with Saint Patrick’s Day in the States.? That largely had to do with where the Irish wound up living after they arrived in the New World.

“When the Irish first arrived in America following the Great Famine, a lot of them wound up living in the inner city right alongside the Germans & the Jews, who were also recent immigrants to the States. And while that farm-fresh pork that the Irish loved wasn’t readily available, there was brisket. Which the Irish could then cure by first covering this piece of meat with corn kernel-sized pieces of rock salt – that’s how it came to be called corned beef. Because of the sizes of the pieces of rock salt that were used in the curing process – and then placing all that in a pot of water with other spices to soak for a few days.”

And as for the cabbage portion of corned beef & cabbage … Well, according to Kevin, in addition to buying their meat from the kosher delis in their neighborhood, the Irish would also frequent the stores that the German community shopped in. Where – thanks to their love of sauerkraut (i.e., pickled cabbage) – there was always a ready supply of cabbage to be had.

“So when you get right down to it, it was the American melting pot that led to corned beef & cabbage being found in the Irish-American cooking pot,” Dundon continued. “Since they couldn’t find or didn’t have easy access to the exact same ingredients that they had back in Ireland, Irish-Americans made do with what they could find in the immediate vicinity. And what they made was admittedly tasty. But it’s not actually authentic Irish fare.”

Mind you, what Kevin serves at Raglan Road Irish Pub and Restaurant at Disney Springs (which – FYI – Orlando Magazine voted as the area’s best restaurant back in 2014) is nothing if not authentic. Dundon and his team at this acclaimed gastropub pride themselves on making traditional Irish fare and then contemporized it.

Copyright Disney Enterprises, Inc. All rights reserved

“Take – for example – what we serve here instead of corned beef & cabbage. Again, because it was pork – rather than beef – that was the true staple of the Irish diet back then, what we offer instead is a loin of bacon that has been glazed with Irish Mist. That then comes with colcannon potatoes. Which is this traditional Irish dish that’s made up of mashed potato that have had some cabbage & bacon mixed through it,” Kevin enthused. “This heavenly ham – that’s what we actually call this traditional Irish dish at Raglan Road, Kevin’s Heavenly Ham – also includes some savory cabbage with a parsley cream sauce as well as a raisin cider jus. It’s simple food. But because of the basic ingredients – and that’s the real secret of Irish cuisine. That our ingredients are so strong – the flavors just pop off the plate.”

Which brings us to the real challenge that Dundon and the Raglan Road team face every day. Making sure that they actually have all of the ingredients necessary to make this traditional-yet-contemporized Irish fare to those folks who frequent this Walt Disney World favorite.

“Take – for example – the fish we serve here. We only used cold water fish. Salmon, mussels and haddock that have been hauled out of the Atlantic, the ocean that America and Ireland share,” Kevin stated. “Not that there’s anything wrong with warm water fish. It’s just that … Well, it doesn’t have the same structure. It’s a softer fish, which doesn’t really fit the parameters of Irish cuisine. And if you’re going to serve authentic food, you have to be this dedicated when it comes to sourcing your ingredients.

Copyright Mitchell Beazley. All rights reserved

And if you’re thinking of perhaps trying to serve an authentic Irish meal this year, rather than once again serving corned beef & cabbage at your Saint Patrick’s Day Feast … Well, back in September of last year, Mitchell Beazley published “The Raglan Road Cookbook: Inside America’s Favorite Irish Pub.” This 296-page hardcover not only includes the recipe for Kevin’s Heavenly Ham but also it tells the tale of how this now-world-renown restaurant wound up being built in Orlando.

On the other hand, if you happen to have to the luck of the Irish and are actually down at The Walt Disney World Resort right now, it’s worth noting that Raglan Road is right in the middle of its Mighty St. Patrick’s Day Festival. This four day-long event – which includes Irish bands and professional dancers – stretches through Sunday night. And in addition to all that authentic Irish fare that Dundon and his team are cooking up, you also sample the fine selection of beers & cocktails that this establishment’s four distinct antique bars (each of which are more than 130 years old and were imported directly from Ireland) will be serving. Just – As ucht Dé (That’s “For God’s Sake” in Gaelic) – don’t make the mistake of asking the bartender there for a mug of green beer.

“Why would anyone willingly drink something like that?,” Dundon laughed. “I mean, just imagine what their washroom will look like the morning after.”

This article was originally published by the Huffington Post on Friday, March 17, 2017

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